This is the next report documenting production of my artist book/comic…and ultimately graphic novel…Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics. Creation and production of the forthcoming issue 2 Tickets to Tokyo Bay has begun. It deals with the continued adventures of the cats Busch and Cohl and their canine acquaintance Barks. Set mostly in Japan it also has some scenes in Germany. It follows these characters in funny animal cartoon style. It also includes further recollections from the archives of my alias, Doctor Comics. These refer to his visits to Japan and research of manga, his favorite form of comics.
The characters Barks and Busch travel from Germany to Japan by sea, arriving in Tokyo Bay. Their passage by sea is cheaper than flight buts not without some difficulty and discomfort in cramped quarters below deck.
Disembarkation in Tokyo leads to some fun and frolicking and access to a wider range of food. They visit a manga fair and then go to Kitchen Town where they eat cake.

Printmaking has been employed in the design with techniques including woodblock, linocut, rubber, bakelite and wooden stamps. There is also drawing, collage, calligraphy and handwriting plus more cartooning. The intention is to produce a comic in an artist book type format…and to have it ready for self-publication around the end of this year.
And home of Otafuku, ink painting-©2015 Dr. Michael Hill a.k.a. Doctor Comics.
UPDATE: 2 November 2015
This is the third report documenting production of the fifth and concluding chapter of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics. Production of the new issue 2 Tickets to Tokyo Bay is continuing with images currently being created along with some previously made works recorded during my travels in Japan and Germany. The script has first been developed in word form and accompanied by some conceptual colour coding. This was followed by a second draft consisting of roughly sketched visuals of the script with coloured pencils and associated descriptive comments or dialogue. There are examples of both of these development stages, below.
One scene in the script is a graphical recollection of my Doctor Comics alias. It reveals the design of one of his logo stamps/seals or chops that was roughed out on a paper napkin in a Sydney restaurant with guidance from a member of the Japanese Consulate. Here is a scan of that design development along with attachments including a photo and a Japanese photo booth print sticker.
Another sequence involves Japanese sea monsters.




















