Neale Blanden – Doctor Comics

Savage Pencils was an exhibition of contemporary Australian comics cover art that I curated at Silicon Pulp Animation Gallery, Sydney in 2001. It featured original art by Paul Abstruse, Ray Ahn, Gerard Ashworth, Anita Bacic, Xander Black, Neale Blanden, Anna Brown, Bronson Boyd, Susan Butcher, Bernard Caleo, Dakanavar, Tim Danko, Anton Emdin, Michael Fikaris, Edo Fuijkschot, Louise Graber, Ben Hutchings, Scott Johnson, Gregory Mackay, Alex Major, Kieran Mangan, Daniel McKeown, Chris Mikul, Alice Mrongovius, John Murphy, Dillon Naylor, Linzee R. Nold, Mandy Ord, Jason Paulos, Q-Ray, Kirrily Schell, Jan Scherpenhuizen, Shags, Bernie Slater, Glenn Smith, Cipta Tanamas, Dean Tarjavaara, Matt Taylor, Ross Tesoriero, Tolley, Ryan Vella, Kevin Whitfield, Colin Wilson and Carol Wood.

The invitation designed by Glenn Smith.

The exhibition catalogue contained the essays: “The Broken Pencils of Southeast Asia” by International Journal of Comic Art editor John A. Lent, “Why the Australian Small Press Make Eskimo Comics” by Tim Danko, and my own paper “Sick Puppies With Pencils”.

The Neale Blanden illustration was also used as the exhibition catalogue cover.

As a playful idea for the catalogue I asked the artists to draw a ‘savage pencil’. Here is a selection. All art is the copyright of the respective creators.

Colin Wilson

Butcher and Wood aka the Pox Girls.

Louise Graber

Ross Tesoriero

Alice Mrongovius

Linzee R. Nold

Shags

Chris Mikul

Matt Taylor

Ben Hutchings

Tolley

Bernard Caleo

Ryan Vella

Kirrily Schell

The notion of collecting comics art is a recent but growing trend in Australia. This exhibition offered 50 works ranging from the mainstream to the the avant-garde, from 44 artists representing every State of Australia except the Northern Territory. Some of the cover art was displayed on the gallery’s website.

Exhibition installation view. (Photo by Louise Graber)

The exhibition catalogue with cut-up Neale Blanden illo on the cover.

The title for the exhibition was taken from the alias of Edwin Pouncey, an English comics creator of the early 1980s whose ‘punk’ style of graphics proved inspirational to alternative cartoonists. This show celebrated drawing, a precious commodity in an age of appropriation and scanning, and the creative expression that drawing is given in comics. Here the drawing was both art and pop culture trash and very affordible.

Massive thanks to the people at Silicon Pulp! What they have done for local creators of comics art is immense! And to the artists, whether you exhibited, attended the exhibition or just read my blog post on it, I would love to hear your thoughts. This is the eighth in a series of posts called Archives of Australian Comics History that document moments in the recent history of Australian comics, particularly alternative comics and the Australian Small Press. I started researching this subject in the late 1990s and it eventually led to my PhD thesis: Ph.D. Macquarie University, Division of Society, Culture, Media and Philosophy, A Study Of Contemporary Australian Alternative Comics 1992-2000 With Particular Reference To The Work Of Naylor, Smith, Danko And Ord, 2003. On completion of the research I donated the materials and comics I had collected to the National Library of Australia: Michael Hill Collection of Australian Comics.

Thirteen years ago the 14th International Exhibition of Drawings opened at the Museum of Modern Art in Rijeka, Croatia. It ran from 17th December 1998-20th March 1999. It was devoted to comics. I had been invited to contribute to the curation of the show…based on the research into comics art that I was undertaking at the time… following a referral from Professor Joan Kerr of Australian National University…I selected and sent 13 works by 14 creators…I also wrote an essay The Australian Underground. It was published in the exhibition catalogue in both Croatian and English…here is a short extract:..”In its own small way the underground comics community not only contributes to the visual cultural life of Australia but also to an understanding of it. It adds to the ongoing critique of Australian culture and provides a healthy and relatively unregulated creative outlet. From its position on the margins its critical viewpoint is expressed with great humour. ‘Taking the piss out of things’ would seem an appropriate and very Australian way of describing it.” (extract) Dr. Michael Hill

_{Cover of the exhibition catalogue. Design by Mirko Ilić, drawing by Davor Vrankić}

_{The Comic Messiah by Q-Ray (Clint Cure), 1998, ink on paper.}

Other artists in this exhibition included: Max Andersson, Enki Bilal, Guido Crepax, Will Eisner, Jason(John Arne Sæterøy), Henry “Hank” Ketcham, Brant Parker, Hugo Pratt, Quino, Bryan Talbot, Mort Walker and Song Qing Zhu (Gao Diao). It was wonderful to see the work of emerging Australian creators displayed alongside these established international comics art creators. I’d love to hear your comments and comparisons of their graphic styles.

_{Black Light Angels by Louise Graber, 1998, ink on paper.}

_{Blackie’s last day by Tony Single, 1994, pencil, felt pen, ink on paper.}

_{Upward + Onward by Damien Woods, technical pen and felt pen on photocopy paper.}

_{Lightning Strike by Mandy Ord, 1998, ink on paper.}

_{Radiation Sickness by Ross Tesoriero, 1997, ink on paper.}

_{Ah-choo by Neale Blanden, 1997, combined technique on paper.}

_{Jean and Rolly by Timothy John Danko, 1995, collage on paper.}

_{Kurt Hurt’s Reasons to Draw Comix by Stuart Stratu, 1997, ink and whiteout on paper.}

_{Francis Bear by Gregory Mackay, 1998, ink on paper.}

_{Stranger Danger by Ryan Vella, 1997, ink on paper.}

Bernard Caleo and Tolley-The False Impressionists, 1997-combined technique on paper. — _{The False Impressionists by Bernard Caleo and Tolley, 1997, combined techniques on paper.}

_{The Killer Foetus by Ben Hutchings, 1997, combined technique on paper.}

It was most significant for my research into Australian comics art to be included in this international exhibition of drawings. In the meantime, I’m endeavouring to establish a minimum three week gap between posts. Perhaps I was a little too enthusiastic in my first year of blogging but I am working on improved scheduling. As always, I would love to hear your response to my posts. This post is the fifth in the series Archives of Australian Comics History…that document moments in the recent history of Australian comics… particularly alternative comics and the Australian Small Press. I started researching this subject in the late 1990s and it eventually led to my PhD thesis: Ph.D. Macquarie University, Division of Society, Culture, Media and Philosophy… A Study Of Contemporary Australian Alternative Comics 1992-2000 With Particular Reference To The Work Of Naylor, Smith, Danko And Ord, 2003. On completion of the research I donated the research materials and comics I had collected to the National Library of Australia, titled the Michael Hill Collection of Australian Comics

Doctor Comics

Tag: Neale Blanden

Archive of Australian Alternative Comics: SAVAGE PENCILS

Archive of Australian Alternative Comics: INTERNATIONAL EXHIBITION OF DRAWINGS-COMICS