POSTCARD-Fourth Series

Continuing the profile of my art postcards here are some early ones from the years 2007-2009 on the theme of The Seasons. These cards are hand-printed, created from a combination of drawing and printmaking in low print run editions. Once I finished a session it was the end of that particular batch and I would not repeat the design. Cards in an edition are all original prints, similar in design but with no exact duplicates and generally fall within the standard postcard size dimensions of 10cm x 15cm. The orange print marks visible on some cards come courtesy of Australia Post. More information about this project is contained on the three previous POSTCARD posts (see the links below).

A postcard from my Seasons series-© 2008 Michael Hill

A postcard from my Seasons series-© 2008 Michael Hill

A postcard from my Seasons series-© 2008 Michael Hill

A postcard from my Seasons series-© 2008 Michael Hill

A postcard from my Seasons series-© 2008 Michael Hill

A postcard from my Seasons series-© 2008 Michael Hill

A postcard from my Seasons series-© 2008 Michael Hill

A postcard from my Seasons series-© 2008 Michael Hill

A postcard from my Seasons series-© 2008 Michael Hill

A postcard from my Seasons series-© 2008 Michael Hill

A postcard from my Seasons series-© 2007 Michael Hill

A postcard from my Seasons series-© 2007 Michael Hill

A postcard from my Seasons series-© 2007 Michael Hill

A postcard from my Seasons series-© 2007 Michael Hill

A postcard from my Seasons series-© 2008 Michael Hill

A postcard from my Seasons series-© 2008 Michael Hill

A postcard from my Seasons series-© 2008 Michael Hill

A postcard from my Seasons series-© 2008 Michael Hill

A postcard from my Seasons series-© 2009 Michael Hill

A postcard from my Seasons series-© 2009 Michael Hill

UPDATE 7 MAR 2017: A gallery postcard pinup of some cards from the Seasons series.

Posts of my graphic based material include:  THE GRAFIK GUITAR   BOOKBINDING THE GRAFIK GUITAR   CARTOON   MORE CARTOONS   RESEARCH CARTOONS   UNIVERSITY CARTOONS    POSTCARD   POSTCARD-Second Series   POSTCARD-Third Series   POSTCARD-Fourth Series   PRINT Fish Tai   PRINT Fish Two   SCRAPBOOK  SCRAPBOOK-More Pages   SCRAPBOOK-A Few Pages More  and the posts on production of my artist book/comic BLOTTING PAPER:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48

PRINT Fish Two

This is the second post in my series of fish prints made using the woodcut printmaking method for an experimental animated film titled Toxic Fish. As the ocean fish are poisoned their bodies swell up then disintegrate. The static shape of the fish from the woodblock holds firm at first before being flooded by the toxins. The method employed was to gradually over-ink the block so that details were dampened into puddles and definition reduced.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

Here is a photo of me carving one of the blocks using a Japanese chisel. Warning! This is not the way to do it. It should be done on a fixed bench and one should carve away from, not towards, oneself. The photo is just a pose for promotional purposes.

Hand carving one of the woodblocks for the animated film Toxic Fish-Photograph © 1990 Demetra Christopher.

Hand carving one of the woodblocks for the animated film Toxic Fish-Photograph © 1990 Demetra Christopher.

If you liked this post you might like to look at others on my Blog. The Home Page is here.

 

CATS IN COMICS: Busch

I have finally gotten round to adding to my series of mini-profiles of cat characters in comics! And this time I focus on another feline character of my own creation, Busch, from the comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics.  Busch is a cat of German origin who loves to eat, especially seafood, and to occasionly read comics and even to draw, with a pencil or crayon on whatever paper is to hand, even if it already has an image on it such as a newspaper or magazine page or shopping receipt. He will generally expect that drawing results in the awarding of a fish snack.

The first appearance of Busch, and in fact of Cohl, too, from the first issue of Blotting Paper-© 2011 Michael Hill.

The debut appearance of Busch and Cohl from the first issue of Blotting Paper-© 2011 Michael Hill.

Busch can eat and Busch can dance and sometimes he goes hungry, gets seasick, goes shopping, dresses up and has tantrums.

Eating noodles in a container-pen and ink drawing and collage-© 2016 Michael Hill

Eating noodles in a container-pen and ink drawing and collage-© 2016 Michael Hill

Drinking milk by the fridge-pen and ink drawing-© 2012 Michael Hill

Drinking milk by the fridge-pen and ink drawing and photography-© 2012 Michael Hill

Dancing in a Hamburg disco-pen and ink drawing-© 2015 Michael Hill

Dancing in a Hamburg disco-pen and ink drawing and collage-© 2015 Michael Hill

Doing tantrum graffiti on the bedroom wall-pen and ink drawing-© 2012 Michael Hill

Doing tantrum graffiti on the bedroom wall-pen and ink drawing-© 2012 Michael Hill

A seasick cat at sea, pen and ink drawing-© 2015 Michael Hill

A seasick cat at sea, pen and ink drawing-© 2015 Michael Hill

Emoting the fear of hunger-pen and ink drawing-© 2011 Michael Hill

Emoting the fear of hunger-pen and ink drawing-© 2011 Michael Hill

Starving at the fish market in Tokyo-pen and ink drawing and woodblock print-© 2016 Michael Hill

Starving at the fish market in Tokyo-pen and ink drawing and woodblock print-© 2016 Michael Hill

Dressing up as his master-pen and ink drawing, collage and photography-© 2012 Michael Hill

Dressing up as his master-pen and ink drawing, collage and photography-© 2012 Michael Hill

Shopping with a canine friend in Germany-pen and ink drawing-© 2015 Michael Hill

Shopping with a canine friend in Germany-pen and ink and colour pencil drawing with photography and collage-© 2015 Michael Hill

Read all the CATS IN COMICS posts:   Busch   Cohl    Doraemon    Krazy Kat    The Rabbi’s Cat  plus Busch’s adventures in the Blotting Paper Production Reports:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48

POSTCARD-Third Series

This post further continues the profile of my making hand-made art postcards in small editions. This post features more examples from the Abstract series. As previously stated each card is an original, similar in design but with no exact duplicates, for example the three prints from the Abstract No. 14 edition, below, all have minor visual differences.

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A postcard from my Abstract No.11 series-© 2007 Michael Hill

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A postcard from my Abstract No.8 series-© 2007 Michael Hill

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A postcard from my Abstract No.19 series-© 2007 Michael Hill

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A postcard from my Abstract No.12 series-© 2007 Michael Hill

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A postcard from my Abstract No.7 series-© 2006 Michael Hill

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A postcard from my Abstract No.10 series-© 2007 Michael Hill

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A postcard from my Abstract No.13 series-© 2007 Michael Hill

Cards in an edition are all original prints, similar in design but with no exact duplicates as can be seen in the following four examples from  the Abstract No-14 series. These cards were all made in the same batch during the same printmaking session. Variations in colour, texture and in the position of compositional elements can be detected.

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A postcard from my Abstract No.14 series-© 2007 Michael Hill

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A postcard from my Abstract No.14 series-© 2007 Michael Hill

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A postcard from my Abstract No.14 series-© 2007 Michael Hill

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A postcard from my Abstract No.14 series-© 2007 Michael Hill

Posts of my graphic based material include:  THE GRAFIK GUITAR   BOOKBINDING THE GRAFIK GUITAR   CARTOON   MORE CARTOONS   RESEARCH CARTOONS   UNIVERSITY CARTOONS   POSTCARD   POSTCARD-Second Series   POSTCARD-Third Series   POSTCARD-Fourth Series   PRINT Fish Tai   PRINT Fish Two   SCRAPBOOK  SCRAPBOOK-More Pages   SCRAPBOOK-A Few Pages More  and the posts on production of my artist book/comic BLOTTING PAPER:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48

PRINT Fish Tai

This series of posts will profile a collection of prints I have made over the years, beginning with some of my early efforts, a series of fish. Using the woodblock printmaking method these prints were made for an animation. Seven species of fish were featured, the first of which, featured here, was the Japanese Tai or sea bream. I was very attracted to the idea of working in either  animation or printmaking at the time but found it difficult to choose between the two. I found the answer in combining both mediums. Animation’s enormous greed for artwork could be more speedily satiated by using the print medium. I was doubly happy but have since settled on making comics which falls in the space somewhere in-between the other two.

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Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

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Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

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Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

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Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

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Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

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Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

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Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

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Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

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Shooting the 1990 animation Toxic Fish on the Oxberry animation rostrum camera with artwork produced from woodblock printmaking.

 

Posts of my graphic based material include:  THE GRAFIK GUITAR   BOOKBINDING THE GRAFIK GUITAR   CARTOON   MORE CARTOONS   RESEARCH CARTOONS   UNIVERSITY CARTOONS    POSTCARD   POSTCARD-Second Series   POSTCARD-Fourth Series   PRINT Fish Tai   PRINT Fish Two    SCRAPBOOK   SCRAPBOOK-More Pages   SCRAPBOOK-A Few Pages More  and the posts on my artist book/comic BLOTTING PAPER:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48

POSTCARD-Second Series

This post continues the profile of my artistic activity of producing hand-made art postcards. As previously stated, these works were created from a combination of drawing and printmaking in small editions of 10 to 50. Each of the cards is an original print, or monoprint, similar in design but with no exact duplicates, for example the three prints form Landscape No. 2 edition, below, whilst carrying the same title, number and technique, all bear minor visual differences. Whereas my first post featured postcards from the Abstract series in this post the postcards are from the subsequent Landscape series, some of which may contain abstract elements. With few exceptions these cards fall within the postcard size dimensions of 10cm x 15cm.

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Landscape No.2-composite roller print-© 2008 Michael Hill

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Landscape No.2-composite roller print-© 2008 Michael Hill

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Landscape No.2-composite roller print-© 2008 Michael Hill

In both the above set and the postcard that follows I used a restricted palette in comparison to the Landscape No.3 and No.4 cards that follow in this post. There is a combination of textures present from watery and weedy to grassy and sandy surfaces.

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Landscape No.1-composite roller print-© 2008 Michael Hill

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Landscape No.3-print plus paint and pastel-© 2008 Michael Hill

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Landscape No.3-print plus paint and pastel-© 2008 Michael Hill

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Landscape No.4-composite print from various materials-© 2009 Michael Hill

UPDATE 6 MAR 2017: Here are a couple of photos of my assorted art postcards bundled up in a box for carting and then spread out on a table in an art gallery for sale.

Art postcards sorted and stacked for cartage to gallery.

Art postcards sorted and stacked for cartage to gallery.

Those cards spread across a table in the gallery for sale.

Those cards spread across a table in the gallery for sale.

Posts of my graphic based material include:  THE GRAFIK GUITAR   BOOKBINDING THE GRAFIK GUITAR   CARTOON   MORE CARTOONS   RESEARCH CARTOONS   UNIVERSITY CARTOONS    POSTCARD   POSTCARD-Second Series   POSTCARD-Third Series   POSTCARD-Fourth Series   PRINT Fish Tai   PRINT Fish Two   SCRAPBOOK  SCRAPBOOK-More Pages   SCRAPBOOK-A Few Pages More  and the posts on production of my artist book/comic BLOTTING PAPER:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48

THE GRAFIK GUITAR

My artist book The Grafik Guitar consists of 38 monoprints on the theme of the deconstruction of elements of the acoustic guitar, namely the machine head, tuning pegs, fretboard, strings and sound hole. The separate elements were carved in lino or wood then overlaid in various combinations and intensities to form composite monoprints. The Japanese creative print method (sosaku hanga) was adopted as part of the approach to this project using Japanese knives and chisels. The blocks were printed on Chinese paper with water colour ink, sumi and additional hand colouring.

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Linocut ink composite print over block print-© 1999 Michael Hill

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Linocut ink composite print over block print-© 1999 Michael Hill

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Linocut ink composite print over block print-© 1999 Michael Hill

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Linocut ink composite print over block print-© 1999 Michael Hill

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Linocut ink composite print over block print-© 1999 Michael Hill

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Linocut ink composite print over block print-© 1999 Michael Hill

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Single linocut ink print of strings and sound hole over block print-© 1999 Michael Hill

A design application of the work was made in the form of a poster, program cover and published conference proceedings cover for an international popular music studies conference in Sydney, IASPM 1999.

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Conference proceedings cover design-© 1999 Michael Hill

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Linocut of guitar elements-machine head, fretboard, strings and sound hole- arranged as visual communication design-© 1999 Michael Hill

For further development of this work see: BOOKBINDING THE GRAFIK GUITAR

Other posts of my graphic based material include:  CARTOON   MORE CARTOONS   RESEARCH CARTOONS    UNIVERSITY CARTOONS   POSTCARD    POSTCARD-Second Series   POSTCARD-Third Series   POSTCARD-Fourth Series   PRINT Fish Tai   PRINT Fish Two   SCRAPBOOK   SCRAPBOOK-More Pages   SCRAPBOOK-A Few Pages More  and the posts on production of my artist book/comic BLOTTING PAPER:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48