BLOTTING PAPER The Comic: Production Report No.29

This post covers some glimpses of the works on display and visitors to the exhibition Blotting Paper: Works On Paper 18-29 September at GAUGE Gallery, Sydney that included the publication of the second issue of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics, Chapter 2: A Blot On His Escutcheon.

Xander Black and friend -(Photo © 2013 Michael Hill)

Xander Black and Alison Van Hees -(Photo © 2013 Michael Hill)

Note Board. (Photo © 2013 Michael Hill)

Display Board. (Photo © 2013 Michael Hill)

Mayu and Chie. (Photo-© 2013 Michael Hill)

Mayu and Chie. (Photo-© 2013 Michael Hill)

Some of the prints. (Photo © 2013 Michael Hill)

Some of the prints. (Photo © 2013 Michael Hill)

Sana. (Photo-© 2013 Michael Hill)

Sana. (Photo-© 2013 Michael Hill)

Cartoons and copies of Blotting Paper #1 and #2. (Photo-© 2013 Michael Hill)

Research based cartoons and copies of Blotting Paper #1 and #2. (Photo-© 2013 Michael Hill)

Composer Nicole Kim. (Photo-© 2013 Michael Hill)

Composer Nicole Kim. (Photo-© 2013 Michael Hill)

Postcards in sosaku hanga style. (Photo © 2013 Michael Hill)

Printed postcards in sosaku hanga style. (Photo © 2013 Michael Hill)

With Masashi Owada. (Photo-© 2013 Michael Hill)

With Masashi Owada. (Photo-© 2013 Louise Graber)

Blotting Paper #1. (Photo-© 2013 Michael Hill)

Blotting Paper #1 with woodblock. (Photo-© 2013 Michael Hill)

Louise Graber and Imogen Yang. (Photo-© 2013 Michael Hill)

Louise Graber and Imogen Yang. (Photo-© 2013 Michael Hill)

Alexis and Craig Simmons aka Space March. (Photo-© 2013 Michael Hill)

Alex Harris and Craig (Space March) Simmons. (Photo-© 2013 Michael Hill)

Cartoons and toys. (Photo-© 2013 Michael Hill)

Cartoons and toys. (Photo-© 2013 Michael Hill)

Katie Pye as Adelaide Whye. (Photo-© 2013 Michael Hill)

Katie Pye as Adelaide Whye and those boots…! (Photo-© 2013 Michael Hill)

POP-UP TOY & COMIC sale sign outside gallery. (Photo-© 2013 Michael Hill)

POP-UP TOY & COMIC
sale sign outside gallery. (Photo-© 2013 Michael Hill)

Chasing Vaughan Bodē comics-Michael Hill with Nic Beatson and Bodē tattoo. (Photo-© 2013 Louise Graber)

Chasing Vaughan Bodē comics-Michael Hill with Nic Beatson and Bodē tattoo. (Photo-© 2013 Louise Graber)

The Bodē tattoo. (Photo-© 2013 Louise Graber)

The Bodē tattoo. (Photo-© 2013 Louise Graber)

With Sam Saidden. (Photo-© 2013 Louise Graber)

With Sam Saidden. (Photo-© 2013 Louise Graber)

Liz Pozega and friend. (Photo-© 2013 Michael Hill)

Liz Pozega and friend. (Photo-© 2013 Michael Hill)

For a visual diary record and time-line overview of this project, see all of the BLOTTING PAPER production reports.   Issue #1:  No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13

Issue #2:  No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29

Issue #3:  No.30   No.31

Archive of Australian Alternative Comics: COMICS WORKSHOPS

The Bio-Hazard comics workshop poster. (Poster design by Xander Black)

Back in the 1990s a small number of design students enrolled at Sydney’s University of Technology were fortunate to attend two comics workshops taught by local creators Jason Paulos, Bodine Amerikah, Stuart Hale, Ant Larcombe, Sam Young and Xander Black. The events were organised by the students. Working in the Visual Communication Design program at the time, the course from which one of the creators, Ant Larcombe, was a graduate, I was happy to act as go-between and coordinator of this student initiative. The first workshop was Basick Inkstinct in 1996. This was followed up and developed the following year with the same tutors under the title Bio-Hazard. Both workshops enabled students to have contact with industry practitioners, creators and publishers of titles such as Hairbutt the Hippo, Cyberswine and Zero Assassin. This type of contact can make a valuable contribution to student training. It permitted students to see comics production as a valid form of visual communication within the graphic design field, a course that the majority of those who attended were enrolled.

The Basick Inkstinct comics workshop flyer. (Flyer design by Neil Heymann)

Both workshops were informally structured with the creators sitting at tables with the students demonstrating their skills on paper and engaging in studio banter with each other as they drew. Stuart Hale and Xander Black gave brief talks about comics making and the relative merits of local creators before the comics artists went through a practical session of scripting, thumbnails, page layout, rough and refined pencils, lettering and inking. The visiting creators were very generous with their time and the students appreciated this. These workshops preceded a more formal and official event that I subsequently organised, namely the Mind Rot Australian Comics Seminar & Workshop that I have blogged about previously in this series. That more formal workshop and accompanying symposium represented a further step in the process of formally recognising comics design within the academic curriculum as I was eventually able to offer comics based projects in the subjects Word and Image and Graphic Visualisation in that course and in the Master of Animation course that followed some years later.

This is the eleventh in a series of posts called Archives of Australian Comics History that document moments in the recent history of Australian comics, particularly alternative comics and the Australian Small Press. I started researching this subject in the late 1990s and it eventually led to my PhD thesis: Ph.D. Macquarie University, Division of Society, Culture, Media and Philosophy, A Study Of Contemporary Australian Alternative Comics 1992-2000 With Particular Reference To The Work Of Naylor, Smith, Danko And Ord, 2003. On completion of the research I donated the materials and comics I had collected to the National Library of Australia: Michael Hill Collection of Australian Comics.

Posts in Archives of Australian Comics History:   Comic-Fest   Comics  in Record Shops   Comics Workshops   Down Under Ground   Getting SMASH(ed)!   Imaginary Worlds Symposium    International Exhibition of Drawings   OZCON   Mind Rot   Savage Pencils   Sick Puppy Comix   TiNA Arena   MCA Zine Fair   2002 Sequential Art Studies Conference   2nd Sequential Art Studies Conference