Tag: printmaking

BLOTTING PAPER The Comic: Production Report No.48

Art, Blotting Paper, Cats in Comics, Comics, Germania, Japanning February 28, 2016

I am happy to announce completion of production and commencement of publishing stage of the fifth and final issue of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics. The pages are being printed, collated, trimmed, bound and covered and copies will soon be mailed to my personal readers. Each copy will have an original postcard size print on the cover.

Original print on cover of new issue-© 2013 Michael Hill

Original print on cover of new issue-© 2013 Michael Hill

Four years since the appearance of the first issue that I launched at Hondarake-Full of Books in Sydney in February 2012 a total of five issues have been produced and published in serial form and I am now considering collecting these in graphic novel form. This will provide me with the opportunity to make some revisions to the story and artwork. The five issues have generated 200 pages of material and I imagine there would be an additional 20 to 30 new pages to develop aspects of the existing material.

Woodblock ink print and painting-© 2014 Michael Hill

Woodblock ink print of sea-© 2014 Michael Hill

Location photograph, Germany-© 2014 Michael Hill

Photograph of road, Germany-© 2014 Michael Hill

Rough scan of artwork, Germany-© 2016 Michael Hill

Rough scan of artwork, drawing and collage-© 2016 Michael Hill

Rough scan of artwork, woodblock prints, handwriting, cartooning Tokyo-© 2016 Michael Hill

Rough scan of artwork, woodblock prints, handwriting and cartooning-© 2016 Michael Hill

Rough scan of artwork, illustration, sketching, cartooning, Tokyo-© 2016 Michael Hill

Rough scan of artwork, illustration, sketching, cartooning-© 2016 Michael Hill

Rough scan of artwork, Photography, character design, Tokyo-© 2016 Michael Hill

Rough scan of artwork, photography, handwriting and character design-© 2016 Michael Hill

Rough scan of artwork of a cat scanning artwork, Germany-© 2015 Michael Hill

Rough scan of artwork, drawing and printmaking-© 2015 Michael Hill

For details of the production of all five issues of this artist book/comic and a continuing visual history record and time-line overview of the project read all of the BLOTTING PAPER production reports on the following posts:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48

 

BLOTTING PAPER The Comic: Production Report No.47

Art, Blotting Paper, Cats in Comics, Comics, Germania, Japanning November 2, 2015

This is the third report documenting production of the fifth and concluding chapter of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics. Production of the new issue 2 Tickets to Tokyo Bay is continuing with images currently being created along with some previously made works recorded during my travels in Japan and Germany. The script has first been developed in word form and accompanied by some conceptual colour coding. This was followed by a second draft consisting of roughly sketched visuals of the script with coloured pencils and associated descriptive comments or dialogue. There are examples of both of these development stages, below.

Developing a first draft script design-© 2015 Michael Hill

Developing a first draft script design-© 2015 Michael Hill

 

Visual roughing out of the script-© 2015 Michael Hill

Visual roughing out of the script-© 2015 Michael Hill

One scene in the script is a graphical recollection of my Doctor Comics alias. It reveals the design of one of his logo stamps/seals or chops that was roughed out on a paper napkin in a restaurant. Here is a scan of that design development along with attachments including a photo and a Japanese photo booth print sticker.

Developing a seal design, collage-© 2008 Michael Hill

Developing a seal design, collage-© 2008 Michael Hill

Another sequence involves Japanese sea monsters.

Seeing strange things at sea, ink and pencil sketch-© 2008 Michael Hill

Seeing strange things at sea, ink and pencil sketch-© 2008 Michael Hill

 

Possible print for the cover-© 2009 Michael Hill.

Possible print for the cover-© 2009 Michael Hill.

For details of the production of all five issues of this artist book/comic and a continuing visual history record and time-line overview of the project read all of the BLOTTING PAPER production reports on the following posts:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48

BLOTTING PAPER The Comic: Production Report No.46

Art, Blotting Paper, Cats in Comics, Comics, Germania, Japanning October 3, 2015

This is the second report documenting production of the fifth and concluding chapter of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics. Creation and production of the new issue 2 Tickets to Tokyo Bay has begun and deals with the continued adventures of the cats Busch and Cohl and their canine acquaintance Barks. Set mostly in Japan but with some scenes in Germany it follows these characters in funny animal style and includes further recollections from the archives of my alias, Doctor Comics, including his visits to Japan and dealings with manga.

Dirty laundry hung out to dry, ink painting-© 2015 Michael Hill

Dirty laundry hung out to dry, ink painting-© 2015 Michael Hill

 

A seasick cat at sea, ink sketch-© 2015 Michael Hill

A seasick cat all at sea, ink sketch-© 2015 Michael Hill

The characters Barks and Busch travel from Germany to Japan by sea, arriving in Tokyo Bay. Whilst their passage on a container ship is cheaper than flight it is not without some difficulty and discomfort.

 

Choreographing a cosplay routine, pencil sketch-© 2014 Michael Hill

Choreographing a cosplay routine, pencil sketch-© 2014 Michael Hill

 

Cosplay costume design, ink and pencil sketch-© 2013 Michael Hill

Cosplay costume design, ink and pencil sketch-© 2013 Michael Hill

Being back on land in Tokyo is more conducive to fun and frolicking and access to a bigger range of food. They visit a manga fair and then Kitchen Town where they eat cake.

 

A Munchianesque Halloween cake design in Kappabashi, Tokyo, photo-© 2009 Michael Hill

A Munchianesque Halloween cake design in Kappabashi, Tokyo, photo-© 2009 Michael Hill

For details of the production of all five issues of this artist book/comic and a continuing visual history record and time-line overview of the project read all of the BLOTTING PAPER production reports on the following posts:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48

BLOTTING PAPER The Comic: Production Report No.45

Art, Blotting Paper, Cats in Comics, Comics, Germania, Japanning September 4, 2015

This is the first report documenting production of the fifth and concluding chapter of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics. It continues on from those previously posted on the first chapter/issue The Ingurgitator, the second chapter/issue A Blot On His Escutcheon, the third chapter/issue The Chthonian Turn: The Cats’ Revenge and the fourth chapter/issue Beer, Chocolate and Comics (see links to posts #1-44 below). Creation and production of the new issue 2 Tickets to Tokyo Bay has begun and deals with the continued adventures of the cats Busch and Cohl and their canine acquaintance Barks. Set in Germany and Japan it follows these characters in funny animal style and contains more recollections from the archives of my alias, Doctor Comics.

Barks and Busch are on their way to Tokyo Bay-© 2015 Michael Hill

Barks and Busch are on their way to Tokyo Bay-© 2015 Michael Hill

 

The view at sea, print-© 2015 Michael Hill

The view at sea, print-© 2015 Michael Hill

Printmaking is again involved in the design of this issue with woodblock, linocut, rubber, bakelite and wooden stamps along with drawing, collage, calligraphy and handwriting plus a continued move into cartooning. The intention is to produce the comic in an artist book type format and to have it more or less ready for self-publication around the end of the year.

 

Japan, fish island, collage-© 2015 Michael Hill

Japan, fish island, collage-© 2015 Michael Hill

 

And home of Otafuku, ink painting-© 2015 Michael Hill

And home of Otafuku, ink painting-© 2015 Michael Hill

For details of the production of all four issues and a continuing visual history record and time-line overview of this project read all of the BLOTTING PAPER production reports on the following posts:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48

POSTCARD

Art, Comics, Germania, Japanning August 5, 2015

This post begins a profile of an artistic activity that I have been active in for a few years, art postcards. These are some of the early cards. More will be added in subsequent posts to this one over time e.g POSTCARD 2, 3 etcetera. I hand-printed postcards created from a combination of drawing and printmaking. I would make odd numbered editions of say 8, 19 or 33. A print run greater than 50 was rare. The total would be determined by the amount of blank cards I had and the available time for production. Once I finished a session that was the end of that particular batch and I would not repeat the design. Cards in an edition are all original prints, similar in design but with no exact duplicates.

First postcard in my Abstract series-© 2006 Michael Hill

Postcard from my Abstract No.1 series-© 2006 Michael Hill

The following three postcards show variations produced in one edition: (1) the overlaid pink patch is in a different position on each card and its shape and colour vary; (2) the dragon stamp is in almost the same position on two cards but not the third and its legs seem absent in two impressions; (3) the large black and yellow mass varies in colour and texture from card to card; (4) the Post Office marking is at the top, bottom or missing; (5) my MH seal, whilst generally in the same position, is upside down on two cards.

A postcard from my Abstract No.2 series-© 2006 Michael Hill

A postcard from my Abstract No.2 series-© 2006 Michael Hill

Another postcard from my Abstract No.2 series-© 2006 Michael Hill

Another postcard from my Abstract No.2 series-© 2006 Michael Hill

A third postcard from my Abstract No.2 series-© 2006 Michael Hill

A third postcard from my Abstract No.2 series-© 2006 Michael Hill

 

Reverse side of postcard from Abstract No.2 series-© 2006 Michael Hill

Reverse side of postcard from Abstract No.2 series-© 2006 Michael Hill

 

A postcard from my Abstract No.3 series-© 2006 Michael Hill

A postcard from my Abstract No.3 series-© 2006 Michael Hill

 

A postcard from my Abstract No.4 series-© 2006 Michael Hill

A postcard from my Abstract No.4 series-© 2006 Michael Hill

 

A postcard from my Abstract No.5 series-© 2006 Michael Hill

A postcard from my Abstract No.5 series-© 2006 Michael Hill

Beer drinking marked the end of an edition to celebrate completion, usually late in the afternoon as I never seem to print in the morning. After a few years I supplemented this hand-made approach with digital printing, making copies from the scanned original.

UPDATE 12 OCT 2015: A selection of these art postcards have been displayed in exhibitions over the past few years, the first in 2007 titled Abstract Nos. 1-11 at the DAB LAB Gallery.

Pop-Up Postcard Exhibition: Abstract Nos.1-11, DAB LAB Gallery, UTS, 2007

Pop-Up Postcard Exhibition: Abstract Nos.1-11, DAB LAB Gallery, UTS, 2007

 

Detail: Pop-Up Postcard Exhibition: Abstract Nos.1-11, DAB LAB Gallery, UTS, 2007

Detail: Pop-Up Postcard Exhibition: Abstract Nos.1-11, DAB LAB Gallery, UTS, 2007

 

Exhibition flyer designed by Michael Hill

Exhibition flyer designed by Michael Hill

Reverse of ABSTRACT exhibition flyer.

Reverse of ABSTRACT exhibition flyer.

UPDATE 6 NOV 2015: At Hondarake Full of Books in 2012 the launch of my artist book/comic Blotting Paper was accompanied by a mini exhibition of 33 0f my art postcards from the Abstract, Landscape and Seasons series. 

An exhibition of postcards accompanying the launch of my artist book/comic Blotting Paper at Hondarake Bookshop, February 2012 (Photo by Louise Graber)

An exhibition of postcards accompanying the launch of my artist book/comic Blotting Paper at Hondarake Bookshop, February 2012 (Photo by Louise Graber)

Fukushima Kids 2013 Auction: 10 postcards, made in small sets of 5-30, each print a monoprint, different and unique. Reverse side is signed and dated plus has artist’s stamp. Cards can be kept or mailed. These postcards were made on machine made cardboard following the Japanese sosaku hanga method of printmaking.

Posts of my graphic based material include:  THE GRAFIK GUITAR   BOOKBINDING THE GRAFIK GUITAR   CARTOON   MORE CARTOONS   RESEARCH CARTOONS   UNIVERSITY CARTOONS    POSTCARD   POSTCARD-Second Series   POSTCARD-Third Series   POSTCARD-Fourth Series    POSTCARD-Fifth Series    PRINT Fish Tai   PRINT Fish Two   SCRAPBOOK  SCRAPBOOK-More Pages   SCRAPBOOK-A Few Pages More  and the posts on production of my artist book/comic BLOTTING PAPER:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48

BLOTTING PAPER The Comic: Production Report No.41

Art, Blotting Paper, Cats in Comics, Comics, Germania March 1, 2015

Here follows the fifth and possibly penultimate report documenting production progress of the fourth issue and chapter of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics, Chapter 4: Beer, Chocolate and Comics. It could be as close as a month from completion but we’ll have to wait and see about that. In this chapter the feline character Cohl retrieves documents and items from the Doctor Comics archive and collection of comics related materials. From this he constructs a post of an autobiographical nature on the Doctor Comics blog. It contains anecdotes of a Royalty led Belgian trade mission to Sydney that included such notable Belgian products as beer, chocolate and comics. This is what provides the source of the chapter’s title. In addition to the trade event in the ballroom of a luxury hotel in Sydney there was an exhibition of Belgian comic art at a local gallery-Allianz Francais. This is not the only anecdote in this chapter nor indeed in all the chapters and these anecdotes are employed to provide detail and substance to both story and characters.

Ink stain on paper-© 2014 Michael Hill

Ink stain on paper-© 2014 Michael Hill

Location design sketch-© 2014 Michael Hill

Location design sketch-© 2014 Michael Hill

Dock cranes drawing, ink on paper-© 2014 Michael Hill

Dock cranes drawing, ink on paper-© 2014 Michael Hill

Promotional chocolate stack, Berlin, photo-© 2014 Michael Hill

Promotional chocolate stack, Berlin, photo-© 2014 Michael Hill

Sketch of Doctor Comics character, ink on paper-© 2014 Michael Hill

Sketch of Doctor Comics character, ink on paper-© 2014 Michael Hill

More visual developments and an update on progress will be posted on this blog in three or four weeks time as I near completion and point towards Japan as the likely setting of the next chapter. In the meantime, for a continuing visual history record and time-line overview of this project that covers all four issues, you can read the BLOTTING PAPER production reports on the following posts:

Issue #1:  No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2:  No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3:  No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4:  No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44

BLOTTING PAPER The Comic: Production Report No.40

Art, Blotting Paper, Cats in Comics, Comics, Germania February 2, 2015

Here follows the fourth report documenting production progress of the next issue and chapter of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics- Chapter 4- Beer, Chocolate and Comics. The story continues with the two cats arriving in Hamburg with a shipping container and ends with them, possibly accompanied by a newly acquired canine friend, on a freighter bound for Tokyo Bay, Japan being the setting for the subsequent chapter. This scenario may of course be altered in coming weeks.

The 0909 lines document-ink stamped on paper-© 2015 Michael Hill

The 0909 lines document-ink stamped on paper-© 2015 Michael Hill

I am continuing my graphic experiments with ink and paint on paper, printed, torn and drawn, and sometimes collaged, to create documents, scenes and settings as well as thought and voice balloons for the characters.

Graphic Thought Balloon, ink and paint on paper-© 2014 Michael Hill

Graphic thought balloon, ink and paint on paper-© 2014 Michael Hill

Graphic Voice balloon, ink and paint on paper-© 2014 Michael Hill

Graphic voice balloon, ink and paint on paper-© 2014 Michael Hill

Set design, painted paper collage-© 2014 Michael Hill

Set design, painted paper collage-© 2014 Michael Hill

Ink and watercolour  drawing of Hamburg-© 2007 Michael Hill

Ink and watercolour drawing on paper of room in a Hamburg hotel-© 2007 Michael Hill

These were quickly done sketches made on my previous travels in Germany. They were kept in notebooks and left alone till it seemed they had both relevance and resonance for this project and consequently led to my finding ways of working them into this chapter.

Ink and watercolour drawing on paper of design details in Germany-© 2007 Michael Hill

Ink and watercolour drawing on paper of design details in Germany-© 2007 Michael Hill

More visual developments and an update on progress will be posted on this blog in three or four weeks time as I continue to close in on completion of the comic. In the meantime, for a continuing visual diary record and time-line overview of this project’s all four issues, you can read the BLOTTING PAPER production reports on the following posts:

Issue #1:  No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2:  No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3:  No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4:  No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44

BLOTTING PAPER The Comic: Production Report No.39

Art, Blotting Paper, Cats in Comics, Comics, Germania January 3, 2015

This is the third report documenting production of the fourth issue of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics. Titled Beer, Chocolate and Comics this chapter has a European focus.

Linocut, type, roller and ink dish after a print session. (Photo-© 2014 Michael Hill).

Linocut, type, roller, calligraphy brush and ink dish after a card and comic print session. (Photo-© 2014 Michael Hill).

In addition to collage there are ink and paint printed images of an abstract nature that serve as backgrounds, settings or graphic expressions of the characters’ thoughts.

Abstract print image from Blotting Paper comic-© 2014 Michael Hill

Abstract landscape print image from Blotting Paper comic-© 2014 Michael Hill

Abstract print image from Blotting Paper comic-© 2014 Michael Hill

Abstract landscape print image from Blotting Paper comic-© 2014 Michael Hill

The art work also features several words and images made with dip pen and ink including some fast location drawings from previous visits to Hamburg and Hanover and more recently to Berlin.

Dip pen with nibs by Gillot and Muller and ink from Lamy.

Dip pen with nibs by Gillot and Muller and ink from Lamy.

Ink and watercolour drawing of Hamburg-© 2007 Michael Hill

Ink and watercolour drawing on paper, Hamburg-© 2007 Michael Hill

Quick Ink and watercolour drawing of Hannover-© 2007 Michael Hill

Ink and watercolour drawing on paper, Hanover-© 2007 Michael Hill

For this location drawing I carry a bag of tools…

Packing my art bag for a location drawing session. (Photo-© 2014 Michael Hill).

Packing my art bag for a location drawing session. (Photo-© 2014 Michael Hill).

UPDATE 20 JAN 2015: In response to a query in the comments below I have now added examples of how I might use the abstract landscapes as backgrounds or graphic expressions:

Using abstract landscape as background-© 2014 Michael Hill

Using abstract landscape as background-© 2014 Michael Hill

Using abstract landscape as thought balloon-© 2014 Michael Hill

Using abstract landscape as thought balloon-© 2014 Michael Hill

More visual developments and an update on progress will be posted on this blog around the end of the month as I near completion of the comic. In the meantime, for a continuing visual diary record and time-line overview of this project that covers all four issues, you can read the BLOTTING PAPER production reports on the following posts:

Issue #1:  No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2:  No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3:  No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4:  No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44

BLOTTING PAPER The Comic: Production Report No.37

Art, Blotting Paper, Cats in Comics, Comics, Germania November 3, 2014

This is the first in a series of regular reports documenting the production of the fourth issue of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics. It continues on from those posted on the first chapter/issue The Ingurgitator, the second chapter/issue A Blot On His Escutcheon and the third chapter/issue The Chthonian Turn: The Cats’ Revenge (see links to posts #1-36 below). The new chapter Beer, Chocolate and Comics deals with the cats’ recovery from the demise of their patron, Doctor Comics, their travels in Europe and their contact with the world of European comics. Printmaking is again involved in the design and production of this issue with woodblock, linocut and the use of rubber, bakelite and wooden stamps along with drawing and handwriting plus a bit more of a move into cartooning. The intention is to produce a comic in an artist’s book type format. I hope to have it more or less ready for self-publication in the early months of next year. Mmmh, well we’ll have to see about that!

Brush tips dipped in ink and at the ready.

Brush tips dipped in ink and at the ready.

Cartooning the cat character Cohl from Blotting Paper comic-© 2014 Michael Hill

Cartooning the cat character Cohl from Blotting Paper comic-© 2014 Michael Hill

More cat cartooning for the Blotting Paper comic-© 2014 Michael Hill

More cat cartooning for the Blotting Paper comic-© 2014 Michael Hill

There will also be the introduction of a new character in this chapter, a dog.

Funny animal character from Blotting Paper comic-© 2014 Michael Hill

Funny animal character from Blotting Paper comic-© 2014 Michael Hill

UPDATE: 17th SEPTEMBER 2015 (See comments below.)

Here is how this character finished up looking in Issue #4-© 2015 Michael Hill

Here is how this character finished up looking in Issue #4-© 2015 Michael Hill

This issue has a marked European flavour with much careful research into Belgian and German chocolates, comics and beer having been undertaken by the artist and author.

For a visual diary record and time-line overview of this project that includes development of all three issues you can read the BLOTTING PAPER production reports on the following posts:

Issue #1:  No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2:  No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3:  No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4:  No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44

INKING IN OCTOBER: InkTober

Art, Blotting Paper, Comics October 1, 2014

I have decided to participate in this InkTober event in which artists submit a drawing each day of the month of October. I shall, however, only do it on every other day. Consequently I plan to produce an inked image on the odd numbered dates-1st, 3rd, 5th, 7th etc. That amounts to a potential 16 inkings over the period, if I manage to stay with it. These will be progressively posted here on my blog and dated. I shall also endeavour to add an image of the drawing implement(s) employed. I see this exercise as an opportunity to ‘warm up’ for issue 4 of my Blotting Paper artist book/comic that I am about to commence work on and also as an experimental image-making outlet. And I expect it shall be fun. 2014 UPDATE: A new different drawing added every odd numbered date of the month.

Ink drawing#1 with unipin 0.8 Fine Line for october 1st (© 2014 Michael Hill)

Ink drawing#1: Abstract landscape, with uni pin 0.8 Fine Line, for October 1st (© 2014 Michael Hill)

Ink drawing#2: Abstract landscape, with uni pin 0.8 Fine Line for October 3rd (© 2014 Michael Hill)

Ink drawing#2: Abstract landscape, with uni pin 0.8 Fine Line for October 3rd (© 2014 Michael Hill)

Ink drawing#3: Object landscape, with uni pin 0.8 Fine Line for October 3rd (© 2014 Michael Hill)

Ink drawing#3: Object landscape, with uni pin 0.8 Fine Line for October 5th (© 2014 Michael Hill)

Ink drawing#4: Object landscape, with uni pin 0.8 Fine Line for October 7th (© 2014 Michael Hill)

Ink drawing#4: Object landscape, with uni pin 0.8 Fine Line for October 7th (© 2014 Michael Hill)

unipin 0.8 Fine Line Black

uni pin 0.8 Fine Line Black

Switching back to abstraction but with the addition of some ghosting colour line.

Ink drawing#5: Abstract landscape, with uni pin 0.8 Fine Line plus Montana acrylic paint marker 2mm Shock Yellow for October 9th (© 2014 Michael Hill)

Ink drawing#5: Abstract landscape, with uni pin 0.8 Fine Line plus Montana acrylic paint marker 2mm Shock Yellow for October 9th (© 2014 Michael Hill)

Ink drawing#6: Abstract landscape, with uni pin 0.8 Fine Line plus Montana acrylic paint marker 2mm Shock Yellow for October 11th (© 2014 Michael Hill)

Ink drawing#6: Abstract landscape, with uni pin 0.8 Fine Line plus Montana acrylic paint marker 2mm Shock Yellow for October 11th (© 2014 Michael Hill)

Returning to the objective whilst retaining an element of abstraction and some acrylic colouring.

Ink drawing#7: Object landscape, with uni pin 0.8 Fine Line plus Montana acrylic paint marker 2mm Shock Yellow for October 13th (© 2014 Michael Hill)

Ink drawing#7: Object landscape, with uni pin 0.8 Fine Line plus Montana acrylic paint marker 2mm Shock Yellow for October 13th (© 2014 Michael Hill)

Ink drawing#8: Object landscape, with uni pin 0.8 Fine Line plus Montana acrylic paint markers 2mm Shock Yellow and Shock Green Light for October 15th (© 2014 Michael Hill)

Ink drawing#8: Object landscape, with uni pin 0.8 Fine Line plus Montana acrylic paint markers 2mm Shock Yellow and Shock Green Light for October 15th (© 2014 Michael Hill)

Montana acrylic paint marker series.

Montana acrylic paint marker series.

Midway through the month I have managed to maintain my planned participation of posting an ink image every other day and am now moving in the direction of making blind contour drawings of moving subjects.

Ink drawing#9: Contours of moving objects-football in the park, with Artline 1.0 ballpoint pen for October 17th (© 2014 Michael Hill)

Ink drawing#9: Contours of moving subjects-football in the park, with Artline 1.0 Ballpoint Pen for October 17th (© 2014 Michael Hill)

Ink drawing#10: Contours of moving subjects-cycling in the park, with Artline 1.0 ballpoint pen for October 19th (© 2014 Michael Hill)

Ink drawing#10: Contours of moving subjects-cycling in the park, with Artline 1.0 ballpoint pen for October 19th (© 2014 Michael Hill)

Ink drawing#11: Contours of moving subjects-anthropomorphic animal cosplay in the park, with Artline 1.0 ballpoint pen for October 21st (© 2014 Michael Hill)

Ink drawing#11: Contours of moving subjects-anthropomorphic animal cosplay in the park, with Artline 1.0 ballpoint pen for October 21st (© 2014 Michael Hill)

Ink drawing#12: Contours of moving subjects-community gardening in the park, with Artline 1.0 ballpoint pen for October 23rd (© 2014 Michael Hill)

Ink drawing#12: Contours of moving subjects-community gardening in the park, with Artline 1.0 ballpoint pen for October 23rd (© 2014 Michael Hill)

Artline 1.0 ballpoint pen

Artline 1.0 Ballpoint Pen, Medium, Black

Returning to abstraction for the final four images and last week of the month I am switching to printmaking, exchanging the pen for a brush and using sumi ink to make monoprints.

Ink drawing(monoprint) #13: Abstract shape- with brush and sumi ink for October 25th (© 2014 Michael Hill)

Ink drawing(monoprint) #13: Abstract shape, with brush and sumi ink for October 25th (© 2014 Michael Hill)

Ink drawing(monoprint) #14: Abstract shape, with brush and sumi ink for October 27th (© 2014 Michael Hill)

Ink drawing(monoprint) #14: Abstract shape, with brush and sumi ink for October 27th (© 2014 Michael Hill)

Ink drawing(monoprint) #15: Abstract shape, with brush and sumi ink for October 29th (© 2014 Michael Hill)

Ink drawing(monoprint) #15: Abstract shape, with brush and sumi ink for October 29th (© 2014 Michael Hill)

Ink drawing(monoprint) #16: Abstract shape, with brush and sumi ink for October 31st (© 2014 Michael Hill)

Ink drawing(monoprint) #16: Abstract shape, with brush and sumi ink for October 31st (© 2014 Michael Hill)

Brush and Sumi ink.

Japanese hake brush and Sumi ink.