I have completed production and commenced publication of the fifth issue of my artist book/comic…BLOTTING PAPER: The Recollected Graphic Impressions Of Doctor Comics. The pages are being printed, collated, trimmed, bound and covered. Copies will soon be mailed to readers. Each copy will have an original postcard size print on the cover.
It has now been four years since publication of the first issue. That was launched at Hondarake-Full of Books in Sydney in February 2012 (see earlier post about the launch). A further four issues have been produced and published. I am now considering collecting these issues into graphic novel form. This will allow me the opportunity to make revisions to the story and artwork. The five issues have generated 200 pages of material. This may be altered following editing and development of the existing material. There also remains the possibility of a further new chapter! We’ll see about that!
I have still not completed this issue of my comic but I am getting there! Completion of the fourth issue of my artist book/comic…and ultimately, graphic novel…Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics is near. The printing and publishing process of those pages will follow. This includes the sequential stages of the pages being printed, collated, trimmed, covered and bound. As with the first three issues the fourth one has a total of 40 pages plus end-papers and covers. For this issue the covers will feature a wraparound print that includes the title. Being an artist book there will be a limited edition of 30. Each book in this first edition will be numbered and signed by the artist.
The addition of some spot colour plus a few paragraphs of handwriting is needed. It may also receive a bit of a toning touch-up and a little overprinting. I have spread out the pages in sequence on the floor of the studio. This reveals some sense of the overall flow of the comic. There might be the odd alteration to the sequencing in the final edit. I try to feel a sense of rhythm from reading and turning the pages.
UPDATE 6 JULY 2015: COMPLETION OF ISSUE #4! Although it took a little longer than expected I have now completed production of the fourth issue of my comic! The pages have been printed, collated, trimmed, bound and covered with title labels. Copies have been mailed to my supportive, personal readers. A possible launch is being looked at in Tokyo in October.
After running past the planned deadline and being slightly over budget I decided to finish in D.I.Y mode. This resulted in a somewhat hand-crafted look.
Now it’s on to the likely final issue…although reprints of previously published chapters are also a possibility…as is the eventual merging of all chapters into graphic novel form…I wish!…and can’t stop thinking about that possibility. Looking ahead, the tentatively titled 2 Tickets to Tokyo Bay Chapter 5 will be set in Germany and Japan. It depicts the continued activities of Doctor Comics’ cats and their new canine companion Barks in “funny animal” comics style. It may also contain further comics related recollections from Doctor Comics’ past, particularly his research of manga. Below is the ad for Chapter 5 on the back page of Issue 4.
Here is the next report, first one of the year, documenting production progress of my artist book/comic/graphic novel…Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics…Chapter 4-Beer, Chocolate and Comics. The story continues with both cats arriving in Hamburg in a shipping container on a freighter…and ends with them, seemingly accompanied by a newly acquired canine friend on another freighter bound for Tokyo Bay! However did that come about? Well, Japan is the setting for the subsequent chapter…as long as this scenario is not altered in the coming weeks.
I am continuing my graphic experiments with ink and paint on paper that is printed then torn and drawn upon…and sometimes collaged, to create documents, scenes and settings as well as thought and voice balloons for the characters.
The following quick sketches were made on my previous travels in Germany. They were kept in notebooks till it seemed they had some relevance and resonance for this project…and now I am finding ways of working them into this chapter.
More visual developments and an update on progress will be posted on this blog in three or four weeks time…as I continue to close in on completion of the comic.
UPDATE 20 JANUARY 2015: In response to a query in the comments…(see below)…I have added examples of how I intend using the abstract landscapes as backgrounds…or graphic expressions.
More visual developments and an update on progress should be posted on this blog around the end of the month…as I near completion of the comic…and, as always, your feedback on my blog is most welcome.
This is the second report documenting the production of the fourth issue of my artist book/comic…Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics. The new chapter Beer, Chocolate and Comics…deals with the feline characters recovering from the demise of their patron…and their subsequent travels in Germany to visit the world of European comics.
Continuing the turnaround of events and forward momentum that the above image from Chapter 3 illustrates…my feline leading characters start to get on top of things…taking control of circumstances and their situation and expressing their true character whilst on their travels abroad. Tail wagging. indeed!
I have been exploring the notion of a beer label collage project…derived from Belgian and German bottles, and have come up with this character. I expect others will follow. With the European theme and setting I am also considering including some bilingual content, probably English and German…and there is also an option of doing a combined issue #4-5!
In addition to collage there were some abstract ink and paint images that serve as backgrounds, settings…or sometimes mere graphic expressions of a characters’ thoughts.
The art work also features several words and images made with pen and ink…including some quick-sketch location drawings from previous visits to Hamburg and Hanover and more recently to Berlin.
On location drawing trips I carry a small leather bag of art tools and sketch books. It carries some smaller leather bags and a tin of colour pencils that fit within the larger bag. (see photo below, taken on the carpet at home, before departure)
More visual developments and an update on progress will be posted on this blog in the New Year. As always, I would love to hear any responses to this post…plus any comparable comments about your own experiences of drawing on location.
Cheers for a Happy Comics and Graphic Novel Xmas and New Year…and Seasons Greetings to all comics art fans and followers!…Michael.
This is the first report documenting the production of the fourth issue of my artist book/comic…Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics.…it continues from posts on the first chapter/issue The Ingurgitator,…the second chapter/issue A Blot On His Escutcheon…and the third chapter/issue The Chthonian Turn: The Cats’ Revenge (see links to posts #1-36 below). The new chapter Beer, Chocolate and Comics deals with the cats’ recovery from the demise of their patron, Doctor Comics. It also covers their travels in Europe and their contact with the world of European comics. Printmaking is again involved in the production of this issue…with woodblock, linocut and the use of rubber, bakelite and wooden stamps. There is also drawing, handwriting and some cartooning. The intention is to produce a comic in an artist’s book type format. I hope to have it ready for publication early next year…but we’ll have to see about that…just as we will also have to see if my long term plan of combining these four separate issues…and subsequent issues into a full length graphic novel comes to fruition.
This issue has a marked European flavour…no surprise perhaps following the careful research into Belgian and German chocolates, comics and beer…that I undertook on my recent trip there…Michael.
Publication of the second issue of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics, Chapter 2: A Blot On His Escutcheon is forthcoming. September is looking increasingly likely subject to completion of the printing, binding and delivery of the comics. The comic will form part of an exhibition of my works on paper at a new gallery in Glebe called GAUGE. Below is an image of the title page. The image has been constructed from elements of photography, printmaking, typography and collage. It shows Doctor Comics returning from a shopping expedition. UPDATE: Exhibition dates have been firmed to 18-29 September 2013 but still no firm launch date for the comic…which is beginning to raise thoughts in the long term of its potential development into a graphic novel. We will have to wait and see about that!
Work continues on the production of the second chapter of my artist book/comic…Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics. This report looks back at two of the main characters from the first chapter, the feline characters Cohl and Busch. These are funny animal characters that belong to Doctor Comics.
These feline characters Cohl and Busch are named after famous cartoonists of mine Émile Cohl and Wilhelm Busch. They live in the apartment with Doctor Comics as his companions. They l-o-v-e fish! They also know about comics, as much and possibly more than their owner, the so called Doctor Comics. In lecturing mode Doctor Comics has been known to channel Cohl! That cat is incredibly well read but with a distinct bias toward bandes dessinées.
Printmaking is playing a formidable role in the design of the spirits, ghosts and apparitions in this chapter. I am experimenting with sequential prints. This is a hangover from my animation days when I utilised the technique to generate large volumes of artwork.
In this chapter the Doctor Comics character is teleported into the supernatural world via a dream experience. To obtain a shadowy landscape for some ethereal figures he encounters, sumi-ink blots have been soaked on soft paper. Over and under-inking the blocks has resulted in intense black or under-inked white patches on the printed paper.
This dream sequence occurs toward the end of the chapter. There Doctor Comics confronts fearful looking ghostly figures that step out from the background. The monotype printing method and the use of sumi ink enabled the making of experimental images with a restricted palette. The incorporeal characters were manifested and embodied in this manner. Examples of these are in the monoprints of the etheric body and the shadowy phantoms above and below this paragraph.
This new chapter also includes experimental approaches to drawing including abstract, contour and blind contour. It’s creative fun time with this drawing process.
Using line as an element of construction and expression, drawn, printed or written, although restrictive, is quite expressive. I find that drawing details very carefully of constantly changing scenes with accompanying alterations in point-of-view leads easily into abstraction.
Drawing anything whilst listening to music invariably produces a pattern of abstract lines on paper that is most expressive. I follow the lines whilst I am making them and try to keep up with the tempo of the music. No erasers! A quicker tempo produces less inhibited lines and surprising shapes.
Another fun drawing exercise I have utilised is copying a character or object without looking at my drawing. I try to follow the outlines of the object but don’t look down to see how the drawing looks. Without the constant checking things can drift and shift out of perspective and registration. The contours can be accurate but out of place. How about you? Do you draw? Have you ever created images using printmaking methods? I would love to hear. Feel free to post a comment about your image-making approach on this blog and I shall respond. Till next post, Michael.
This is the first report documenting the production of the second issue of my artist book/comic…Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics. The new chapter is titled A Blot on His Escutcheon. It delves deeper into the character of Doctor Comics, the environment in which he lives and his life in comics. I am making progress with this and hope to self-publish it next year. The book is partly based on my career in art and design education in Sydney. I worked within these disciplines and their application within the areas of film, video, animation and visual communication. I have employed aspects of comics art in my teaching. Storyboarding, word and image projects and as a medium in itself are examples. I have also employed it in my study and research…the presentation of lectures and conference papers…the staging of conferences, symposiums and exhibitions and the writing of a doctoral thesis. My own comic has fictive passages as well as auto-biographical elements. Printmaking is being utilised as an image-making medium. This includes the Japanese sosaku hanga method, along with pen and ink drawing, collage and found materials.
I’m currently learning to draw bones by reading the osteology chapters in anatomy books and studying the illustrations really carefully. In Chapter 1 I used fish bones as an image and as a printmaking substrate for the sosaku hanga technique. In Chapter 2 there will be drawings of human bones of the hand and foot. I have had the opportunity to study some broken bones incurred in falls from bicycles. Speaking of cyclists I also make reference to the Bookseller of Glee character.
This bookseller rides a penny farthing type of bicycle and will play a part in this issue. I had my portrait of this fine gentleman in the Glebe Sesquicentenary Art Exhibition(see below). It was also a finalist in the 2010 Bald Archy Prize. Titled The Bookseller of Glee (mixed media-drawing, painting and collage on paper)…it is a postmodern portrait of Roger Mackell, co-owner of Gleebooks (4 times Australian Bookseller of the Year). He is a generous character gleefully disseminating books and promoting the joy of reading. The portrait caricatures him and his store’s contribution to the intellectual life of Glee Village and its nearby universities. In my portrait the main street is constructed from the writings of French literary critics and philosophers…whose work the bookshop stocked in the 1980s.
The artist…Dr. Michael Hill a.k.a. Doctor Comics and his portrait of a particular Glebe bookseller. (Photo by Louise Graber)
I have been drawing more bones. In the meantime I am putting a call out for feedback on this post. I would really love to hear what you think of what I am doing with my blog and bones.
Design and production of Issue #1 of my artist book/comic…Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics…involved a range of graphic techniques. These included drawing, handwriting, collage, photography, typography and printmaking. Selected production items were displayed at the launch with a description of my working method.
The first stage of the process is getting an idea. This may come from reading and research, travel, visits to galleries to look at art and objects and make sketches. One sketch book in the photo below shows a collaged image of a fictitious Japanese monster Shitake Man. Some sake also proved useful at this preliminary stage.
Where printmaking is involved the third stage brings out brushes, ink and paper for the printing part of the project. A baren is piece of dried bamboo that has been stretched over a board. It is used to ensure that the paper makes good contact with the inked block. The pressure applied can be varied to produce the degree of intensity of the ink. The autumn postcard print in the photo above has been constructed from 5 layers of print.
Copies of my artist book/comic…Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics …are available exclusively from the launch venue Hondarake: Full Of Books till 31 May 2012. The store is located at Level 1, 465 Kent Street Sydney phone: 02 9261 5225 online shop: http://fullofbooks.com.au
Production of the first issue of my comic Blotting Paper continues despite delays from my ongoing academic commitments. However, my intention of having the first chapter finished by the end of the year remains. Comparing research to production I have discovered the enormous amount of time it takes to design and create artwork. I can write a thousand word critique of a comic in just over an hour…but creating one page of comics art will take me several times that. Many of the comics creators that I have interviewed say their rate was “a day per page”. I wish!…but I don’t really mind as I love the feeling of being deep in creative space. At the moment, besides printmaking, I am also doing some drawing. I love it and the mental space it takes me into. I like the feeling of getting lost in there.
I am experimenting with a range of image-making media to produce the artwork and text. Below are some of the images that have been generated through printmaking at Studio Buljan, in Sydney. (My thanks to Katharine Buljan for the access to her studio). These prints appear in the first chapter of my comic The Ingurgitator. The chapter begins in sunshine in Sydney then things take a dark turn into the subconscious terrain. There is also the evening ritual wherein Doctor Comics cooks dinner…then drinks wine whilst reading his recent comics purchases. During this time he converses with his feline friends. The evening often ends in a dream state that is a melange of art, thought, taste and reflection.
These images are monoprints, so called for their singularity…only one of each is made. However, by re-inking the block and marginally alterating the images, a degree of continuity is maintained. This enables a sequential element to come into play. I have learned this approach in creating the artwork for animation projects. For me, working in printmaking, comics and animation is both labour saving and exhaustive. The images come up quickly but the act of re-inking and printing the block destroys the originals. There is no going back. I enjoy working with the inky element of printmaking. It is so graphic! Any thoughts? Comments about this and my posts are welcome, Michael.
Doctor Comics 