UNIVERSITY CARTOONS

This post concludes the collection of cartoons I contributed to U: magazine whilst working at the University of Technology, Sydney. This, plus the three previous cartoon posts, constitute an online gallery of my single panel satirical work.

Enrolment Process-© 2006 Michael Hill

The year the planned introduction of online enrolment didn’t work out led to form filling and long queues.

Fitness training-© 2005 Michael Hill

New students tended to start their studies with enormous optimism and for some even included the gym.

On with studies-© 2004 Michael Hill

Double degrees came into vogue with surprising combinations.

Minister’s Visit-© 2005 Michael Hill

Political activism was especially popular when the Education Minister visited campus.

Club activities-© 2005 Michael Hill

Anime societies and cosplay competitions thrived. Not all Sydney universities had  rock-climbing clubs say, but all five had Anime Clubs.

Sporting clubs-© 2004 Michael Hill

Yes, this really took place, despite the seeming cruelty.

Student Administration-© 2006 Michael Hill

Another actual incident when staff who worked in a room with a view of a parking station were allocated photographs of city traffic to brighten up their room.

Student canteen-© 2006 Michael Hill

A wonderfully esoteric Indonesian cafe in the Staff/Student cafeteria allowed the mixing and matching of dishes.

Posts of my graphic based material include:  THE GRAFIK GUITAR   BOOKBINDING THE GRAFIK GUITAR   CARTOON   MORE CARTOONS   RESEARCH CARTOONS   UNIVERSITY CARTOONS   POSTCARD   POSTCARD-Second Series   POSTCARD-Third Series   POSTCARD-Fourth Series   PRINT Fish Tai   PRINT Fish Two   SCRAPBOOK   SCRAPBOOK-More Pages    SCRAPBOOK-A Few Pages More  and the posts on production of my artist book/comic BLOTTING PAPER:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48

POSTCARD-Fourth Series

Continuing the profile of my art postcards here are some early ones from the years 2007-2009 on the theme of The Seasons. These cards are hand-printed, created from a combination of drawing and printmaking in low print run editions. Once I finished a session it was the end of that particular batch and I would not repeat the design. Cards in an edition are all original prints, similar in design but with no exact duplicates and generally fall within the standard postcard size dimensions of 10cm x 15cm. The orange print marks visible on some cards come courtesy of Australia Post. More information about this project is contained on the three previous POSTCARD posts (see the links below).

A postcard from my Seasons series-© 2008 Michael Hill

A postcard from my Seasons series-© 2008 Michael Hill

A postcard from my Seasons series-© 2008 Michael Hill

A postcard from my Seasons series-© 2008 Michael Hill

A postcard from my Seasons series-© 2008 Michael Hill

A postcard from my Seasons series-© 2008 Michael Hill

A postcard from my Seasons series-© 2008 Michael Hill

A postcard from my Seasons series-© 2008 Michael Hill

A postcard from my Seasons series-© 2008 Michael Hill

A postcard from my Seasons series-© 2008 Michael Hill

A postcard from my Seasons series-© 2007 Michael Hill

A postcard from my Seasons series-© 2007 Michael Hill

A postcard from my Seasons series-© 2007 Michael Hill

A postcard from my Seasons series-© 2007 Michael Hill

A postcard from my Seasons series-© 2008 Michael Hill

A postcard from my Seasons series-© 2008 Michael Hill

A postcard from my Seasons series-© 2008 Michael Hill

A postcard from my Seasons series-© 2008 Michael Hill

A postcard from my Seasons series-© 2009 Michael Hill

A postcard from my Seasons series-© 2009 Michael Hill

UPDATE 7 MAR 2017: A gallery postcard pinup of some cards from the Seasons series.

Posts of my graphic based material include:  THE GRAFIK GUITAR   BOOKBINDING THE GRAFIK GUITAR   CARTOON   MORE CARTOONS   RESEARCH CARTOONS   UNIVERSITY CARTOONS    POSTCARD   POSTCARD-Second Series   POSTCARD-Third Series   POSTCARD-Fourth Series   PRINT Fish Tai   PRINT Fish Two   SCRAPBOOK  SCRAPBOOK-More Pages   SCRAPBOOK-A Few Pages More  and the posts on production of my artist book/comic BLOTTING PAPER:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48

PRINT Fish Two

This is the second post in my series of fish prints made using the woodcut printmaking method for an experimental animated film titled Toxic Fish. As the ocean fish are poisoned their bodies swell up then disintegrate. The static shape of the fish from the woodblock holds firm at first before being flooded by the toxins. The method employed was to gradually over-ink the block so that details were dampened into puddles and definition reduced.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

Here is a photo of me carving one of the blocks using a Japanese chisel. Warning! This is not the way to do it. It should be done on a fixed bench and one should carve away from, not towards, oneself. The photo is just a pose for promotional purposes.

Hand carving one of the woodblocks for the animated film Toxic Fish-Photograph © 1990 Demetra Christopher.

Hand carving one of the woodblocks for the animated film Toxic Fish-Photograph © 1990 Demetra Christopher.

If you liked this post you might like to look at others on my Blog. The Home Page is here.

 

RESEARCH CARTOONS

This post continues profiling my collection of cartoons published in U: magazine or related magazines whilst working at the University of Technology, Sydney. These cartoon posts will eventually form an online gallery of my single panel satirical work.

A cross-disciplinary research committee is formed-© 2005 Michael Hill.

A cross-disciplinary research committee is formed-© 2005 Michael Hill.

Some of the committee members have a background in research-© 2004 Michael Hill

Some of the committee members have a background in research-© 2004 Michael Hill

...and know a thing or two about how to proceed-© 2004 Michael Hill

…and know a thing or two about how to proceed-© 2004 Michael Hill

...and begin to assert their experience-© 2004 Michael Hill

…and begin to assert their experience-© 2004 Michael Hill

...others investigate things in the lab on a daily basis-© 2006 Michael Hill

…others investigate things in the lab on a daily basis-© 2006 Michael Hill

...and then there are those trial experiments-© 2005 Michael Hill

…and then there are those trial experiments-© 2005 Michael Hill

...testing new procedures for fast track learning-© 2003 Michael Hill

…testing new procedures for fast track learning-© 2003 Michael Hill

...equating contributory elements-© 2006 Michael Hill

…equating contributory elements-© 2006 Michael Hill

...and there are the designers who simply study problems requiring resolution and what needs to be done and then they just go and do it-© 2004 Michael Hill

…and there are the designers who simply study problems requiring resolution and what needs to be done and then they just go and do it-© 2004 Michael Hill

Posts of my graphic based material include:  THE GRAFIK GUITAR   BOOKBINDING THE GRAFIK GUITAR   CARTOON   MORE CARTOONS   RESEARCH CARTOONS   UNIVERSITY CARTOONS   POSTCARD   POSTCARD-Second Series   POSTCARD-Third Series   POSTCARD-Fourth Series   PRINT Fish Tai   PRINT Fish Two   SCRAPBOOK   SCRAPBOOK-More Pages   SCRAPBOOK-A Few Pages More  and the posts on my artist book/comic BLOTTING PAPER:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48

POSTCARD-Third Series

This post further continues the profile of my making hand-made art postcards in small editions. This post features more examples from the Abstract series. As previously stated each card is an original, similar in design but with no exact duplicates, for example the three prints from the Abstract No. 14 edition, below, all have minor visual differences.

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A postcard from my Abstract No.11 series-© 2007 Michael Hill

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A postcard from my Abstract No.8 series-© 2007 Michael Hill

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A postcard from my Abstract No.19 series-© 2007 Michael Hill

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A postcard from my Abstract No.12 series-© 2007 Michael Hill

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A postcard from my Abstract No.7 series-© 2006 Michael Hill

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A postcard from my Abstract No.10 series-© 2007 Michael Hill

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A postcard from my Abstract No.13 series-© 2007 Michael Hill

Cards in an edition are all original prints, similar in design but with no exact duplicates as can be seen in the following four examples from  the Abstract No-14 series. These cards were all made in the same batch during the same printmaking session. Variations in colour, texture and in the position of compositional elements can be detected.

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A postcard from my Abstract No.14 series-© 2007 Michael Hill

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A postcard from my Abstract No.14 series-© 2007 Michael Hill

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A postcard from my Abstract No.14 series-© 2007 Michael Hill

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A postcard from my Abstract No.14 series-© 2007 Michael Hill

Posts of my graphic based material include:  THE GRAFIK GUITAR   BOOKBINDING THE GRAFIK GUITAR   CARTOON   MORE CARTOONS   RESEARCH CARTOONS   UNIVERSITY CARTOONS   POSTCARD   POSTCARD-Second Series   POSTCARD-Third Series   POSTCARD-Fourth Series   PRINT Fish Tai   PRINT Fish Two   SCRAPBOOK  SCRAPBOOK-More Pages   SCRAPBOOK-A Few Pages More  and the posts on production of my artist book/comic BLOTTING PAPER:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48

SCRAPBOOK: A Few Pages More

In this post I’m adding even more sample pages from my scrapbook, the previous postings of which can be found here and there. There is only one copy of  the scrapbook so I like to think of it as another constructed artist book of mine. It contains images of other people’s work that I admire along with some assorted memorabilia of my own. These are images that I have collected and arranged and like to have around.

Japanese anime magazine with emphasis on profiling new work.

Japanese anime magazine with emphasis on profiling new work. One of the first Japanese words I learned from hearing it so often on TV was atarashi, new.

Lex Luthor discovers his artistic side.

Lex Luthor discovers his artistic side and has fun with paint.

Mixed Bag, from Nara to Van Gogh.

Mixed Bag, from Nara and Mizuki to Van Gogh. I like the idea of using notebooks as well as some of the forgotten images you can find in them.

Baseball cover for Peanuts collection.

Baseball cover for Peanuts collection with Schulz’s wonderful ink-line representation of grass.

Sports page.

Sports page-Formula One and Football.

Some Kamishibai cards

Some Kamishibai cards.

San Francisco, sand and sea.

San Francisco, sand and sea-the postcard is Californian but the beach is Australian.

Manga Bat Wing and monster on painted sea page.

Manga Bat Wing and monster on painted sea page.The comics panel is from a Japanese version of Batman.

Mickey, Norakuro and Eisenstein.

Eisenstein with cats and dog and mouse-Krazy, Mickey and Norakuro.

Closure.

Closure.

Posts of my graphic based material include:   THE GRAFIK GUITAR    BOOKBINDING THE GRAFIK GUITAR   CARTOON   MORE CARTOONS   RESEARCH CARTOONS   UNIVERSITY CARTOONS    POSTCARD   POSTCARD-Second Series   POSTCARD-Third Series   POSTCARD-Fourth Series   PRINT Fish Tai   PRINT Fish Two   SCRAPBOOK   SCRAPBOOK-More Pages   SCRAPBOOK-A Few Pages More  and the posts on production of my artist book/comic BLOTTING PAPER:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48

PRINT Fish Tai

This series of posts will profile a collection of prints I have made over the years, beginning with some of my early efforts, a series of fish. Using the woodblock printmaking method these prints were made for an animation. Seven species of fish were featured, the first of which, featured here, was the Japanese Tai or sea bream. I was very attracted to the idea of working in either  animation or printmaking at the time but found it difficult to choose between the two. I found the answer in combining both mediums. Animation’s enormous greed for artwork could be more speedily satiated by using the print medium. I was doubly happy but have since settled on making comics which falls in the space somewhere in-between the other two.

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Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

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Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

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Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

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Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

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Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

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Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

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Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

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Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

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Shooting the 1990 animation Toxic Fish on the Oxberry animation rostrum camera with artwork produced from woodblock printmaking.

 

Posts of my graphic based material include:  THE GRAFIK GUITAR   BOOKBINDING THE GRAFIK GUITAR   CARTOON   MORE CARTOONS   RESEARCH CARTOONS   UNIVERSITY CARTOONS    POSTCARD   POSTCARD-Second Series   POSTCARD-Fourth Series   PRINT Fish Tai   PRINT Fish Two    SCRAPBOOK   SCRAPBOOK-More Pages   SCRAPBOOK-A Few Pages More  and the posts on my artist book/comic BLOTTING PAPER:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48