PRINTMAKING: Fish Two

animation, Art, experimental, Film, printmaking January 28, 2017

This is the second post in my series of fish prints created using the woodblock printmaking method…for my experimental animated film titled Toxic Fish. Dramatically, after ocean fish are poisoned their bodies swell up, die and disintegrate. The static shape of the fish from the woodblock design starts firm before being flooded by toxins. It then falls apart to illustrate this. The method I employed was to gradually over-ink the block. This resulted in details being dampened into puddles…definition and sharpness were blurred and reduced into a dramatic sequence of atrophy.

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.
Woodblock print for my animated film Toxic Fish.
©1990 Dr. Michael Hill a.k.a. Doctor Comics.

 

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.
Woodblock print with overlaid hand-colouring for my animated film Toxic Fish.
©1990 Dr. Michael Hill a.k.a. Doctor Comics.

 

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.
Woodblock print with overlaid hand-colouring for my animated film Toxic Fish.
©1990 Dr. Michael Hill a.k.a. Doctor Comics.

 

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.
Woodblock print with overlaid hand-colouring for my animated film Toxic Fish.
©1990 Dr. Michael Hill a.k.a. Doctor Comics.

 

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.
Woodblock print with overlaid hand-colouring for my animated film Toxic Fish.
©1990 Dr. Michael Hill a.k.a. Doctor Comics.

 

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.
Woodblock print with overlaid hand-colouring for my animated film Toxic Fish.
©1990 Dr. Michael Hill a.k.a. Doctor Comics.

 

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.
Woodblock print with overlaid and over-inked hand-colouring for my animated film Toxic Fish.
©1990 Dr. Michael Hill a.k.a. Doctor Comics.

 

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.
Woodblock print with overlaid and over-inked hand-colouring for my animated film Toxic Fish showing the disintegration of the fish.
©1990 Dr. Michael Hill a.k.a. Doctor Comics.

 

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.
Woodblock print with overlaid and over-inked hand-colouring for my animated film Toxic Fish.
The disintegration continues.
©1990 Dr. Michael Hill a.k.a. Doctor Comics.

 

A woodblock print with overlaid hand-colouring for the animated film Toxic Fish-© 1990 Michael Hill.
Woodblock print with overlaid and over-inked hand-colouring for my animated film Toxic Fish.
The disintegration is near completion.
©1990. Dr. Michael Hill a.k.a. Doctor Comics.

Below is a photo of me carving one of the blocks using a Japanese chisel. I must add that this is not the recommended way to of doing it! It has been posed for a photograph and shows a compromised pose of the process for promotional purposes. The woodblock carving process is done on a fixed bench with one carving away from, not towards, one’s body. 

Hand carving one of the woodblocks for the animated film Toxic Fish-Photograph © 1990 Demetra Christopher.
Hand carving one of the several woodblocks for the animated film Toxic Fish.
Photograph ©1990 Demetra Christopher.

If you liked this post you can see others on my Blog.

PRINTMAKING: Fish One

THE GRAFIK GUITAR

POSTCARD

(All text, photos and artwork-©2017 Dr. Michael Hill a.k.a. Doctor Comics).

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Co-creator and former Director of the Master of Animation, Master of Design, and Visual Communication Design courses at the University of Technology, Sydney, Dr. Michael Hill has a Master's degree in animation plus a Ph.D. in comics studies, prompting his introduction on ABC Radio as “Doctor Comics”. A member of the editorial board of the International Journal of Comic Art, and former member of the Comics Grid Journal of Comics Scholarship and the Advisory Committee of the Q-Collection Comic Book Preservation Project, he has delivered public lectures on Comics, Anime and Manga and held academic directorships in Interdisciplinary Studies, Animation, Design and Visual Communication. Having retired from academia and completing the donation of his collection of research materials on Australian alternative comics to the National Library of Australia, he is now active in the artistic domain, writing, drawing and printmaking, creating art postcards and prints and his own graphic novel: Blotting Paper: The Recollected Graphical Impressions of Doctor Comics.

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