This post features the second instalment of cartoons I created during my academic tenure at the University of Technology, Sydney…and that were published in its magazine U:. These examples focus on the University’s Tower Building on Broadway near Railway Square. Labelled an example of “brutal modernism” despite its designer’s denial of it being that style…it is a monolithic stack of 27 storeys in concrete and glass… somewhat softened by the arrival of the newly constructed vertical garden clad Central Park building opposite. It was fun playing around with it as a satirical subject in these cartoons.
Fictitious merchandise in a non-existent shop in the foyer!…the Information Desk reported some enquiries as to the shop’s location after publication of this cartoon.
Originally I proposed using Nokia University of Technology but the sign on the tower would read NUTS! The University said “NO WAY!” to that…but the Virgin ad was O.K.!
I did an alternate version of the building relaxing on a banana lounge on Bondi Beach reading a novel…but the Vice Chancellor thought it was “A bit silly!” He preferred this one.
As always, my thanks for the excellent advice, assistance and cartooning expertise from the wonderful COUNTDOWNMagazine cartoonist, Louise Graber. Other posts of my cartoon based material include:
I have still not completed this issue of my comic but I am getting there! Completion of the fourth issue of my artist book/comic…and ultimately, graphic novel…Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics is near. The printing and publishing process of those pages will follow. This includes the sequential stages of the pages being printed, collated, trimmed, covered and bound. As with the first three issues the fourth one has a total of 40 pages plus end-papers and covers. For this issue the covers will feature a wraparound print that includes the title. Being an artist book there will be a limited edition of 30. Each book in this first edition will be numbered and signed by the artist.
The addition of some spot colour plus a few paragraphs of handwriting is needed. It may also receive a bit of a toning touch-up and a little overprinting. I have spread out the pages in sequence on the floor of the studio. This reveals some sense of the overall flow of the comic. There might be the odd alteration to the sequencing in the final edit. I try to feel a sense of rhythm from reading and turning the pages.
UPDATE 6 JULY 2015: COMPLETION OF ISSUE #4! Although it took a little longer than expected I have now completed production of the fourth issue of my comic! The pages have been printed, collated, trimmed, bound and covered with title labels. Copies have been mailed to my supportive, personal readers. A possible launch is being looked at in Tokyo in October.
After running past the planned deadline and being slightly over budget I decided to finish in D.I.Y mode. This resulted in a somewhat hand-crafted look.
Now it’s on to the likely final issue…although reprints of previously published chapters are also a possibility…as is the eventual merging of all chapters into graphic novel form…I wish!…and can’t stop thinking about that possibility. Looking ahead, the tentatively titled 2 Tickets to Tokyo Bay Chapter 5 will be set in Germany and Japan. It depicts the continued activities of Doctor Comics’ cats and their new canine companion Barks in “funny animal” comics style. It may also contain further comics related recollections from Doctor Comics’ past, particularly his research of manga. Below is the ad for Chapter 5 on the back page of Issue 4.
I am beginning this post with a progress report. Issue 4 of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics is not yet complete! I still need about another month to finish this issue. I do think that this is the penultimate report though… and further more,…due to its increasing length, I think I shall now start referring to it as a graphic novel.
The cats go to Germany with Doctor Comics’s big stash of comics related books, mementos and research materials. They meet a canine character who kindly assists them in arranging their affairs. Beer is drunk, comics are consumed and a plan devised.
The black cat, Cohl, sorts through Doc’s research materials. He reflects on some of his deeds including one that involved Belgian comics. Cohl also begins to emulate Doc’s art practice. This involves making sketches, playing with art materials and doing some drawing and printmaking. The other cat, Busch, who is not black, enjoys German beer, fish and fun. Both cats and their canine companion find enjoyment from the eating of chocolate.
More developments and an update on progress will be posted on this blog in around a month’s time. After I bring this chapter to completion we move to Japan, the setting for the next chapter.
More visual developments and an update on progress will be posted when I near completion. See you in Japan, so to speak…the setting of the next chapter, Michael.
Here is the next report, first one of the year, documenting production progress of my artist book/comic/graphic novel…Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics…Chapter 4-Beer, Chocolate and Comics. The story continues with both cats arriving in Hamburg in a shipping container on a freighter…and ends with them, seemingly accompanied by a newly acquired canine friend on another freighter bound for Tokyo Bay! However did that come about? Well, Japan is the setting for the subsequent chapter…as long as this scenario is not altered in the coming weeks.
I am continuing my graphic experiments with ink and paint on paper that is printed then torn and drawn upon…and sometimes collaged, to create documents, scenes and settings as well as thought and voice balloons for the characters.
The following quick sketches were made on my previous travels in Germany. They were kept in notebooks till it seemed they had some relevance and resonance for this project…and now I am finding ways of working them into this chapter.
More visual developments and an update on progress will be posted on this blog in three or four weeks time…as I continue to close in on completion of the comic.
UPDATE 20 JANUARY 2015: In response to a query in the comments…(see below)…I have added examples of how I intend using the abstract landscapes as backgrounds…or graphic expressions.
More visual developments and an update on progress should be posted on this blog around the end of the month…as I near completion of the comic…and, as always, your feedback on my blog is most welcome.
This is the second report documenting the production of the fourth issue of my artist book/comic…Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics. The new chapter Beer, Chocolate and Comics…deals with the feline characters recovering from the demise of their patron…and their subsequent travels in Germany to visit the world of European comics.
Continuing the turnaround of events and forward momentum that the above image from Chapter 3 illustrates…my feline leading characters start to get on top of things…taking control of circumstances and their situation and expressing their true character whilst on their travels abroad. Tail wagging. indeed!
I have been exploring the notion of a beer label collage project…derived from Belgian and German bottles, and have come up with this character. I expect others will follow. With the European theme and setting I am also considering including some bilingual content, probably English and German…and there is also an option of doing a combined issue #4-5!
In addition to collage there were some abstract ink and paint images that serve as backgrounds, settings…or sometimes mere graphic expressions of a characters’ thoughts.
The art work also features several words and images made with pen and ink…including some quick-sketch location drawings from previous visits to Hamburg and Hanover and more recently to Berlin.
On location drawing trips I carry a small leather bag of art tools and sketch books. It carries some smaller leather bags and a tin of colour pencils that fit within the larger bag. (see photo below, taken on the carpet at home, before departure)
More visual developments and an update on progress will be posted on this blog in the New Year. As always, I would love to hear any responses to this post…plus any comparable comments about your own experiences of drawing on location.
Cheers for a Happy Comics and Graphic Novel Xmas and New Year…and Seasons Greetings to all comics art fans and followers!…Michael.
Job done! Production of the third issue of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics has been completed. The comic was launched in June at Comic-Salon Erlangen in Germany. I had been invited to attend the event by German design colleagues…Professors Markus Fischmann and Michael Mahlstedt…of Visuelle Kommunikation, Design und Medien Department…Hochschule Hannover University of Applied Arts and Sciences where I had a visiting academic engagement back in 2007. Comic-Salon is the largest comics convention in Germany with 25,000+ attendees. Oh wow!
GOING DEEPER INTO PRODUCTION MODE! Progress report on my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics, Chapter 3, The Chthonian Turn. It is subtitled The Cats’ Revenge as it starts heading in the direction of a funny animal comic.I am approaching the mid-way point in completion of the artwork, averaging one page per day. It’s been a struggle maintaining this rate.
Serial production offers the opportunity of revisiting the work at some future date with the opportunity to make changes. With hindsight, the possibility of reworking things and adding new material seems appealing. One hopes it would improve the material…as this wouldn’t happen till after I have published a first edition.
About half of this issue is being hand-printed and/or painted. Those are the areas I have spent most of the time working on. The remaining half will be digitally printed. Most of the page numbers are being stamped, some directly onto the page, others scanned then printed.
Over the past month I have completed the artwork, printing and the finishing stages of the labelling, stapling and bookbinding. I started out stitching the sections together but found that I lacked the skills to do the job properly. I abandoned this approach and switched back to the simpler form of stapling…however, I shall endeavour to master stitching techniques in future.
It looks interesting as a volume being half hand-printed and half digitally printed. The varying pages are sometimes shuffled together. In addition to adding pages of colour and print-made texture this method has resulted in a shorter period of production.
The feline characters continue to assert themselves. This altered the generic pattern from auto-bio to funny animal comics with the odd not so humorous scene.
Notice of publication should be posted on this Blog around the end of the month. It is intended take place at a comics event in Germany…but we will have to wait and see about that, Michael.
This is the first in a series of regular reports documenting the production of the third issue of my artist book/comic…Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics. It continues on from my previous posts on the first chapter/issue The Ingurgitator…and the second chapter/issue A Blot On His Escutcheon. The new chapter, The Chthonian Turn: The Cats’ Revenge…deals with the feline characters’ reaction to the demise of Doctor Comics…and that gentleman’s adventures in another dimension to which he has travelled. I hope to self-publish it before the end of the year.
As with the two previous issues printmaking is involved in the generation of images…via woodblock, linocut, Japanese sosaku hanga technique, rubber stamps and wooden seals. In addition other visual communication techniques…such as drawing, painting, collage, cartooning and photography…with the intention of producing a limited edition artist’s book comic.
I also intend having more colour pages in this issue…following the use of sporadic spot colour in Issue #1 and the 8 full colour pages in Issue #2. The colour will assist in the graphic representation of both the real and imaginary worlds featured in the comic.
I am continuing to edit the script, refine ideas, and develop others. There has been some unscripted image-making and printmaking activity…with the intention of using this as a loose but parallel means of creating vaguely conceived and experimental visual content. Examples produced through this printmaking strategy are featured below.
In the present chapter the two feline characters deliberate over the decision of what to do following the sudden departure of Doctor Comics. Meanwhile the latter character continues his travels in the chthonian world…confronting various vaporous forms and ghostly figures…including a trio of roaming red shades (see the three red shade illustrations). The raw state of these printmaking images will most likely be subject to further graphic manipulation.
The target date for completion of the five 8-page signatures have been approximated…and with a good run the comic could possibly be ready for binding as early as June.
Ink, more so than paint, appears to be the dominant graphic ingredient in the production…with dip pens, drawing pens and brush calligraphy involved…although some of the inking will be made onto previously painted paper.
There are some pencils in there too…as well as the pens,…with drawing and handwriting components plus my regular use of printmaking for image generation.
Having gotten deeper into production modeI am now approaching completion of the artwork …having advanced from scripting to page layout…however, I am keeping things open in terms of the resolution of the story.
I find the creation of the images…and the entire image-making process…including the resultant generation of the artwork…to be the most pleasurable part of the production process. Culling, selecting and editing the artwork is a tougher task.
Printmaking has again been employed in the image-making…a little more than photography…but about the same proportion as drawing. In terms of style, abstraction is making an impression. The notion of developing this project into graphic novel form continues to firm.
Continuing reports documenting the production process of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics…Chapter 1: The Ingurgitator andChapter 2: A Blot On His Escutcheon…this post shows more examples of the image-making aspects of the project. These include assemblage, drawings, design, photography, printmaking, plus project management.
Some colourful project management in my blog log book.
This blog on my Blotting Paper comic has provided a means of documenting the production progress of the comic.
Both fish and cats feature in the comic, the fish more realistically rendered than the cats. Above is an image from my earlier fish animation, with added blood. Below is a rough sketch of one of the feline characters.
Continuing my series of reports documenting the production of my comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics…this post illustrates the use of the note books, sketch books and design processes involved.
The larger notebook (above) is primarily used for making notes and writing drafts. It has information about the characters and the environment in which they live…plus ideas about the narrative and its construction. The smaller note books (below) contain rough sketches that were used to develop ideas from the main note book.
The design is a little on the rough and sketchy side! It does, however, show an outline of the character design and story sequencing. How did you find it? Let me know. I would love to read your responses to my posts, Michael.
Doctor Comics 