BLOTTING PAPER The Comic: Production Report No.3

Art, Blotting Paper, Comics August 9, 2011

Production of the first issue of my comic Blotting Paper continues despite delays from my ongoing academic commitments. However, my intention of having the first chapter finished by the end of the year remains. Comparing research to production I have discovered the enormous amount of time it takes to design and create artwork. I can write a thousand word critique of a comic in just over an hour…but creating one page of comics art will take me several times that. Many of the comics creators that I have interviewed say their rate was “a day per page”. I wish!…but I don’t really mind as I love the feeling of being deep in creative space. At the moment, besides printmaking, I am also doing some drawing. I love it and the mental space it takes me into. I like the feeling of getting lost in there.

My ink sketch of the Sydney Harbour Bridge for the first chapter of my comic…it could use a little more detail, perhaps? (Pen and ink drawing-© 2011 Dr. Michael Hill a.k.a. Doctor Comics)

The bridge and Doctor Comics, pen and ink drawing collage #1(© 2011 Michael Hill)
Rough collage of Doctor Comics out walking and contemplating near the Sydney Harbour Bridge…a rough draft design, including corrections, in pen and ink.
(© 2011 Dr. Michael Hill a.k.a. Doctor Comics)

I am experimenting with a range of image-making media to produce the artwork and text. Below are some of the images that have been generated through printmaking at Studio Buljan, in Sydney. (My thanks to Katharine Buljan for the access to her studio). These prints appear in the first chapter of my comic The Ingurgitator. The chapter begins in sunshine in Sydney then things take a dark turn into the subconscious terrain. There is also the evening ritual wherein Doctor Comics cooks dinner…then drinks wine whilst reading his recent comics purchases. During this time he converses with his feline friends. The evening often ends in a dream state that is a melange of art, thought, taste and reflection.

Doctor Comics has his evening proverbial swim in a sea of sumi ink.
(Monotype print-© 2011 Dr. Michael Hill a.k.a. Doctor Comics)
Losing one’s footing and feeling out-of-depth and the fear of ‘going under’.
(Monotype print-© 2011 Dr. Michael Hill a.k.a. Doctor Comics)
Struggling for breath and sinking into the blackness.
(Monotype print-© 2011 Dr. Michael Hill a.k.a. Doctor Comics)

These images are monoprints, so called for their singularity…only one of each is made. However, by re-inking the block and marginally alterating the images, a degree of continuity is maintained. This enables a sequential element to come into play. I have learned this approach in creating the artwork for animation projects. For me, working in printmaking, comics and animation is both labour saving and exhaustive. The images come up quickly but the act of re-inking and printing the block destroys the originals. There is no going back. I enjoy working with the inky element of printmaking. It is so graphic! Any thoughts? Comments about this and my posts are welcome, Michael.

(All text, photos and artwork-©2011 Dr. Michael Hill a.k.a. Doctor Comics).

by

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Co-creator and former Director of the Master of Animation, Master of Design, and Visual Communication Design courses at the University of Technology, Sydney, Dr. Michael Hill has a Master's degree in animation plus a Ph.D. in comics studies, prompting his introduction on ABC Radio as “Doctor Comics”. A member of the editorial board of the International Journal of Comic Art, and former member of the Comics Grid Journal of Comics Scholarship and the Advisory Committee of the Q-Collection Comic Book Preservation Project, he has delivered public lectures on Comics, Anime and Manga and held academic directorships in Interdisciplinary Studies, Animation, Design and Visual Communication. Having retired from academia and completing the donation of his collection of research materials on Australian alternative comics to the National Library of Australia, he is now active in the artistic domain, writing, drawing and printmaking, creating art postcards and prints and his own graphic novel: Blotting Paper: The Recollected Graphical Impressions of Doctor Comics.

Comments 4

  1. Doctor Comics's avatar

    Doctor Comics says on August 10, 2011

    Thanks Bobbie. You’re too kind. The bridge looks a bit wobbly to me but I ran out of time. The shadows on the towers were done with a Copic marker and the type I bought from the Rozelle markets. It was a shoebox full of old and worn rubber letters from some printing business. It’s done by hand, no registration, inky fingers. BTW I’m loving your blogging of paper, print and cakes adventures: http://www.ragingyoghurt.org/blog/

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    • Doctor Comics's avatar

      Doctor Comics says on April 10, 2025

      Thanks for your comment Maya, it does take a lot of time to produce…especially if you are doing both the writing and the drawing…but the feeling you get on completion is very satisfying. Michael

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