Category: in the studio

IN THE STUDIO-Session 4

Art, art postcards, drawing, experimental, in the studio, printmaking December 15, 2025

This post profiles recent experiments in my creation and design of art postcards whilst working in my studio and employing drawing, painting and printmaking techniques with uncertain outcomes. I love working in the studio and particularly in the post card production process, especially as it involves printmaking. I do small runs of prints, usually less than 50, although each card may go through the run multiple times depending on the number of layers, as indicated in the photos below.

A rough sketch idea for the design of a postcard. This one remains at that stage.
Type overlay for postcard that has already received base layer(s). This one will be the top layer.
Two different designs with the one on the left having received its base layer whilst the one on the right has had two printed layers: base plus overcoat.
Sumi ink dish being used as a paint pot with Hake brush.
The black postcards have had two print layers whilst the three cards above them have had three and the stack of post cards at the top left, having dried, have had four. The pumpkin was visiting the studio around Halloween time.
A selection of different postcards most of which have had two runs through the print ing process. Note also the addition of my artist stamp, at top left or bottom right, on some of the cards.

As I have stated, making art postcards is one of my favourite artistic activities and I have been doing it for more than a decade. I plan to do more posts on this topic.

(Further additions and editing to this post anticipated).

POSTCARD ART: Ninth Posting

Art, art postcards, experimental, in the studio, painting, printmaking February 27, 2023

Continuing my POSTCARD ART blogs with another post profiling the design and production of my art postcards. I have been creating and printing these for more than a decade. This post looks back to cards I back when I started in 2006 and 2007. There are also cards from subsequent years. My art postcard project was inspired by a study trip to Japan. I looked at Modernist printmaking approaches that had taken place there. My cards were produced by hand in limited edition batches. Each card produced was unique…similar but not identical, part of a batch with an approximate match.

This is one of the earliest examples, from the series of Abstract Art Postcards made in 2007.

(Photo and artwork-©2007 Dr. Michael Hill a.k.a. Doctor Comics).

…and this one, also made in 2007, a different design but from the same series of Abstract Art Postcards.

(Photo and artwork-©2007 Dr. Michael Hill a.k.a. Doctor Comics).

…and the third one, also 2007, also from a different design but from the same series of Abstract Art Postcards.
(Photo and artwork-©2007 Dr. Michael Hill a.k.a. Doctor Comics).

Abstract Nos. 1-11 was an exhibition of my art postcards. It displayed cards from 11 different series. It was exhibited in the DAB LAB GALLERY of the University Technology, Sydney in 2007.
(Photo and artwork-©2007 Dr. Michael Hill a.k.a. Doctor Comics).
Opening night of the exhibition…me with Cosmo Arai and her Mexican colleague from the Japan Foundation in Sydney. I had been involved with researching and profiling Japanese cultural projects in Australia and Japan with them.
(Photo and artwork-©2007 Dr. Michael Hill a.k.a. Doctor Comics).
A closer shot of the gallery window display. It was illuminated on a 24 hours/7 days a week basis. Note that despite the postcards being displayed in groupings, the cards in each group are not identical. They are basically similar but not part of an identical set, as mentioned above. Variations came in the printmaking stage when some elements were printed separately…or not in the exact same position on each card. These cards were not printed from a single block but cumulatively from several separate blocks and single elements. The result is that they all look similar and part of a set…however, in terms of the positioning, the graphic elements and the intensity of colour and texture no two are identical…although they may not seem to be mono prints they are!
(Photo and artwork-©2007 Dr. Michael Hill a.k.a. Doctor Comics).
Nine of my art postcards…from the first and subsequent batches, on sale a few years later at Gauge Gallery in Glebe.
(Photo and artwork-©2012 Dr. Michael Hill a.k.a. Doctor Comics).
Subsequent batches, up to a decade later, show an increased diversity in design. Once I started making art postcards it became part of my graphic art and design expression…and I am still making them in 2023!
(Photo and artwork-©2018 Dr. Michael Hill a.k.a. Doctor Comics).
Front and rear view of the invitation to my exhibition at the DAB LAB GALLERY.
(Photo and artwork-©2007 Dr. Michael Hill a.k.a. Doctor Comics)

(All text, photos and artwork-©2023 Dr. Michael Hill).

IN THE STUDIO-Session 3

Art, art postcards, Comics, experimental, in the studio, printmaking August 15, 2022

These graphic production stage series of posts were made over several years. They show selected, shots of the “making” stage and my methodology…whether for animation, comics, postcards, prints or paintings, in a small studio setting, with music playing in the background. I always work to music. Sometimes I include an image or thought about the music I was listening to in the studio that day. Some photos show the music equipment and/or the selected CD I was listening to at that session.

Working on my graphic novel BLOTTING PAPER here…you can see the title block around the middle of the photo, towards the top….it’s a printmaking moment…the letters of the title are in reverse in this photo…when printed will be the right way round. I use printmaking a lot in the generation of images. That drop-cloth underneath all of the objects has a history of being printed on…a wonderfully random pattern of spillages and stains. (Photo and artwork-©2013 Dr. Michael Hill a.k.a. Doctor Comics)
I can take this case with me if I happen to be working on location somewhere, like in a park. You can see that it is quite battered but it still closes shut, firmly…and is chock-a-block full of printmaking bits and pieces. There are some different versions of my signature stamp printed on the box in the case that contains these stamps. (Photo-©2013 Dr. Michael Hill a.k.a. Doctor Comics)
I also have a tin of colour pencils…I love those water-based aquarelle types…the brush and the water dish is for use on pencil marks…I go over the lines with a wet brush to make the drawing appear painted or inked. There are also a couple of rulers, one wooden, the other steel…useful for measurement or obtaining a straight edge to an image…plus pencil shavings and part of a CD cover. Those versions of my signature stamp, mentioned above, are more visible here…there are no fewer than 5 of them on the lid of the box that contains them. (Photo and artwork-©2015 Dr. Michael Hill a.k.a. Doctor Comics)
Or I can start with some wet drawing with a brush dipped in ink…still in the studio. There’s a linocut block face down on the drop-cloth here, next to some brushes and an open jar of ink. (Photo and artwork-©2018 Dr. Michael Hill a.k.a. Doctor Comics)
I also have a set of rollers for inking blocks of wood and lino for printmaking…all the ink and paint stains on the drop-cloth are a result of printmaking sessions over time… I can barely recall when it started out as a plain cream coloured roll of canvas cloth…back in the day! (Photo-©2017 Dr. Michael Hill a.k.a. Doctor Comics)
Following printing of the image is the stamping of my name…completing the postcards with a touch of that classic red Chinese ink. I have a few versions of my name stamp. (Photo and artwork-©2019 Dr. Michael Hill a.k.a. Doctor Comics)
I like the sense of magic, even mischief, that this figure with the glowing eyes and mixing bowl exudes. There is a different name stamp on this one…as I said I have a few versions…all designed by me…M for Michael…and that’s how I write my letter “m” in scripted upper case. (Photo and artwork-©2021 Dr. Michael Hill a.k.a. Doctor Comics)
A bit of a hectic printmaking session here with 5 different designs of postcards being stamped…and there’s another version of my shaped “m” on these cards…half writing, half symbol…developed with a Japanese colleague…a hilly landscape in the shape of the letter “m” for Michael…but also for “hill” from the Latin mons, mantis…mountain or hills…and there’s a zucchini in there…was it a snack or did I use it as a stamp? Possibly both? I don’t remember. (Photo and artwork-©2020 Dr. Michael Hill a.k.a. Doctor Comics).
Raw vegetables that one can print with…I am finishing off with a plate of them on the printmaking table in the studio…this lot is not only good for eating but excellent material for printmaking…particularly the flat bits dipped in ink and pressed onto the selected print surface…a messy but good source of abstract textural patterns.
(Photo-©2022 Dr. Michael Hill a.k.a. Doctor Comics)

(All text, photos and artwork-©2022 Dr. Michael Hill a.k.a. Doctor Comics)