BLOTTING PAPER The Comic: Production Report No.42

Not quite there yet! I might need another month to finish this issue. So I’ll say again, this time with the added word “hopefully”, that this looks like being the penultimate report documenting production of the fourth issue of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics, Chapter 4: Beer, Chocolate and Comics before undertaking the likely final chapter, tentatively titled 2 or 3 Tickets To Tokyo Bay?

Chapter title page, handwriting on painted paper collage-© 2015 Michael Hill

Chapter title page, handwriting on painted paper collage-© 2015 Michael Hill

The cats go to Germany with Doctor Comics’s stash of comics related books, mementos and research materials. A dog is met who assists them in arranging matters. Beer is drunk, comics consumed and a plan devised.

Chapter page, collage of painted paper, woodcut print and ink drawings-© 2015 Michael Hill

Chapter page, collage of painted paper, woodcut print and ink drawings-© 2015 Michael Hill

One of the cats, Cohl, sorts through Doc’s research materials and reflects on some of his deeds including one that involved Belgian comics. Cohl also attempts to emulate Doc’s art practice, making sketches and playing with art materials, more drawing than printmaking. The other cat enjoys what Germany has to offer in the way of beer, fish and fun. Both cats and their canine companion enjoy the chocolate.

Chapter page detail, inked calligraphy brush on paper-© 2015 Michael Hill

Chapter page detail, inked calligraphy brush on paper-© 2015 Michael Hill

Chapter page detail, collage of photograph and found graphic packaging-© 2015 Michael Hill

Chapter page detail, collage of photograph and found graphic packaging-© 2015 Michael Hill

More visual developments and an update on progress will be posted on this blog in a month’s time as I bring this chapter to completion and start moving towards Japan as setting of the next chapter. In the meantime, for a continuing visual history record and time-line overview of this project that covers all four issues, you can read the BLOTTING PAPER production reports on the following posts:

Issue #1:  No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2:  No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3:  No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4:  No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44

BLOTTING PAPER The Comic: Production Report No.39

This is the third report documenting production of the fourth issue of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics. Titled Beer, Chocolate and Comics this chapter has a European focus.

Linocut, type, roller and ink dish after a print session. (Photo-© 2014 Michael Hill).

Linocut, type, roller, calligraphy brush and ink dish after a card and comic print session. (Photo-© 2014 Michael Hill).

In addition to collage there are ink and paint printed images of an abstract nature that serve as backgrounds, settings or graphic expressions of the characters’ thoughts.

Abstract print image from Blotting Paper comic-© 2014 Michael Hill

Abstract landscape print image from Blotting Paper comic-© 2014 Michael Hill

Abstract print image from Blotting Paper comic-© 2014 Michael Hill

Abstract landscape print image from Blotting Paper comic-© 2014 Michael Hill

The art work also features several words and images made with dip pen and ink including some fast location drawings from previous visits to Hamburg and Hanover and more recently to Berlin.

Dip pen with nibs by Gillot and Muller and ink from Lamy.

Dip pen with nibs by Gillot and Muller and ink from Lamy.

Ink and watercolour drawing of Hamburg-© 2007 Michael Hill

Ink and watercolour drawing on paper, Hamburg-© 2007 Michael Hill

Quick Ink and watercolour drawing of Hannover-© 2007 Michael Hill

Ink and watercolour drawing on paper, Hanover-© 2007 Michael Hill

For this location drawing I carry a bag of tools…

Packing my art bag for a location drawing session. (Photo-© 2014 Michael Hill).

Packing my art bag for a location drawing session. (Photo-© 2014 Michael Hill).

UPDATE 20 JAN 2015: In response to a query in the comments below I have now added examples of how I might use the abstract landscapes as backgrounds or graphic expressions:

Using abstract landscape as background-© 2014 Michael Hill

Using abstract landscape as background-© 2014 Michael Hill

Using abstract landscape as thought balloon-© 2014 Michael Hill

Using abstract landscape as thought balloon-© 2014 Michael Hill

More visual developments and an update on progress will be posted on this blog around the end of the month as I near completion of the comic. In the meantime, for a continuing visual diary record and time-line overview of this project that covers all four issues, you can read the BLOTTING PAPER production reports on the following posts:

Issue #1:  No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2:  No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3:  No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4:  No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44

BLOTTING PAPER The Comic: Production Report No.36

Job done! Production of the third issue of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics was completed and the book launched in June at Comic-Salon Erlangen in Germany to which I had been invited by design colleagues, Professors Markus Fischmann and Michael Mahlstedt of Visuelle Kommunikation, Design und Medien Department of Hochschule Hannover University of Applied Arts and Sciences where I did a visiting academic gig back in 2007. Comic-Salon is the largest comics convention in Germany with 25,000+ attendees. Oh joy!

COMIC SALON, Erlangen. (Photo-© 2014 Michael Hill).

16th INTERNATIONAL COMIC-SALON, Erlangen, Germany. (Photo-© 2014 Michael Hill).

On the trading floor at COMIC SALON (Photo-© 2014 Michael Hill).

On the trading floor at COMIC-SALON (Photo-© 2014 Michael Hill).

Launching Blotting Paper #3 at COMIC SALON. (Photo-© 2014 Hoschule Staff).

Launching Blotting Paper #3 at COMIC-SALON (L to R: Louise Graber, Prof. Michael Mahlstedt, Dr. Michael Hill, Prof. Markus Fischmann, Krisi). (Photo-© 2014 Hoschule Faculty staff).

On display at COMIC SALON (Photo-© 2014 Michael Hill).

Pages on display at COMIC-SALON (Photo-© 2014 Michael Hill).

For Sale at €15 per copy (Photo-© 2014 Michael Hill).

All 3 issues of the comic for sale at €15 per copy (Photo-© 2014 Michael Hill).

On the trading floor at COMIC SALON (Photo-© 2014 Michael Hill).

On the trading floor at COMIC-SALON (Photo-© 2014 Michael Hill).

Donald Duck comics appeared to be very popular at COMIC SALON (Photo-© 2014 Michael Hill).

Donald Duck comics appeared to be very popular at COMIC SALON (Photo-© 2014 Michael Hill).

Cosplay at COMIC SALON (Photo-© 2014 Michael Hill).

Cosplay at COMIC-SALON (Photo-© 2014 Michael Hill).

For a visual diary record and time-line overview of this project that includes development of all three issues you can read the BLOTTING PAPER production reports on the following posts:

Issue #1:  No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13

Issue #2:  No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29

Issue #3:  No.30   No.31   No.32   No.33   No.34   No.35   No.36

Issue #4:  No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44

BLOTTING PAPER The Comic: Production Report No.35

GETTING IT DONE! In this sixth progress report on the third issue of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics following a sustained effort over the past month I have completed the artwork and printing and the finishing stages of labeling, stapling and bookbinding. I started out stitching the sections together but found that I lacked the skills to do the job properly and so abandoned this approach and switched back to stapling. I shall endeavour to master the stitching technique in future.

Page from Chapter 3–© 2014 Michael Hill.

Page from Chapter 3–© 2014 Michael Hill.

It looks interesting as a volume being half hand-printed and half digitally printed with the varying pages shuffled together at stages. In addition to adding pages of colour and print-made texture this method has facilitated a shorter period of production.

Two of the handprinted pages from Chapter 3–© 2014 Michael Hill.

Two of the handprinted pages from Chapter 3–© 2014 Michael Hill.

The cat characters continue to assert themselves, altering the generic pattern from auto-bio to funny animal comics although the following scene is not so humorous.

Double page hand printed spread from Chapter 3–© 2014 Michael Hill.

Double page hand printed spread from Chapter 3–© 2014 Michael Hill.

Notice of publication will be posted on this blog around the end of the month. It may well take place at a comics event in Germany but we’ll have to wait and see about that. In the meantime for a visual diary record and time-line overview of this project, you can see all of the BLOTTING PAPER production reports on the following posts:

Issue #1:  No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2:  No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3:  No.30   No.31   No.32   No.33   No.34   No.35   No.36

BLOTTING PAPER The Comic: Production Report No.33

NOW DEEP IN PRODUCTION MODE! In this fourth report documenting the production process and progress of the new issue of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics, Chapter 3, The Chthonian Turn or The Cats’ Revenge I am approaching the 30% mark in terms of completion of the artwork. On the other hand I am slightly more advanced in terms of scripting and page layout but I am keeping things more open in terms of resolution of the story.

A spread of artwork on the studio floor.

A spread of artwork on the studio floor.

I find the creation of the images, the entire image-making process, and the resultant generation of the artwork the most pleasurable part of the production process. Culling, selecting and editing the artwork is a tougher task.

A more detailed glimpse of the spread of artwork.

A more detailed glimpse of the spread of artwork.

Printmaking has been employed to make more of the image-making this time around, more than photography but about the same proportion as drawing and,in terms of style, abstraction is making an impression.

Another more detailed glimpse of the spread of artwork.

Another more detailed glimpse of the spread of artwork.

Further developments and an update on progress will be posted on this blog next month but for a visual diary record and time-line overview of this project, you can see all of the BLOTTING PAPER production reports on the following posts:

Issue #1:  No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2:  No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3:  No.30   No.31   No.32   No.33   No.34   No.35   No.36

BLOTTING PAPER The Comic: Production Report No.32

STARTING TO GET A MOVE ON! In this third report documenting the production process and progress of the new issue of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics, Chapter 3, The Chthonian Turn: The Cats’ Revenge I can say that things are starting to move on the design front and scheduling of the creation of the planned pages is beginning to fall into place.

The production schedule is up!

The production schedule for Issue #3 is up on the wall!

The intended dates for completion of the five 8-page signatures have been approximated and with a good run could be ready for binding as early as June.

The art table has been established.

The art table has been established…

Ink more so than paint appears to be the dominant graphic ingredient in the production with dip pens, drawing pens and brush calligraphy involved although some of the inking will be made onto painted paper.

...and particular tools selected.

…and particular tools selected.

There are some pencils in there too, as well as the pens, with drawing and handwriting components plus my regular use of printmaking.

Ink tests are underway...

Ink tests are underway…

The mess of ink tests and mark making has begun.

...and drying on display.

…and on display whilst drying.

Further developments and an update on progress will be posted on this blog next month. For a visual diary record and time-line overview of this project, see all of the BLOTTING PAPER production reports. Issue #1:  No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2:  No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3:  No.30   No.31   No.32   No.33   No.34   No.35   No.36

BLOTTING PAPER The Comic: Production Report No.27

Publication of the second issue of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics, Chapter 2: A Blot On His Escutcheon has occurred. As with the first issue the publication was planned to be accompanied by an exhibition of associated art work. This time around the exhibition, at  GAUGE Gallery, subsumed the publication as the former was larger in scope and located in a gallery, as opposed to a bookshop, and the latter didn’t actually arrive until the fourth day of the event. Preparations for the launch of the artist book/comic had to be postponed due to the uncertain completion date and arrival of stock in the gallery. The exhibition scheduling had been established, set, contracted and agreed upon with the reasonable expectation of completion of the comic prior to opening of the show. That didn’t happen. When the book eventually arrived at the gallery it went immediately on sale but has yet to be “launched”.

Pages being readied for stitching. (Photo-© 2013 Michael Hill)

Pages being readied for stitching. (Photo-© 2013 Michael Hill)

The wonderfully romantic old school bindery. (Photo-© 2013 Michael Hill)

The wonderfully romantic old school bindery. (Photo-© 2013 Michael Hill)

50 copies weighted and settling. (Photo-© 2013 Michael Hill)

50 copies weighted and settling. (Photo-© 2013 Michael Hill)

Clever alignment of the front and back endpapers so that two different fish become one. (Photo-© 2013 Michael Hill)

Clever alignment of the front and back endpapers so that two different fish become one. (Photo-© 2013 Michael Hill)

The printed labels drying and awaiting attachment to the covers. (Photo-© 2013 Michael Hill)

The printed labels drying and awaiting attachment to the covers. (Photo-© 2013 Michael Hill)

The completed artist book/comic on display in the gallery. (Photo-© 2013 Michael Hill)

The completed artist book/comic on display in the gallery. (Photo-© 2013 Michael Hill)

For a visual diary record and time-line overview of this project, see all of the BLOTTING PAPER production reports.

Issue #1:   No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2:   No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29