PRINT Fish Tai

This series of posts will profile a collection of prints I have made over the years, beginning with some of my early efforts, a series of fish. Using the woodblock printmaking method these prints were made for an animation. Seven species of fish were featured, the first of which, featured here, was the Japanese Tai or sea bream. I was very attracted to the idea of working in either  animation or printmaking at the time but found it difficult to choose between the two. I found the answer in combining both mediums. Animation’s enormous greed for artwork could be more speedily satiated by using the print medium. I was doubly happy but have since settled on making comics which falls in the space somewhere in-between the other two.

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Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

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Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

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Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

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Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

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Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

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Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

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Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

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Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

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Shooting the 1990 animation Toxic Fish on the Oxberry animation rostrum camera with artwork produced from woodblock printmaking.

 

Posts of my graphic based material include:  THE GRAFIK GUITAR   BOOKBINDING THE GRAFIK GUITAR   CARTOON   MORE CARTOONS   RESEARCH CARTOONS   UNIVERSITY CARTOONS    POSTCARD   POSTCARD-Second Series   POSTCARD-Fourth Series   PRINT Fish Tai   PRINT Fish Two   PRINT Fish Three   SCRAPBOOK   SCRAPBOOK-More Pages   SCRAPBOOK-A Few Pages More  and the posts on my artist book/comic BLOTTING PAPER:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48

POSTCARD-Second Series

This post continues the profile of my artistic activity of producing hand-made art postcards. As previously stated, these works were created from a combination of drawing and printmaking in small editions of 10 to 50. Each of the cards is an original print, or monoprint, similar in design but with no exact duplicates, for example the three prints form Landscape No. 2 edition, below, whilst carrying the same title, number and technique, all bear minor visual differences. Whereas my first post featured postcards from the Abstract series in this post the postcards are from the subsequent Landscape series, some of which may contain abstract elements. With few exceptions these cards fall within the postcard size dimensions of 10cm x 15cm.

Scan 2

Landscape No.2-composite roller print-© 2008 Michael Hill

Scan 1

Landscape No.2-composite roller print-© 2008 Michael Hill

Scan 4

Landscape No.2-composite roller print-© 2008 Michael Hill

In both the above set and the postcard that follows I used a restricted palette in comparison to the Landscape No.3 and No.4 cards that follow in this post. There is a combination of textures present from watery and weedy to grassy and sandy surfaces.

Scan 3

Landscape No.1-composite roller print-© 2008 Michael Hill

Scan 7

Landscape No.3-print plus paint and pastel-© 2008 Michael Hill

Scan 6

Landscape No.3-print plus paint and pastel-© 2008 Michael Hill

Scan 5

Landscape No.4-composite print from various materials-© 2009 Michael Hill

UPDATE 6 MAR 2017: Here are a couple of photos of my assorted art postcards bundled up in a box for carting and then spread out on a table in an art gallery for sale.

Art postcards sorted and stacked for cartage to gallery.

Art postcards sorted and stacked for cartage to gallery.

Those cards spread across a table in the gallery for sale.

Those cards spread across a table in the gallery for sale.

Posts of my graphic based material include:  THE GRAFIK GUITAR   BOOKBINDING THE GRAFIK GUITAR   CARTOON   MORE CARTOONS   RESEARCH CARTOONS   UNIVERSITY CARTOONS    POSTCARD   POSTCARD-Second Series   POSTCARD-Third Series   POSTCARD-Fourth Series    POSTCARD-Fifth Series    PRINT Fish Tai   PRINT Fish Two   SCRAPBOOK  SCRAPBOOK-More Pages   SCRAPBOOK-A Few Pages More  and the posts on production of my artist book/comic BLOTTING PAPER:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48

THE GRAFIK GUITAR

My artist book The Grafik Guitar consists of 38 monoprints on the theme of the deconstruction of elements of the acoustic guitar, namely the machine head, tuning pegs, fretboard, strings and sound hole. The separate elements were carved in lino or wood then overlaid in various combinations and intensities to form composite monoprints. The Japanese creative print method (sosaku hanga) was adopted as part of the approach to this project using Japanese knives and chisels. The blocks were printed on Chinese paper with water colour ink, sumi and additional hand colouring.

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Linocut ink composite print over block print-© 1999 Michael Hill

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Linocut ink composite print over block print-© 1999 Michael Hill

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Linocut ink composite print over block print-© 1999 Michael Hill

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Linocut ink composite print over block print-© 1999 Michael Hill

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Linocut ink composite print over block print-© 1999 Michael Hill

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Linocut ink composite print over block print-© 1999 Michael Hill

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Single linocut ink print of strings and sound hole over block print-© 1999 Michael Hill

A design application of the work was made in the form of a poster, program cover and published conference proceedings cover for an international popular music studies conference in Sydney, IASPM 1999.

Scan

Conference proceedings cover design-© 1999 Michael Hill

Scan 1

Linocut of guitar elements-machine head, fretboard, strings and sound hole- arranged as visual communication design-© 1999 Michael Hill

For further development of this work see: BOOKBINDING THE GRAFIK GUITAR

Other posts of my graphic based material include:  CARTOON   MORE CARTOONS   RESEARCH CARTOONS    UNIVERSITY CARTOONS   POSTCARD    POSTCARD-Second Series   POSTCARD-Third Series   POSTCARD-Fourth Series   PRINT Fish Tai   PRINT Fish Two   SCRAPBOOK   SCRAPBOOK-More Pages   SCRAPBOOK-A Few Pages More  and the posts on production of my artist book/comic BLOTTING PAPER:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48

BLOTTING PAPER The Comic: Production Report No.48

I am happy to announce completion of production and commencement of publishing stage of the fifth and final issue of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics. The pages are being printed, collated, trimmed, bound and covered and copies will soon be mailed to my personal readers. Each copy will have an original postcard size print on the cover.

Original print on cover of new issue-© 2013 Michael Hill

Original print on cover of new issue-© 2013 Michael Hill

Four years since the appearance of the first issue that I launched at Hondarake-Full of Books in Sydney in February 2012 a total of five issues have been produced and published in serial form and I am now considering collecting these in graphic novel form. This will provide me with the opportunity to make some revisions to the story and artwork. The five issues have generated 200 pages of material and I imagine there would be an additional 20 to 30 new pages to develop aspects of the existing material.

Woodblock ink print and painting-© 2014 Michael Hill

Woodblock ink print of sea-© 2014 Michael Hill

Location photograph, Germany-© 2014 Michael Hill

Photograph of road, Germany-© 2014 Michael Hill

Rough scan of artwork, Germany-© 2016 Michael Hill

Rough scan of artwork, drawing and collage-© 2016 Michael Hill

Rough scan of artwork, woodblock prints, handwriting, cartooning Tokyo-© 2016 Michael Hill

Rough scan of artwork, woodblock prints, handwriting and cartooning-© 2016 Michael Hill

Rough scan of artwork, illustration, sketching, cartooning, Tokyo-© 2016 Michael Hill

Rough scan of artwork, illustration, sketching, cartooning-© 2016 Michael Hill

Rough scan of artwork, Photography, character design, Tokyo-© 2016 Michael Hill

Rough scan of artwork, photography, handwriting and character design-© 2016 Michael Hill

Rough scan of artwork of a cat scanning artwork, Germany-© 2015 Michael Hill

Rough scan of artwork, drawing and printmaking-© 2015 Michael Hill

For details of the production of all five issues of this artist book/comic and a continuing visual history record and time-line overview of the project read all of the BLOTTING PAPER production reports on the following posts:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48

 

BLOTTING PAPER The Comic: Production Report No.47

This is the third report documenting production of the fifth and concluding chapter of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics. Production of the new issue 2 Tickets to Tokyo Bay is continuing with images currently being created along with some previously made works recorded during my travels in Japan and Germany. The script has first been developed in word form and accompanied by some conceptual colour coding. This was followed by a second draft consisting of roughly sketched visuals of the script with coloured pencils and associated descriptive comments or dialogue. There are examples of both of these development stages, below.

Developing a first draft script design-© 2015 Michael Hill

Developing a first draft script design-© 2015 Michael Hill

 

Visual roughing out of the script-© 2015 Michael Hill

Visual roughing out of the script-© 2015 Michael Hill

One scene in the script is a graphical recollection of my Doctor Comics alias. It reveals the design of one of his logo stamps/seals or chops that was roughed out on a paper napkin in a restaurant. Here is a scan of that design development along with attachments including a photo and a Japanese photo booth print sticker.

Developing a seal design, collage-© 2008 Michael Hill

Developing a seal design, collage-© 2008 Michael Hill

Another sequence involves Japanese sea monsters.

Seeing strange things at sea, ink and pencil sketch-© 2008 Michael Hill

Seeing strange things at sea, ink and pencil sketch-© 2008 Michael Hill

 

Possible print for the cover-© 2009 Michael Hill.

Possible print for the cover-© 2009 Michael Hill.

For details of the production of all five issues of this artist book/comic and a continuing visual history record and time-line overview of the project read all of the BLOTTING PAPER production reports on the following posts:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48

BLOTTING PAPER The Comic: Production Report No.46

This is the second report documenting production of the fifth and concluding chapter of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics. Creation and production of the new issue 2 Tickets to Tokyo Bay has begun and deals with the continued adventures of the cats Busch and Cohl and their canine acquaintance Barks. Set mostly in Japan but with some scenes in Germany it follows these characters in funny animal style and includes further recollections from the archives of my alias, Doctor Comics, including his visits to Japan and dealings with manga.

Dirty laundry hung out to dry, ink painting-© 2015 Michael Hill

Dirty laundry hung out to dry, ink painting-© 2015 Michael Hill

 

A seasick cat at sea, ink sketch-© 2015 Michael Hill

A seasick cat all at sea, ink sketch-© 2015 Michael Hill

The characters Barks and Busch travel from Germany to Japan by sea, arriving in Tokyo Bay. Whilst their passage on a container ship is cheaper than flight it is not without some difficulty and discomfort.

 

Choreographing a cosplay routine, pencil sketch-© 2014 Michael Hill

Choreographing a cosplay routine, pencil sketch-© 2014 Michael Hill

 

Cosplay costume design, ink and pencil sketch-© 2013 Michael Hill

Cosplay costume design, ink and pencil sketch-© 2013 Michael Hill

Being back on land in Tokyo is more conducive to fun and frolicking and access to a bigger range of food. They visit a manga fair and then Kitchen Town where they eat cake.

 

A Munchianesque Halloween cake design in Kappabashi, Tokyo, photo-© 2009 Michael Hill

A Munchianesque Halloween cake design in Kappabashi, Tokyo, photo-© 2009 Michael Hill

For details of the production of all five issues of this artist book/comic and a continuing visual history record and time-line overview of the project read all of the BLOTTING PAPER production reports on the following posts:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48

BLOTTING PAPER The Comic: Production Report No.45

This is the first report documenting production of the fifth and concluding chapter of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics. It continues on from those previously posted on the first chapter/issue The Ingurgitator, the second chapter/issue A Blot On His Escutcheon, the third chapter/issue The Chthonian Turn: The Cats’ Revenge and the fourth chapter/issue Beer, Chocolate and Comics (see links to posts #1-44 below). Creation and production of the new issue 2 Tickets to Tokyo Bay has begun and deals with the continued adventures of the cats Busch and Cohl and their canine acquaintance Barks. Set in Germany and Japan it follows these characters in funny animal style and contains more recollections from the archives of my alias, Doctor Comics.

Barks and Busch are on their way to Tokyo Bay-© 2015 Michael Hill

Barks and Busch are on their way to Tokyo Bay-© 2015 Michael Hill

 

The view at sea, print-© 2015 Michael Hill

The view at sea, print-© 2015 Michael Hill

Printmaking is again involved in the design of this issue with woodblock, linocut, rubber, bakelite and wooden stamps along with drawing, collage, calligraphy and handwriting plus a continued move into cartooning. The intention is to produce the comic in an artist book type format and to have it more or less ready for self-publication around the end of the year.

 

Japan, fish island, collage-© 2015 Michael Hill

Japan, fish island, collage-© 2015 Michael Hill

 

And home of Otafuku, ink painting-© 2015 Michael Hill

And home of Otafuku, ink painting-© 2015 Michael Hill

For details of the production of all four issues and a continuing visual history record and time-line overview of this project read all of the BLOTTING PAPER production reports on the following posts:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48