PRINT Fish One

Art, Film, Japanning July 23, 2016

This series of posts will profile a collection of creative prints that I have made over the years, beginning with a series of fish. Using the woodblock printmaking method with variations in inking to make monoprints, the prints made could be used in animation. Seven species of fish were featured, the first of which, featured here, was the Japanese Tai or sea bream. I was very attracted to the idea of working in either  animation or printmaking at the time but found it difficult to choose between the two. I found the answer in combining both mediums. Animation’s enormous greed for artwork could be more speedily satiated by using the print medium. I was doubly happy but have since settled on making comics which falls in the space somewhere in-between the other two.

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Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

PRINT-fish-bream2:72

Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

PRINT-fish-bream3:72

Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

PRINT-fish-bream4:72

Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

PRINT-fish-bream5:72

Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

PRINT-fish-bream6:72

Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

PRINT-fish-bream7:72

Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

PRINT-fish-bream8:72

Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

Artist-4149

Shooting my 1990 animation Toxic Fish on the Oxberry animation rostrum camera with artwork produced from woodblock printmaking.

Posts of my graphic based material include:  THE GRAFIK GUITAR   BOOKBINDING THE GRAFIK GUITAR   CARTOON   MORE CARTOONS   RESEARCH CARTOONS   UNIVERSITY CARTOONS    POSTCARD   POSTCARD-Second Series   POSTCARD-Fourth Series   PRINT Fish One   PRINT Fish Two   PRINT Fish Three   SCRAPBOOK   SCRAPBOOK-More Pages   SCRAPBOOK-A Few Pages More  and the posts on my artist book/comic BLOTTING PAPER:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48

by

Creator and former Director of the Master of Animation course at the University of Technology, Sydney, Dr. Michael Hill has a Master's degree in animation and a PhD in comics studies, prompting his introduction on ABC Radio as “Doctor Comics”. A member of the editorial board of the International Journal of Comic Art, and former member of the Comics Grid Journal of Comics Scholarship and the Advisory Committee of the Q-Collection Comic Book Preservation Project, he has delivered public lectures on Comics, Anime and Manga and held academic directorships in Interdisciplinary Studies, Animation, Design and Visual Communication. Having donated his collection of research materials on Australian alternative comics to the National Library of Australia he is now active in the artistic domain, writing, drawing and printmaking, creating art postcards and prints and his own graphic novel Blotting Paper: The Recollected Graphical Impressions of Doctor Comics.

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