PRINT Fish Three

This is the third post on the fish prints I made with woodblock printmaking techniques for the experimental animated film Toxic Fish. The fish in this sequence is the Kohada or Gizzard Shad.  Its static shape on the woodblock contrasts with the flooding of coloured toxins around it.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill. This print was later reworked and published as an art postcard-© 1999.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

Inking prints for the animation in the studio.

 

Other posts of my graphic based material include:  THE GRAFIK GUITAR   BOOKBINDING THE GRAFIK GUITAR   CARTOON   MORE CARTOONS   RESEARCH CARTOONS   UNIVERSITY CARTOONS    POSTCARD   POSTCARD-Second Series   POSTCARD-Fourth Series   PRINT Fish Tai   PRINT Fish Two   PRINT Fish Three   SCRAPBOOK   SCRAPBOOK-More Pages   SCRAPBOOK-A Few Pages More  and my artist book/comic BLOTTING PAPER:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48

CATS IN COMICS: Busch

I have finally gotten round to adding to my series of mini-profiles of cat characters in comics! And this time I focus on another feline character of my own creation, Busch, from the comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics.  Busch is a cat of German origin who loves to eat, especially seafood, and to occasionly read comics and even to draw, with a pencil or crayon on whatever paper is to hand, even if it already has an image on it such as a newspaper or magazine page or shopping receipt. He will generally expect that drawing results in the awarding of a fish snack.

The debut appearance of Busch and Cohl from the first issue of Blotting Paper-© 2011 Michael Hill.

Busch can eat and Busch can dance and sometimes he goes hungry, gets seasick, goes shopping, dresses up and has tantrums.

Eating noodles in a container-pen and ink drawing and collage-© 2016 Michael Hill

Eating noodles in a container-pen and ink drawing and collage-© 2016 Michael Hill

Drinking milk by the fridge-pen and ink drawing-© 2012 Michael Hill

Drinking milk by the fridge-pen and ink drawing and photography-© 2012 Michael Hill

Dancing in a Hamburg disco-pen and ink drawing-© 2015 Michael Hill

Dancing in a Hamburg disco-pen and ink drawing and collage-© 2015 Michael Hill

Doing tantrum graffiti on the bedroom wall-pen and ink drawing-© 2012 Michael Hill

Doing tantrum graffiti on the bedroom wall-pen and ink drawing-© 2012 Michael Hill

A seasick cat at sea, pen and ink drawing-© 2015 Michael Hill

A seasick cat at sea, pen and ink drawing-© 2015 Michael Hill

Emoting the fear of hunger-pen and ink drawing-© 2011 Michael Hill

Emoting the fear of hunger-pen and ink drawing-© 2011 Michael Hill

Starving at the fish market in Tokyo-pen and ink drawing and woodblock print-© 2016 Michael Hill

Starving at the fish market in Tokyo-pen and ink drawing and woodblock print-© 2016 Michael Hill

Dressing up as his master-pen and ink drawing, collage and photography-© 2012 Michael Hill

Dressing up as his master-pen and ink drawing, collage and photography-© 2012 Michael Hill

Shopping with a canine friend in Germany-pen and ink drawing-© 2015 Michael Hill

Shopping with a canine friend in Germany-pen and ink and colour pencil drawing with photography and collage-© 2015 Michael Hill

Read all the CATS IN COMICS posts:   Busch   Cohl    Doraemon    Krazy Kat    The Rabbi’s Cat  plus Busch’s adventures in the Blotting Paper Production Reports:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48

SCRAPBOOK: A Few Pages More

In this post I’m adding even more sample pages from my scrapbook, the previous postings of which can be found here and there. There is only one copy of  the scrapbook so I like to think of it as another constructed artist book of mine. It contains images of other people’s work that I admire along with some assorted memorabilia of my own. These are images that I have collected and arranged and like to have around.

Japanese anime magazine with emphasis on profiling new work.

Japanese anime magazine with emphasis on profiling new work. One of the first Japanese words I learned from hearing it so often on TV was atarashi, new.

Lex Luthor discovers his artistic side.

Lex Luthor discovers his artistic side and has fun with paint.

Mixed Bag, from Nara to Van Gogh.

Mixed Bag, from Nara and Mizuki to Van Gogh. I like the idea of using notebooks as well as some of the forgotten images you can find in them.

Baseball cover for Peanuts collection.

Baseball cover for Peanuts collection with Schulz’s wonderful ink-line representation of grass.

Sports page.

Sports page-Formula One and Football.

Some Kamishibai cards

Some Kamishibai cards.

San Francisco, sand and sea.

San Francisco, sand and sea-the postcard is Californian but the beach is Australian.

Manga Bat Wing and monster on painted sea page.

Manga Bat Wing and monster on painted sea page.The comics panel is from a Japanese version of Batman.

Mickey, Norakuro and Eisenstein.

Eisenstein with cats and dog and mouse-Krazy, Mickey and Norakuro.

Closure.

Closure.

Posts of my graphic based material include:   THE GRAFIK GUITAR    BOOKBINDING THE GRAFIK GUITAR   CARTOON   MORE CARTOONS   RESEARCH CARTOONS   UNIVERSITY CARTOONS    POSTCARD   POSTCARD-Second Series   POSTCARD-Third Series   POSTCARD-Fourth Series   PRINT Fish Tai   PRINT Fish Two   SCRAPBOOK   SCRAPBOOK-More Pages   SCRAPBOOK-A Few Pages More  and the posts on production of my artist book/comic BLOTTING PAPER:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48

THE GRAFIK GUITAR

My artist book The Grafik Guitar consists of 38 monoprints on the theme of the deconstruction of elements of the acoustic guitar, namely the machine head, tuning pegs, fretboard, strings and sound hole. The separate elements were carved in lino or wood then overlaid in various combinations and intensities to form composite monoprints. The Japanese creative print method (sosaku hanga) was adopted as part of the approach to this project using Japanese knives and chisels. The blocks were printed on Chinese paper with water colour ink, sumi and additional hand colouring.

GrafikGuitar 3-96

Linocut ink composite print over block print-© 1999 Michael Hill

GrafikGuitar 6-96

Linocut ink composite print over block print-© 1999 Michael Hill

GrafikGuitar 7-96

Linocut ink composite print over block print-© 1999 Michael Hill

GrafikGuitar 4-96

Linocut ink composite print over block print-© 1999 Michael Hill

GrafikGuitar 8-96

Linocut ink composite print over block print-© 1999 Michael Hill

GrafikGuitar 9-96

Linocut ink composite print over block print-© 1999 Michael Hill

GrafikGuitar 1-96

Single linocut ink print of strings and sound hole over block print-© 1999 Michael Hill

A design application of the work was made in the form of a poster, program cover and published conference proceedings cover for an international popular music studies conference in Sydney, IASPM 1999.

Scan

Conference proceedings cover design-© 1999 Michael Hill

Scan 1

Linocut of guitar elements-machine head, fretboard, strings and sound hole- arranged as visual communication design-© 1999 Michael Hill

For further development of this work see: BOOKBINDING THE GRAFIK GUITAR

Other posts of my graphic based material include:  CARTOON   MORE CARTOONS   RESEARCH CARTOONS    UNIVERSITY CARTOONS   POSTCARD    POSTCARD-Second Series   POSTCARD-Third Series   POSTCARD-Fourth Series   PRINT Fish Tai   PRINT Fish Two   SCRAPBOOK   SCRAPBOOK-More Pages   SCRAPBOOK-A Few Pages More  and the posts on production of my artist book/comic BLOTTING PAPER:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48

SCRAPBOOK

In this post I am profiling another artist book I have made, my scrapbook. Only one copy, it contains images of other people’s work that I admire along with assorted memorabilia of my own. This profile will be ongoing as the book is not yet finished. It does have some history though. Subsequent posts will be added to this one and the content of the book may change over time as images and pages are altered, removed and added. To begin with here are some sample page-spreads.

Double page scrapbook spread in progress.

Double page spread in progress.

Starting with a blank paged, hard-covered sketch book I covered the covers with cloth then painted some of the double page spreads in various colours and a range of textures. To these I added images that I had collected or made, gluing them onto the pages, sometimes in random fashion and other times in related groupings. This relationship might be in terms of colour or commonality of subject or simply a whimsical choice. The above spread shows Kamishibai frame boards on the left and animation drawings by Chuck Jones on the right.

Double page scrapbook spread in progress.

Double page spread in progress.

This spread juxtaposes a theatrical illustration with an add for a Gary Panter book. The white blotch at the join is torn paper, the result of closing the pages before the paint had dried then re-opening them. It looks good though, I think.

Double page scrapbook spread in progress.

Double page spread-prints and seals.

Above are some printmaking images and a selection of Chinese seals.

Double page French spread.

Double page French spread.

Front cover has been covered with cloth.

Front cover has been covered with cloth.

Top edge shows extent of painted and pasted pages.

Top edge shows extent of painted and pasted pages.

Side view of scrapbook on table.

Side view of scrapbook on table.

Posts of my graphic based material include:  THE GRAFIK GUITAR   BOOKBINDING THE GRAFIK GUITAR   CARTOON   MORE CARTOONS   RESEARCH CARTOONS   UNIVERSITY CARTOONS    POSTCARD   POSTCARD-Second Series   POSTCARD-Fourth Series   PRINT Fish Tai   PRINT Fish Two   SCRAPBOOK  SCRAPBOOK-More Pages   SCRAPBOOK-A Few Pages More  and the posts on production of my artist book/comic BLOTTING PAPER:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48

BLOTTING PAPER The Comic: Production Report No.36

Job done! Production of the third issue of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics was completed and the book launched in June at Comic-Salon Erlangen in Germany to which I had been invited by design colleagues, Professors Markus Fischmann and Michael Mahlstedt of Visuelle Kommunikation, Design und Medien Department of Hochschule Hannover University of Applied Arts and Sciences where I did a visiting academic gig back in 2007. Comic-Salon is the largest comics convention in Germany with 25,000+ attendees. Oh joy!

COMIC SALON, Erlangen. (Photo-© 2014 Michael Hill).

16th INTERNATIONAL COMIC-SALON, Erlangen, Germany. (Photo-© 2014 Michael Hill).

On the trading floor at COMIC SALON (Photo-© 2014 Michael Hill).

On the trading floor at COMIC-SALON (Photo-© 2014 Michael Hill).

Launching Blotting Paper #3 at COMIC SALON. (Photo-© 2014 Hoschule Staff).

Launching Blotting Paper #3 at COMIC-SALON (L to R: Louise Graber, Prof. Michael Mahlstedt, Dr. Michael Hill, Prof. Markus Fischmann, Krisi). (Photo-© 2014 Hoschule Faculty staff).

On display at COMIC SALON (Photo-© 2014 Michael Hill).

Pages on display at COMIC-SALON (Photo-© 2014 Michael Hill).

For Sale at €15 per copy (Photo-© 2014 Michael Hill).

All 3 issues of the comic for sale at €15 per copy (Photo-© 2014 Michael Hill).

On the trading floor at COMIC SALON (Photo-© 2014 Michael Hill).

On the trading floor at COMIC-SALON (Photo-© 2014 Michael Hill).

Donald Duck comics appeared to be very popular at COMIC SALON (Photo-© 2014 Michael Hill).

Donald Duck comics appeared to be very popular at COMIC SALON (Photo-© 2014 Michael Hill).

Cosplay at COMIC SALON (Photo-© 2014 Michael Hill).

Cosplay at COMIC-SALON (Photo-© 2014 Michael Hill).

For a visual diary record and time-line overview of this project that includes development of all three issues you can read the BLOTTING PAPER production reports on the following posts:

Issue #1:  No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13

Issue #2:  No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29

Issue #3:  No.30   No.31   No.32   No.33   No.34   No.35   No.36

Issue #4:  No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44

BLOTTING PAPER The Comic: Production Report No.32

STARTING TO GET A MOVE ON! In this third report documenting the production process and progress of the new issue of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics, Chapter 3, The Chthonian Turn: The Cats’ Revenge I can say that things are starting to move on the design front and scheduling of the creation of the planned pages is beginning to fall into place.

The production schedule is up!

The production schedule for Issue #3 is up on the wall!

The intended dates for completion of the five 8-page signatures have been approximated and with a good run could be ready for binding as early as June.

The art table has been established.

The art table has been established…

Ink more so than paint appears to be the dominant graphic ingredient in the production with dip pens, drawing pens and brush calligraphy involved although some of the inking will be made onto painted paper.

...and particular tools selected.

…and particular tools selected.

There are some pencils in there too, as well as the pens, with drawing and handwriting components plus my regular use of printmaking.

Ink tests are underway...

Ink tests are underway…

The mess of ink tests and mark making has begun.

...and drying on display.

…and on display whilst drying.

Further developments and an update on progress will be posted on this blog next month. For a visual diary record and time-line overview of this project, see all of the BLOTTING PAPER production reports. Issue #1:  No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2:  No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3:  No.30   No.31   No.32   No.33   No.34   No.35   No.36