Category: Germania

TRACKING COMICS, GRAFIKS AND TERROR IN BERLIN

Art, Comics, Germania August 18, 2014

This post documents a recent walking tour of Berlin’s Staadt Mittee area…with friend, local resident and interpreter Mailef as my guide. The plan was to see the graffiti and traces of an artists’ commune (kunsthaus). I also wanted to visit Renate comics shop and bibliothek which has been located there since the early 1990s. I thought it would be good to purchase some German kunst comicbuchs (art comics) there!

Finding the Tacheles building. (Photo-© 2014 Louise Graber)
Finding the Kunsthaus Tacheles building in the Mitte district of Berlin. (Photo-©2014 Louise Graber)
Graffiti (Photo-© 2014 Michael Hill).
Layered grafiks and graffiti “For Free”
(Photo-©2014  Dr. Michael Hill a.k.a. Doctor Comics)
Looking at street grafiks. (Photo-© 2014 Louise Graber)
Studying the street grafiks. (Photo-©2014 Louise Graber)

Mailef escorted me to the Kunsthaus (arthouse) Tacheles building on Oranienburger Strasse…a site that was previously part of East Berlin when the wall was up. The Tacheles (translation “let’s talk business”) building had, over a century, successively housed…an elegant shopping arcade, then Nazi offices and squatter artists. The building was damaged in World War 2 then repaired by the GDR…vacated in 1989 then occupied as an international artist squat in the 1990s. The artists were eventually displaced/evicted by representatives of the investors in 2012.

Graffiti (Photo-© 2014 Michael Hill)
Graffiti (Photo-©2014  Dr. Michael Hill a.k.a. Doctor Comics)
Graffiti (Photo-© 2014 Michael Hill)
Graffiti (Photo-©2014  Dr. Michael Hill a.k.a. Doctor Comics)
Recording some images. (Photo-© 2014 Louise Graber)
Recording images. (Photo-©2014 Louise Graber)
Renate Comics Shop. (Photo-© 2014 Louise Graber)
Renate Comics signboard. (Photo-©2014 Louise Graber)

Art comics (kunst comicbuchs) by the hundreds were available at Renate Comics. Many of them were signed and marked as limited editions. These varied in size from A6 minicomics to the larger A3 format. Art postcards (kunst postkartes) have become an additional creative outlet for comics creators. I enjoy making art postcards myself…and there was a range of German stock in a rotating rack on the pavement outside the shop.

Postcard rack at Renate's.(Photo-© 2014 Michael Hill)
Postcard rack at Renate Comics. (Photo-©2014  Dr. Michael Hill a.k.a. Doctor Comics)
Maike Leffers and poster. (Photo-© 2014 Michael Hill)
“Is this the way how art dies?”…the stunningly attired Mailef and poster. (Photo-©2014 Louise Graber)
Art minicomicbuch purchase from Renate- Pure Sultana by Franziska Schaum.
Art minicomicbuch purchase from the shop- Pure Sultana by Franziska Schaum.

I took another walking tour of Mitte in Berlin with friend, former student, now animator, illustrator and printmaker, Michelle Park. She showed me a study of terror(see photos below). It was a busy morning for walking tours in Berlin. Starting out in Bezirk Kreuzburg…we passed the Deutsches Currywurst Museum in Schützenstraße,…Checkpoint Charlie Museum in Friedrichstraße, then walked along Niederkirchnerstraße to the old Gestapo and SS Headquarters site.

Michael Hill and Michelle Park walking in Berlin. (Photo-© 2014 Louise Graber)
Dr. Michael Hill and Michelle Park out walking in Berlin. (Photo-©2014 Louise Graber)

The Gestapo Headquarters building had taken a direct hit from English bombing during World War II. It was demolished after the war. It is now an open-air museum Topography Des Terrors (Topography of Terror). Some rubble remains. There is a section of the Berlin Wall(without the barbed wire) and a new building with an exhibition and information. The exhibition was titled Errfast, Verfolgt, Vernichtet (Registered, Persecuted, Annihilated). It was both grim and candid about the horror that had taken place there.

Site of Gestapo Headquarters. (Photo-© 2014 Michael Hill)
Site of Gestapo Headquarters. (Photo-©2014  Dr. Michael Hill a.k.a. Doctor Comics)

 

Section of Wall still standing. (Photo-© 2014 Michael Hill)
Section of the Berlin Wall. (Photo-©2014  Dr. Michael Hill a.k.a. Doctor Comics)

Next door at Martin Gropius Bau museum was the Hans Richter exhibition…Begegnungen, Von Dada Bis Heute (Encounters: From Dada to the Present Day). It was part of the Berlin Festival. Also present was the David Bowie exhibition from London’s Victoria and Albert Museum, and Chinese artist Ai Weiwei’s Evidence.  What a line-up! This building had also suffered from the bombing alyjough not as much as the Gestapo site. It has been restored but still displays its scarification from shrapnel and bullets.

Decorative fascia on column at entrance to Martin Gropius Bau museum. (Photo-© 2014 Michael Hill)
Decorative fascia on column at entrance to Martin Gropius Bau, with bullet holes. (Photo-©2014  Dr. Michael Hill a.k.a. Doctor Comics)

With both of us interested in animation and printmaking I wanted to show Michelle this wonderful exhibition of the artistic career of Hans Richter. He had been born in Berlin in 1888 and was a key figure in 20th Century art and animation. Three sides of Martin Gropius Bau had been allocated so a lot of walking was required. There were his woodcuts and paintings and his contributions to Dada. These included Dada magazine and his own zine G -Material zur elementarun Gestaltung (Material for elementary design). There were also his experiments with painted scrolls. These had led him to the discovery of displaying images in motion through animation. On screen were his abstract animations and live-action films including Dreams That Money Can Buy. There were also some home movies, plus documentation of his film teaching work in New York. Added to this were works by colleagues Max Ernst, Man Ray, Marcel Duchamp, Hans Arp, Raoul Hausmann, George Grosz, Francis Picabia, Viking Eggeling, Alexander Calder and Kurt Schwitters. Richter was a well connected man.

Hans Richter exhibition pamphlet at Martin Gropius Bau.
Hans Richter exhibition pamphlet at Martin Gropius Bau.

 

DADA: Art And Anti-Art by Hans Richter.
DADA: art and anti-art by Hans Richter.
Hans Richter Linocut for Dada magazine.

RichterCut#2

With a life’s work on display there was much inter-connected visual material in the exhibition…we found ourselves walking back and forth. We could have spent 4 or 5 hours watching the films, videos and documentaries alone. It was an exhibition that called for fresh legs and more than one visit. Excellent art, impressive show, Michael.

Blauer Mann, 1917, by Hans Richter
Blauer Mann, 1917, by Hans Richter

 

Visionary self-portrait by Hans Richter.
Visionary self-portrait by Hans Richter.

 

Stalingrad (Sieg im Osten) scroll painting by Hans Richter.
Stalingrad (Sieg im Osten) (Victory in the East), scroll painting by Hans Richter.
Dada-Kopf (Dada Head) by Hans Richter.

Dada-Kopf painting by Hans Richter.

(All text, photos and artwork-©2014 Dr. Michael Hill a.k.a. Doctor Comics).

DRAWING WAR: Arrayed in Erlangen

Art, Comics, Germania July 29, 2014

An awesome aspect of the recent Internationaler Comic-Salon Erlangen that I attended…in the old university town of Erlangen, Germany, near Nuremberg…was the staging of two contrastingly presented and equally impressive exhibitions of comics art on World War I…by Joe Sacco and Jacques Tardi.

COMIC SALON exhibition signboard in the city (Photo-© 2014 Michael Hill).
COMIC SALON exhibition signboard, with Tardi image, in the city (Photo-©2014  Dr. Michael Hill a.k.a. Doctor Comics).

Joe Sacco’s The Great War was displayed as an open-air exhibit in Schlossplatz. It was enlarged on display boards arranged in a long series of folds. Seeing it spread across the square magnified the herculean task that Sacco undertook in drawing this epic, concertina work. It represented one day of the Battle of the Somme fitted into one panel.

Open air exhibition in the city at Schlossplatz of Sacco's The Great War (Photo-© 2014 Michael Hill).
Open air exhibition at Schlossplatz of Sacco’s The Great War (Photo-©2014  Dr. Michael Hill a.k.a. Doctor Comics).

His wordless comic is structured around this single seemingly endless panel. It had been folded into 24 segments that unfolds to form a single piece. It depicts events in a continuous, cinema-pan like take. That is spread across time and space with soldiers assembling, attacking, engaging in crossfire and then returning to their lines. The unfolded published comic is too long for a table. Consequently, for exhibition, it has to be spread across the floor of two adjoining rooms or a long corridor. In Schlossplatz it ran right across the square necessitating a reading whilst walking approach. With so much detail it required several passes to take it all in.

Fold-out art work of Sacco's The Great War (Photo-© 2014 Michael Hill).
Fold-out art work of Sacco’s The Great War (Photo-©2014  Dr. Michael Hill a.k.a. Doctor Comics).
Closer view of fold-out art work of Sacco's The Great War (Photo-© 2014 Michael Hill).
Closer view of fold-out display of Sacco’s The Great War (Photo-©2014  Dr. Michael Hill a.k.a. Doctor Comics).

The panels above show the trenches and the movement of the soldiers into the hostilities of ‘No Man’s Land’. This includes their exposure to artillery attacks and its associated schrapnel, plus machine gun and rifle fire.

Sacco being interviewed on site of The Great War exhibition. (Photo-© 2014 Michael Hill).
Sacco being interviewed on site of The Great War exhibition. (Photo-©2014  Dr. Michael Hill a.k.a. Doctor Comics).

By comparison, the war comics art of Jacques Tardi were exhibited indoors. Low level lighting created a sombre mood appropriate to the theme. It also perhaps protected the original art work from exposure. Corrections such as the whiting-out of errant black border lines and some alignment and registration marks were visible. This was the original art on display! It was not it’s cleaned up and reduced size reproduction as seen in the published comics.

Landscape of Death: Jacques Tardi and the First World War exhibition (Photo-© 2014 Michael Hill).
Landscape of Death: Jacques Tardi and the First World War exhibition (Photo-©2014  Dr. Michael Hill a.k.a. Doctor Comics).
Image from Landscape of Death: Jacques Tardi and the First World War exhibition (Photo-© 2014 Michael Hill).
Image from Landscape of Death: Jacques Tardi and the First World War exhibition (Photo-©2014  Dr. Michael Hill a.k.a. Doctor Comics).

The work, titled Landscape of Death, was bleak, expressing the agony of those who fought in World War I. Many of the images were painful to view. These included soldiers’ bodies torn apart by flying pieces of shredded metal. They were lacerated, disfigured or rendered limbless, with some surviving in this state.

Image from Landscape of Death: Jacques Tardi and the First World War exhibition (Photo-© 2014 Michael Hill).
Image from Landscape of Death: Jacques Tardi and the First World War exhibition (Photo-©2014  Dr. Michael Hill a.k.a. Doctor Comics).
Image from Landscape of Death: Jacques Tardi and the First World War exhibition (Photo-© 2014 Michael Hill).
Images from Landscape of Death: Jacques Tardi and the First World War exhibition (Photo-©2014  Dr. Michael Hill a.k.a. Doctor Comics).

Exhibited in a darkened theatre, the low level of the light created a reverent atmosphere for the images. It also acted as a canopy of protection, from fading, for the original art work. The work was housed in a series of narrow wooden walled and roofed walk-throughs. Some shapes were cut into the walls so that one could see out to lessen the confined effect. Tardi’s use of colour was impressive. His delicate watercolour brushwork added a poignant hue to his poppies, pools of blood and rising smoke.

Image from Landscape of Death: Jacques Tardi and the First World War exhibition (Photo-© 2014 Michael Hill).
Image from Landscape of Death: Jacques Tardi and the First World War exhibition (Photo-©2014  Dr. Michael Hill a.k.a. Doctor Comics).

These two exhibitions, Sacco and Tardi respectively, had contrasting presentations:…open-air/indoor; …spacious/confined;…sunlight/low level artificial illumination;…expansive/confined;…complete/edited; …served to express and communicate aspects of the texts/open…the vulnerability of soldiers both out of the trenches and restricted by the narrow confines of the trenches;…time-one day or six years of living with gas masks, flame throwers, helmets, barbed wire…and the dampness, misery, the stench of rotting bodies, despair and the ongoing expectation of death. This all made a memorable imprint on me, Michael.

Pages from my Germany journal with Tardi press clippings and sticker (© 2014 Michael Hill).
Pages from my Germany journal with Tardi press clippings and sticker (©2014  Dr. Michael Hill a.k.a. Doctor Comics).

UPDATE 2017: I found this discarded Jacques Tardi sticker (below) from the set that the Erlangen organisers were disseminating…and decided to add it to this post, Michael.

(All text, photos and artwork-©2014 Dr. Michael Hill a.k.a. Doctor Comics).

BLOTTING PAPER The Comic: Production Report No.19

Art, Blotting Paper, Comics, Germania July 2, 2014

Job done! Production of the third issue of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics has been completed. The comic was launched in June at Comic-Salon Erlangen in Germany. I had been invited to attend the event by German design colleagues…Professors Markus Fischmann and Michael Mahlstedt…of Visuelle Kommunikation, Design und Medien Department…Hochschule Hannover University of Applied Arts and Sciences where I had a visiting academic engagement back in 2007. Comic-Salon is the largest comics convention in Germany with 25,000+ attendees. Oh wow!

COMIC SALON, Erlangen. (Photo-© 2014 Michael Hill).
16th INTERNATIONAL COMIC-SALON, Erlangen, Germany. (Photo-©2014  Dr. Michael Hill a.k.a. Doctor Comics)
On the trading floor at COMIC SALON (Photo-© 2014 Michael Hill).
On the trading floor at COMIC-SALON (Photo-©2014  Dr. Michael Hill a.k.a. Doctor Comics).
Launching Blotting Paper #3 at COMIC SALON. (Photo-© 2014 Hoschule Staff).
Launching Blotting Paper #3 at COMIC-SALON (L to R: Louise Graber, Prof. Michael Mahlstedt, Dr. Michael Hill, Prof. Markus Fischmann, student Krisi). (Photo-©2014 Hoschule Faculty staff).
On display at COMIC SALON (Photo-© 2014 Michael Hill).
Pages on display at COMIC-SALON (Photo-©2014  Dr. Michael Hill a.k.a. Doctor Comics).
For Sale at €15 per copy (Photo-© 2014 Michael Hill).
All 3 issues of my comic for sale at €15 per copy (Photo-© 2014  Dr. Michael Hill a.k.a. Doctor Comics).
On the trading floor at COMIC SALON (Photo-© 2014 Michael Hill).
On the trading floor at COMIC-SALON (Photo-©2014  Dr. Michael Hill a.k.a. Doctor Comics).
Donald Duck comics appeared to be very popular at COMIC SALON (Photo-© 2014 Michael Hill).
Donald Duck comics appeared to be very popular in Germany at COMIC SALON. (Photo-©2014  Dr. Michael Hill a.k.a. Doctor Comics).
Cosplay at COMIC SALON (Photo-© 2014 Michael Hill).
Cosplay at COMIC-SALON (Photo-©2014  Dr. Michael Hill a.k.a. Doctor Comics).

(All text, photos and artwork-©2014 Dr. Michael Hill a.k.a. Doctor Comics).