Tag: visual communication

PRINT Fish Two

Art, Comics, Film, Japanning January 28, 2017

This is the second post in my series of fish prints made using the woodcut printmaking method for an experimental animated film titled Toxic Fish. As the ocean fish are poisoned their bodies swell up then disintegrate. The static shape of the fish from the woodblock holds firm at first before being flooded by the toxins. The method employed was to gradually over-ink the block so that details were dampened into puddles and definition reduced.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

Here is a photo of me carving one of the blocks using a Japanese chisel. Warning! This is not the way to do it. It should be done on a fixed bench and one should carve away from, not towards, oneself. The photo is just a pose for promotional purposes.

Hand carving one of the woodblocks for the animated film Toxic Fish-Photograph © 1990 Demetra Christopher.

Hand carving one of the woodblocks for the animated film Toxic Fish-Photograph © 1990 Demetra Christopher.

If you liked this post you might like to look at others on my Blog. PRINT Fish Tai   PRINT Fish Two   PRINT Fish Three

 

RESEARCH CARTOONS

Art, Comics November 19, 2016

This post continues profiling my collection of cartoons published in U: magazine or related magazines whilst working at the University of Technology, Sydney. These cartoon posts will eventually form an online gallery of my single panel satirical work.

A cross-disciplinary research committee is formed-© 2005 Michael Hill.

A cross-disciplinary research committee is formed-© 2005 Michael Hill.

Some of the committee members have a background in research-© 2004 Michael Hill

Some of the committee members have a background in research-© 2004 Michael Hill

...and know a thing or two about how to proceed-© 2004 Michael Hill

…and know a thing or two about how to proceed-© 2004 Michael Hill

...and begin to assert their experience-© 2004 Michael Hill

…and begin to assert their experience-© 2004 Michael Hill

...others investigate things in the lab on a daily basis-© 2006 Michael Hill

…others investigate things in the lab on a daily basis-© 2006 Michael Hill

...and then there are those trial experiments-© 2005 Michael Hill

…and then there are those trial experiments-© 2005 Michael Hill

...testing new procedures for fast track learning-© 2003 Michael Hill

…testing new procedures for fast track learning-© 2003 Michael Hill

...equating contributory elements-© 2006 Michael Hill

…equating contributory elements-© 2006 Michael Hill

...and there are the designers who simply study problems requiring resolution and what needs to be done and then they just go and do it-© 2004 Michael Hill

…and there are the designers who simply study problems requiring resolution and what needs to be done and then they just go and do it-© 2004 Michael Hill

Posts of my graphic based material include:  THE GRAFIK GUITAR   BOOKBINDING THE GRAFIK GUITAR   CARTOON   MORE CARTOONS   RESEARCH CARTOONS   UNIVERSITY CARTOONS   POSTCARD   POSTCARD-Second Series   POSTCARD-Third Series   POSTCARD-Fourth Series   PRINT Fish Tai   PRINT Fish Two   SCRAPBOOK   SCRAPBOOK-More Pages   SCRAPBOOK-A Few Pages More  and the posts on my artist book/comic BLOTTING PAPER:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48

PRINT Fish Tai

Art, Film, Japanning July 23, 2016

This series of posts will profile a collection of prints I have made over the years, beginning with some of my early efforts, a series of fish. Using the woodblock printmaking method these prints were made for an animation. Seven species of fish were featured, the first of which, featured here, was the Japanese Tai or sea bream. I was very attracted to the idea of working in either  animation or printmaking at the time but found it difficult to choose between the two. I found the answer in combining both mediums. Animation’s enormous greed for artwork could be more speedily satiated by using the print medium. I was doubly happy but have since settled on making comics which falls in the space somewhere in-between the other two.

PRINT-fish-bream1:72

Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

PRINT-fish-bream2:72

Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

PRINT-fish-bream3:72

Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

PRINT-fish-bream4:72

Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

PRINT-fish-bream5:72

Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

PRINT-fish-bream6:72

Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

PRINT-fish-bream7:72

Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

PRINT-fish-bream8:72

Tai/sea bream woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.

Artist-4149

Shooting the 1990 animation Toxic Fish on the Oxberry animation rostrum camera with artwork produced from woodblock printmaking.

 

Posts of my graphic based material include:  THE GRAFIK GUITAR   BOOKBINDING THE GRAFIK GUITAR   CARTOON   MORE CARTOONS   RESEARCH CARTOONS   UNIVERSITY CARTOONS    POSTCARD   POSTCARD-Second Series   POSTCARD-Fourth Series   PRINT Fish Tai   PRINT Fish Two   PRINT Fish Three   SCRAPBOOK   SCRAPBOOK-More Pages   SCRAPBOOK-A Few Pages More  and the posts on my artist book/comic BLOTTING PAPER:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48

MORE CARTOONS

Art, Comics May 25, 2016

This post features the second instalment of cartoons I created during my academic tenure at the University of Technology, Sydney. These examples focus on the University’s Tower Building on Broadway near Railway Square. Labelled an example of “brutal modernism” despite its designer’s denial of it being that style, it is a monolithic stack of 27 storeys in concrete and glass now somewhat softened by the arrival of the vertical garden clad Central Park building opposite. I had fun playing around with it as a satirical subject in these cartoons that were published in the University’s magazine U:.

CARTOON-J01 Blog

King Kong Visit-© 2004 Michael Hill

This fake story was reported as fact by one Sydney news agency!

CARTOON-J02 Blog

Smart building-© 2004 Michael Hill

CARTOON-J27 Blog

Applied science-© 2004 Michael Hill

A good example of rocket science-launching the Tower Building into orbit over Ultimo!

CARTOON-J28 Blog

Building in orbit over Blackwattle Bay-© 2004 Michael Hill

It proved a bit of a problem getting it down though.

CARTOON-J06 Blog

Merch!-© 2004 Michael Hill

Fictitious merchandise in a n0n-existent shop in the foyer yet the Information Desk reported some enquiries as to the shop’s location after publication of this cartoon.

CARTOON-J03 Blog

Corporate aid-© 2004 Michael Hill

Originally I proposed using Nokia and Nokia University of Technology naming rights but the sign on the tower would read NUTS! So, no go, but Virgin was O.K.

CARTOON-J05 Blog

Christmas card-© 2004 Michael Hill

I did an alternate version of the building relaxing on a banana lounge on Bondi Beach reading a novel but the Vice Chancellor preferred this one.

CARTOON-J04 Blog

Easter egg-© 2005 Michael Hill

Posts of my graphic based material include:  THE GRAFIK GUITAR   BOOKBINDING THE GRAFIK GUITAR   CARTOON   MORE CARTOONS   RESEARCH CARTOONS   UNIVERSITY CARTOONS    POSTCARD   POSTCARD-Second Series   POSTCARD-Third Series   POSTCARD-Fourth Series   PRINT Fish Tai   PRINT Fish Two   SCRAPBOOK   SCRAPBOOK-More Pages   SCRAPBOOK-A Few Pages More  and the posts on my artist book/comic BLOTTING PAPER:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48

POSTCARD-Second Series

Art April 26, 2016

This post continues the profile of my artistic activity of producing hand-made art postcards. As previously stated, these works were created from a combination of drawing and printmaking in small editions of 10 to 50. Each of the cards is an original print, or monoprint, similar in design but with no exact duplicates, for example the three prints form Landscape No. 2 edition, below, whilst carrying the same title, number and technique, all bear minor visual differences. Whereas my first post featured postcards from the Abstract series in this post the postcards are from the subsequent Landscape series, some of which may contain abstract elements. With few exceptions these cards fall within the postcard size dimensions of 10cm x 15cm.

Scan 2

Landscape No.2-composite roller print-© 2008 Michael Hill

Scan 1

Landscape No.2-composite roller print-© 2008 Michael Hill

Scan 4

Landscape No.2-composite roller print-© 2008 Michael Hill

In both the above set and the postcard that follows I used a restricted palette in comparison to the Landscape No.3 and No.4 cards that follow in this post. There is a combination of textures present from watery and weedy to grassy and sandy surfaces.

Scan 3

Landscape No.1-composite roller print-© 2008 Michael Hill

Scan 7

Landscape No.3-print plus paint and pastel-© 2008 Michael Hill

Scan 6

Landscape No.3-print plus paint and pastel-© 2008 Michael Hill

Scan 5

Landscape No.4-composite print from various materials-© 2009 Michael Hill

UPDATE 6 MAR 2017: Here are a couple of photos of my assorted art postcards bundled up in a box for carting and then spread out on a table in an art gallery for sale.

Art postcards sorted and stacked for cartage to gallery.

Art postcards sorted and stacked for cartage to gallery.

Those cards spread across a table in the gallery for sale.

Those cards spread across a table in the gallery for sale.

Posts of my graphic based material include:  THE GRAFIK GUITAR   BOOKBINDING THE GRAFIK GUITAR   CARTOON   MORE CARTOONS   RESEARCH CARTOONS   UNIVERSITY CARTOONS    POSTCARD   POSTCARD-Second Series   POSTCARD-Third Series   POSTCARD-Fourth Series    POSTCARD-Fifth Series    PRINT Fish Tai   PRINT Fish Two   SCRAPBOOK  SCRAPBOOK-More Pages   SCRAPBOOK-A Few Pages More  and the posts on production of my artist book/comic BLOTTING PAPER:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48

THE GRAFIK GUITAR

Art, Japanning March 27, 2016

My artist book The Grafik Guitar consists of 38 monoprints on the theme of the deconstruction of elements of the acoustic guitar, namely the machine head, tuning pegs, fretboard, strings and sound hole. The separate elements were carved in lino or wood then overlaid in various combinations and intensities to form composite monoprints. The Japanese creative print method (sosaku hanga) was adopted as part of the approach to this project using Japanese knives and chisels. The blocks were printed on Chinese paper with water colour ink, sumi and additional hand colouring.

GrafikGuitar 3-96

Linocut ink composite print over block print-© 1999 Michael Hill

GrafikGuitar 6-96

Linocut ink composite print over block print-© 1999 Michael Hill

GrafikGuitar 7-96

Linocut ink composite print over block print-© 1999 Michael Hill

GrafikGuitar 4-96

Linocut ink composite print over block print-© 1999 Michael Hill

GrafikGuitar 8-96

Linocut ink composite print over block print-© 1999 Michael Hill

GrafikGuitar 9-96

Linocut ink composite print over block print-© 1999 Michael Hill

GrafikGuitar 1-96

Single linocut ink print of strings and sound hole over block print-© 1999 Michael Hill

A design application of the work was made in the form of a poster, program cover and published conference proceedings cover for an international popular music studies conference in Sydney, IASPM 1999.

Scan

Conference proceedings cover design-© 1999 Michael Hill

Scan 1

Linocut of guitar elements-machine head, fretboard, strings and sound hole- arranged as visual communication design-© 1999 Michael Hill

For further development of this work see: BOOKBINDING THE GRAFIK GUITAR

Other posts of my graphic based material include:  CARTOON   MORE CARTOONS   RESEARCH CARTOONS    UNIVERSITY CARTOONS   POSTCARD    POSTCARD-Second Series   POSTCARD-Third Series   POSTCARD-Fourth Series   PRINT Fish Tai   PRINT Fish Two   SCRAPBOOK   SCRAPBOOK-More Pages   SCRAPBOOK-A Few Pages More  and the posts on production of my artist book/comic BLOTTING PAPER:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48

SCRAPBOOK: More Pages

Art, Comics, Film, Japanning January 11, 2016

In this post I am adding more sample pages from my scrapbook, the initial posting of which can be found here. There is only one copy and it contains images of other people’s work that I admire along with assorted memorabilia of my own.

Scrapbook page 1

Above-collage of scenes from Walt Disney studio production, clockwise from top left: me visiting their studio in Burbank(I studied storyboards from their morgue); mixing colour; making synchronised soundtracks; character paint set merchandise.

Scrapbook page 2

Above-Osamu Tezuka at work at Mushi Productions making anime; early Mazzucchelli superhero drawing; spool of recording tape; Tetsujin 28-go manga cover; Klaus Voormann cover design for The Beatles album Revolver.

Scrapbook page 3

Above-mixed bag of Tatsunoko Production studio interior; Dave Brubeck Quartet’s Time Out cover designed by Sadamitsu Fujita; Shigeru Mizuki manga; Gene Vincent and his Blue Caps without their blue caps: one of my signature stamps.

Scrapbook page 4

Above-Kamishibai frame and carry case; plus Yoshihiro Tatsumi gekiga manga panel from GARO magazine.

Scrapbook page 6

Above-Kyoto street and shop scenes; cartoon characterised Kansai airport tax card in Osaka; Mamoru Oshii; Fujii TV outside broadcast van; Tokyo record store receipt; assorted cartoon stickers and stamps including Doraemon and What’s Michael?

Scrapbook page 9

Above- postage stamps; B & W photo of Yayoi Kusama; illustration by Aya Takano; and centrepiece photo of my postcard printmaking production-the black shape on table is studio cat, Tabi, quality controller of production.

Scrapbook page 5

Above- me sketching in the Botanical Garden at U.C.L.A.; and studying the Aztec Sun Stone in Forest Lawn Memorial Park cemetery in Hollywood Hills; bookshop postcard, Tokyo.

This book is still under construction but more pages may be posted in the future. Posts of my graphic based material include:   THE GRAFIK GUITAR    BOOKBINDING THE GRAFIK GUITAR   CARTOON   MORE CARTOONS   RESEARCH CARTOONS   UNIVERSITY CARTOONS    POSTCARD   POSTCARD-Second Series   POSTCARD-Third Series   POSTCARD-Fourth Series   PRINT Fish Tai   PRINT Fish Two   SCRAPBOOK  SCRAPBOOK-More Pages   SCRAPBOOK-A Few Pages More  and the posts on production of my artist book/comic BLOTTING PAPER:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47   No.48