BLOTTING PAPER The Comic: Production Report No.20

Continuing the series of regular reports documenting the production process of the first and second issues of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics, Chapter 1: The Ingurgitator and Chapter 2: A Blot On His Escutcheon, this post mentions some of the tools and the workspace utilised in the production of two-dimensional print images. In terms of image-making techniques, printmaking is suitable for generating both single and sequential images.

A bowl of sumi ink and a brush

A bowl of sumi ink, a brush and a bamboo baren. (Photo by Michael Hill)

Following the Japanese creative print approach sumi ink enabled the getting of solid blacks in some of the images. The ink was brushed onto the block or substrate surface carrying the ink. The paper was placed onto this and rubbed down on the reverse side with a bamboo baren.

Bench hook and roller on studio bench.

Bench hook, roller, rag and bucket on studio bench. (Photo by Michael Hill)

Materials used included water based ink and paint, rags and cloths for smearing, cleaning and wiping the ink, and a plentiful supply of running water for washing the blocks and brushes as well as my hands.

Water, cloths, sink and block.

Water, cloths, sink and lino block. (Photo by Michael Hill)

Despite the implied reference to woodblocks in Japanese print techniquess, it need not always involve woodblock printmaking. The wood may be replaced by other materials such as vegetables, fruit, leaves, string, rubber or other found objects that are sufficiently flat or pliable that they may be inked and pressed onto paper. The creative print (sosaku hanga) approach places the emphasis on the act of making the print. Oh joy!

Printmaking attire.

Printmaking attire. (Photo by Michael Hill)

For a visual diary record and time-line overview of this project, see all of the BLOTTING PAPER production reports. Issue #1:   No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13    Issue #2:   No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29

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About Doctor Comics

Creator and former Director of the Master of Animation course at the University of Technology, Sydney, Michael Hill has a Master's degree in animation and a PhD in comics, prompting his introduction on ABC Radio as “Doctor Comics”. A member of the editorial boards of the International Journal of Comic Art, the Comics Grid Journal of Comics Scholarship and the Advisory Committee of the Q-Collection Comic Book Preservation Project, he has delivered public lectures on Anime and Manga and held academic directorships in Interdisciplinary Studies, Design and Visual Communication. Having donated his collection of research materials on Australian alternative comics to the National Library of Australia he is now active in the artistic domain and creating his own comic Blotting Paper.

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