IN THE STUDIO-Session 4

Art, art postcards, drawing, experimental, in the studio, printmaking December 15, 2025

This post profiles recent experiments in my creation and design of art postcards whilst working in my studio and employing drawing, painting and printmaking techniques with uncertain outcomes. I love working in the studio and particularly in the post card production process, especially as it involves printmaking. I do small runs of prints, usually less than 50, although each card may go through the run multiple times depending on the number of layers, as indicated in the photos below.

A rough sketch idea for the design of a postcard. This one remains at that stage.
Type overlay for postcard that has already received base layer(s). This one will be the top layer.
Two different designs with the one on the left having received its base layer whilst the one on the right has had two printed layers: base plus overcoat.
Sumi ink dish being used as a paint pot with Hake brush.
The black postcards have had two print layers whilst the three cards above them have had three and the stack of post cards at the top left, having dried, have had four. The pumpkin was visiting the studio around Halloween time.
A selection of different postcards most of which have had two runs through the print ing process. Note also the addition of my artist stamp, at top left or bottom right, on some of the cards.

As I have stated, making art postcards is one of my favourite artistic activities and I have been doing it for more than a decade. I plan to do more posts on this topic.

(Further additions and editing to this post anticipated).

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Co-creator and former Director of the Master of Animation, Master of Design, and Visual Communication Design courses at the University of Technology, Sydney, Dr. Michael Hill has a Master's degree in animation plus a Ph.D. in comics studies, prompting his introduction on ABC Radio as “Doctor Comics”. A member of the editorial board of the International Journal of Comic Art, and former member of the Comics Grid Journal of Comics Scholarship and the Advisory Committee of the Q-Collection Comic Book Preservation Project, he has delivered public lectures on Comics, Anime and Manga and held academic directorships in Interdisciplinary Studies, Animation, Design and Visual Communication. Having retired from academia and completing the donation of his collection of research materials on Australian alternative comics to the National Library of Australia, he is now active in the artistic domain, writing, drawing and printmaking, creating art postcards and prints and his own graphic novel: Blotting Paper: The Recollected Graphical Impressions of Doctor Comics.

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