SCRAPBOOK

In this post I am profiling another artist book I have made, my scrapbook. Only one copy, it contains images of other people’s work that I admire along with assorted memorabilia of my own. This profile will be ongoing as the book is not yet finished. It does have some history though. Subsequent posts will be added to this one and the content of the book may change over time as images and pages are altered, removed and added. To begin with here are some sample page-spreads.

Double page scrapbook spread in progress.

Double page spread in progress.

Starting with a blank paged, hard-covered sketch book I covered the covers with cloth then painted some of the double page spreads in various colours and a range of textures. To these I added images that I had collected or made, gluing them onto the pages, sometimes in random fashion and other times in related groupings. This relationship might be in terms of colour or commonality of subject or simply a whimsical choice. The above spread shows Kamishibai frame boards on the left and animation drawings by Chuck Jones on the right.

Double page scrapbook spread in progress.

Double page spread in progress.

This spread juxtaposes a theatrical illustration with an add for a Gary Panter book. The white blotch at the join is torn paper, the result of closing the pages before the paint had dried then re-opening them. It looks good though, I think.

Double page scrapbook spread in progress.

Double page spread-prints and seals.

Above are some printmaking images and a selection of Chinese seals.

Double page French spread.

Double page French spread.

Front cover has been covered with cloth.

Front cover has been covered with cloth.

Top edge shows extent of painted and pasted pages.

Top edge shows extent of painted and pasted pages.

Side view of scrapbook on table.

Side view of scrapbook on table.

Posts of my graphic based material include:  THE GRAFIK GUITAR   BOOKBINDING THE GRAFIK GUITAR   CARTOON   MORE CARTOONS   RESEARCH CARTOONS   UNIVERSITY CARTOONS    POSTCARD   POSTCARD-Second Series   POSTCARD-Fourth Series   PRINT Fish Tai   PRINT Fish Two   SCRAPBOOK  SCRAPBOOK-More Pages   SCRAPBOOK-A Few Pages More  and the posts on production of my artist book/comic BLOTTING PAPER:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48

BLOTTING PAPER The Comic: Production Report No.13

Composed from elements of drawing, handwriting, collage, photography, typography and printmaking Issue #1 of my artist book/comic  Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics involved a range of graphic tools. These were displayed at the launch with a description of my work methodology.

Searching for inspiration with sketching and sake. (Photo by Michael Hill)

The first stage of the process is finding inspiration. This may involve reading and research, travel, visits to galleries to look at art and objects and make sketches. One sketch book in the photo below shows a collaged image of a fictitious Japanese monster Shitake Man. Some sake also proved useful at this preliminary stage.

Sketch book collage and sake cup. (Photo by Michael Hill)

Concepts and images come to mind in the second stage, design. Sketching determines the shapes that will be obtained through image-making techniques.

Printmaking tools: chisel, carved blocks, rubber type and sharpening stone. (Photo by Michael Hill)

Bamboo baren, seals, string, sumi ink, brushes and printed postcard. (Photo by Michael Hill)

Where printmaking is involved the third stage brings out brushes, ink and paper for the printing part of the project. A baren which is piece of dried bamboo that has been stretched over a board is used to ensure that the paper makes good contact with the inked block. The pressure applied can be varied to produce the degree of intensity of the ink. The autumn postcard print in the photo above has been constructed from 5 layers of print.

Bench hook, brushes, bamboo jar. (Photo by Michael Hill)

On completion of the work the sake may re-appear to accompany a session of reflection on the creative outcome.

For a visual diary record and time-line overview of this project, see all of the BLOTTING PAPER production reports relating to Issue #1:   No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13