BLOTTING PAPER The Comic: Production Report No.48

I am happy to announce completion of production and commencement of publishing stage of the fifth and final issue of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics. The pages are being printed, collated, trimmed, bound and covered and copies will soon be mailed to my personal readers. Each copy will have an original postcard size print on the cover.

Original print on cover of new issue-© 2013 Michael Hill

Original print on cover of new issue-© 2013 Michael Hill

Four years since the appearance of the first issue that I launched at Hondarake-Full of Books in Sydney in February 2012 a total of five issues have been produced and published in serial form and I am now considering collecting these in graphic novel form. This will provide me with the opportunity to make some revisions to the story and artwork. The five issues have generated 200 pages of material and I imagine there would be an additional 20 to 30 new pages to develop aspects of the existing material.

Woodblock ink print and painting-© 2014 Michael Hill

Woodblock ink print of sea-© 2014 Michael Hill

Location photograph, Germany-© 2014 Michael Hill

Photograph of road, Germany-© 2014 Michael Hill

Rough scan of artwork, Germany-© 2016 Michael Hill

Rough scan of artwork, drawing and collage-© 2016 Michael Hill

Rough scan of artwork, woodblock prints, handwriting, cartooning Tokyo-© 2016 Michael Hill

Rough scan of artwork, woodblock prints, handwriting and cartooning-© 2016 Michael Hill

Rough scan of artwork, illustration, sketching, cartooning, Tokyo-© 2016 Michael Hill

Rough scan of artwork, illustration, sketching, cartooning-© 2016 Michael Hill

Rough scan of artwork, Photography, character design, Tokyo-© 2016 Michael Hill

Rough scan of artwork, photography, handwriting and character design-© 2016 Michael Hill

Rough scan of artwork of a cat scanning artwork, Germany-© 2015 Michael Hill

Rough scan of artwork, drawing and printmaking-© 2015 Michael Hill

For details of the production of all five issues of this artist book/comic and a continuing visual history record and time-line overview of the project read all of the BLOTTING PAPER production reports on the following posts:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48

 

SCRAPBOOK: More Pages

In this post I am adding more sample pages from my scrapbook, the initial posting of which can be found here. There is only one copy and it contains images of other people’s work that I admire along with assorted memorabilia of my own.

Scrapbook page 1

Above-collage of scenes from Walt Disney studio production, clockwise from top left: me visiting their studio in Burbank(I studied storyboards from their morgue); mixing colour; making synchronised soundtracks; character paint set merchandise.

Scrapbook page 2

Above-Osamu Tezuka at work at Mushi Productions making anime; early Mazzucchelli superhero drawing; spool of recording tape; Tetsujin 28-go manga cover; Klaus Voormann cover design for The Beatles album Revolver.

Scrapbook page 3

Above-mixed bag of Tatsunoko Production studio interior; Dave Brubeck Quartet’s Time Out cover designed by Sadamitsu Fujita; Shigeru Mizuki manga; Gene Vincent and his Blue Caps without their blue caps: one of my signature stamps.

Scrapbook page 4

Above-Kamishibai frame and carry case; plus Yoshihiro Tatsumi gekiga manga panel from GARO magazine.

Scrapbook page 6

Above-Kyoto street and shop scenes; cartoon characterised Kansai airport tax card in Osaka; Mamoru Oshii; Fujii TV outside broadcast van; Tokyo record store receipt; assorted cartoon stickers and stamps including Doraemon and What’s Michael?

Scrapbook page 9

Above- postage stamps; B & W photo of Yayoi Kusama; illustration by Aya Takano; and centrepiece photo of my postcard printmaking production-the black shape on table is studio cat, Tabi, quality controller of production.

Scrapbook page 5

Above- me sketching in the Botanical Garden at U.C.L.A.; and studying the Aztec Sun Stone in Forest Lawn Memorial Park cemetery in Hollywood Hills; bookshop postcard, Tokyo.

This book is still under construction but more pages may be posted in the future. Posts of my graphic based material include:   THE GRAFIK GUITAR    BOOKBINDING THE GRAFIK GUITAR   CARTOON   MORE CARTOONS   RESEARCH CARTOONS   UNIVERSITY CARTOONS    POSTCARD   POSTCARD-Second Series   POSTCARD-Third Series   POSTCARD-Fourth Series   PRINT Fish Tai   PRINT Fish Two   SCRAPBOOK  SCRAPBOOK-More Pages   SCRAPBOOK-A Few Pages More  and the posts on production of my artist book/comic BLOTTING PAPER:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48

 

BLOTTING PAPER The Comic: Production Report No.41

Here follows the fifth and possibly penultimate report documenting production progress of the fourth issue and chapter of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics, Chapter 4: Beer, Chocolate and Comics. It could be as close as a month from completion but we’ll have to wait and see about that. In this chapter the feline character Cohl retrieves documents and items from the Doctor Comics archive and collection of comics related materials. From this he constructs a post of an autobiographical nature on the Doctor Comics blog. It contains anecdotes of a Royalty led Belgian trade mission to Sydney that included such notable Belgian products as beer, chocolate and comics. This is what provides the source of the chapter’s title. In addition to the trade event in the ballroom of a luxury hotel in Sydney there was an exhibition of Belgian comic art at a local gallery-Allianz Francais. This is not the only anecdote in this chapter nor indeed in all the chapters and these anecdotes are employed to provide detail and substance to both story and characters.

Ink stain on paper-© 2014 Michael Hill

Ink stain on paper-© 2014 Michael Hill

Location design sketch-© 2014 Michael Hill

Location design sketch-© 2014 Michael Hill

Dock cranes drawing, ink on paper-© 2014 Michael Hill

Dock cranes drawing, ink on paper-© 2014 Michael Hill

Promotional chocolate stack, Berlin, photo-© 2014 Michael Hill

Promotional chocolate stack, Berlin, photo-© 2014 Michael Hill

Sketch of Doctor Comics character, ink on paper-© 2014 Michael Hill

Sketch of Doctor Comics character, ink on paper-© 2014 Michael Hill

More visual developments and an update on progress will be posted on this blog in three or four weeks time as I near completion and point towards Japan as the likely setting of the next chapter. In the meantime, for a continuing visual history record and time-line overview of this project that covers all four issues, you can read the BLOTTING PAPER production reports on the following posts:

Issue #1:  No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2:  No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3:  No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4:  No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44

BLOTTING PAPER The Comic: Production Report No.30

This is the first in a series of regular reports documenting the production of the third issue of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics. It continues on from those posted on the first chapter/issue The Ingurgitator (see posts #1-13 below) and the second chapter/issue A Blot On His Escutcheon (see posts #14-29 below). The new chapter, The Chthonian Turn: The Cats’ Revenge, deals with the cats’ reaction to the demise of Doctor Comics and that gentleman’s adventures in another dimension to which he has travelled. I hope to self-publish it before the end of the year.

Title page for Chapter 3 The Chthonian Turn–© 2013 Michael Hill

Title page for Chapter 3–© 2013 Michael Hill

As with the two previous issues printmaking is involved in the generation of images via woodblock, linocut, Japanese sosaku hanga technique, rubber stamps and wooden seals.  In addition other visual communication techniques such as drawing, painting, collage, cartooning and photography with the intention of producing a limited edition artist’s book kind of comic.

One of the spirits in the underground sky–© 2013 Michael Hill

Design of one of the spirits in the underground sky–© 2013 Michael Hill

I also intend producing more colour pages in this issue following the use of sporadic spot colour in Issue #1 and the 8 full colour pages in Issue #2. The colour will assist in the graphic representation of both the real and imaginary worlds featured in the comic.

Another of the spirits in the underground sky–© 2013 Michael Hill

Design of another of the spirits–© 2013 Michael Hill

For a visual diary record and time-line overview of this project, see all of the BLOTTING PAPER production reports.   Issue #1:  No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2:  No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3:  No.30    No.31    No.32    No.33   No.34   No.35   No.36

BLOTTING PAPER The Comic: Production Report No.26

With publication of the second issue of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics, Chapter 2: A Blot On His Escutcheon just a matter of weeks away (September is looking increasingly likely and Saturday September 21 is being scheduled subject to completion of the binding and delivery of the books). What has been fixed though is that the book will form part of an exhibition of works on paper at a new gallery in Glebe called GAUGE. Here is an image of the title page. The image has been constructed from elements of photography, printmaking, typography and collage and shows Doctor Comics returning from a shopping expedition for fish and books.  UPDATE: Exhibition dates have now been firmed to 18-29 September 2013 but still no firm launch date for the comic.

Title page of Issue #2 of Blotting Paper (Design-© 2013 Michael Hill).

Title page of Issue #2 of Blotting Paper (Design-© 2013 Michael Hill).

Press Release for Blotting paper exhibition.

Press Release for the Blotting Paper exhibition.

For a visual diary record and time-line overview of this project, see all of the BLOTTING PAPER production reports. Issue #1:   No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2:   No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29

BLOTTING PAPER The Comic: Production Report No.25

With publication of the second issue imminent this post continues the series of regular reports documenting the production process and creative development of the first and second issues of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics, Chapter 1: The Ingurgitator and Chapter 2: A Blot On His Escutcheon. It shows photographs of details of the studio workspace, my own arrangement this time and a change from the one used in the production of the first issue.

The brush collection (Photo-© 2013 Michael Hill)

The brush collection (Photo-© 2013 Michael Hill)

A collection of brushes for inking, painting and gluing the artwork.

Paper supplies (Photo-© 2013 Michael Hill)

Paper supplies (Photo-© 2013 Michael Hill)

Scaffold shelves holding paper and cardboard supplies for use in the drawing, printing and binding of the book.

Working with rubber type (Photo-© 2013 Michael Hill)

Working with rubber type (Photo-© 2013 Michael Hill)

Table top work area with type and number stamps and colour coded outline of script.

Keeping track of time (Photo-© 2013 Michael Hill)

Keeping track of time (Photo-© 2013 Michael Hill)

Production schedule wall chart calendars to help keep track of time and target desired deadlines.

For a visual diary record and time-line overview of this project, see all of the BLOTTING PAPER production reports.

Issue #1:   No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2:   No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29

BLOTTING PAPER The Comic: Production Report No.24

Continuing the series of regular reports documenting the production process of the first and second issues of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics, Chapter 1: The Ingurgitator and Chapter 2: A Blot On His Escutcheon, this post shows more examples of the image-making aspects of the project including assemblage, drawings, design, photography and printmaking, plus a bit on project management.

Some roject management-the blog log.

Some project management-the blog log.

This Doctor Comics Blog and the series of posts on the Blotting Paper comic have provided a means of monitoring and scheduling the progress of production of the comic. The posts also required some project management in the form of a colour coded blog log.

Bloody fish (woodblock print-© 2000 Michael Hill)

Bloody fish (woodblock print-© 2000 Michael Hill)

Both fish and cats feature in the comic, the fish more realistically rendered than the cats. Above is an image from an earlier fish animation, with added blood. Below is a sketch for one of the feline characters.

Red cat (pencil and ink drawing-© 2010 Michael Hill)

Red cat (pencil and ink drawing-© 2010 Michael Hill)

There is a lot less photography in Chapter 2. Nevertheless it has again been used to anchor some of the earlier scenes in a physical reality (below).

Down the garden path (Photo-© 2013 Michael Hill)

Down the garden path (Photo-© 2013 Michael Hill)

Designs for Doctor Comics (pencil and ink drawings-© 2013 Michael Hill)

Designs for Doctor Comics (pencil and ink drawings-© 2013 Michael Hill)

Some sketches (above) for consideration of Doctor Comics in older and somewhat obese form. It turns out a little more kindly in the comic.

Blotting paper comic concept (ink drawing assemblage-© 2012 Michael Hill)

Blotting paper comic concept (ink drawing assemblage-© 2012 Michael Hill)

An assemblage suggesting a visual statement: characters, location, content (above). For a visual diary record and time-line overview of this project, see all of the BLOTTING PAPER production reports. Issue #1:   No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13    Issue #2:   No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29