This series of posts will profile a collection of creative prints that I have made, beginning with a series of fish. I used the woodblock printmaking method with variations in inking to make monoprints so that the prints produced could also be used in animation sequences. Six species of fish were featured, the first of which is the Japanese Tai or sea bream. I was very attracted to the idea of working in both animation and printmaking at the time but found it difficult to sustain both in the available time and ultimately had to choose between the two. I found the solution in combining both mediums. Animation’s enormous need for artwork could be more speedily met by using the printmaking medium. I was doubly happy but have since settled on making comics which falls in the space located somewhere in-between and requires a lot less artwork.

Tai/sea bream woodblock print artwork with overlaid hand-colouring from my experimental animated film Toxic Fish-©1990 Dr. Michael Hill a.k.a. Doctor Comics.

Tai/sea bream woodblock print with overlaid hand-colouring from my experimental animated film Toxic Fish-©1990 Dr. Michael Hill a.k.a. Doctor Comics. This print also stamped for framing and sale as static artwork.

Tai/sea bream woodblock print with overlaid hand-colouring from my experimental animated film Toxic Fish-©1990 Dr. Michael Hill a.k.a. Doctor Comics. This print also stamped for framing and sale as static artwork.

Tai/sea bream woodblock print with overlaid hand-colouring from my experimental animated film Toxic Fish-©1990 Dr. Michael Hill a.k.a. Doctor Comics. This print also stamped for framing and sale as static artwork.

Tai/sea bream woodblock print with overlaid hand-colouring from my experimental animated film Toxic Fish-©1990 Dr. Michael Hill a.k.a. Doctor Comics. This print also stamped for framing and sale as static artwork.

Tai/sea bream woodblock print with overlaid hand-colouring from my experimental animated film Toxic Fish-©1990 Dr. Michael Hill a.k.a. Doctor Comics. This print also stamped for framing and sale as static artwork.

Tai/sea bream woodblock print with overlaid hand-colouring from my experimental animated film Toxic Fish-©1990 Dr. Michael Hill a.k.a. Doctor Comics. This print also stamped for framing and sale as static artwork.

Tai/sea bream woodblock print with overlaid hand-colouring for the animated film from my experimental animated film Toxic Fish-©1990 Dr. Michael Hill a.k.a. Doctor Comics. This print also stamped for framing and sale as static artwork.

Shooting my 1990 animation Toxic Fish on the Oxberry animation rostrum camera with artwork produced from woodblock printmaking.
Other posts of my graphic based material include:
BOOKBINDING THE GRAFIK GUITAR
CARTOON
POSTCARD
(All text, photos and artwork-©2016 Dr. Michael Hill a.k.a. Doctor Comics).