SCRAPBOOK: More Pages

In this post I am adding more sample pages from my scrapbook, the initial posting of which can be found here. There is only one copy and it contains images of other people’s work that I admire along with assorted memorabilia of my own.

Scrapbook page 1

Above-collage of scenes from Walt Disney studio production, clockwise from top left: me visiting their studio in Burbank(I studied storyboards from their morgue); mixing colour; making synchronised soundtracks; character paint set merchandise.

Scrapbook page 2

Above-Osamu Tezuka at work at Mushi Productions making anime; early Mazzucchelli superhero drawing; spool of recording tape; Tetsujin 28-go manga cover; Klaus Voormann cover design for The Beatles album Revolver.

Scrapbook page 3

Above-mixed bag of Tatsunoko Production studio interior; Dave Brubeck Quartet’s Time Out cover designed by Sadamitsu Fujita; Shigeru Mizuki manga; Gene Vincent and his Blue Caps without their blue caps: one of my signature stamps.

Scrapbook page 4

Above-Kamishibai frame and carry case; plus Yoshihiro Tatsumi gekiga manga panel from GARO magazine.

Scrapbook page 6

Above-Kyoto street and shop scenes; cartoon characterised Kansai airport tax card in Osaka; Mamoru Oshii; Fujii TV outside broadcast van; Tokyo record store receipt; assorted cartoon stickers and stamps including Doraemon and What’s Michael?

Scrapbook page 9

Above- postage stamps; B & W photo of Yayoi Kusama; illustration by Aya Takano; and centrepiece photo of my postcard printmaking production-the black shape on table is studio cat, Tabi, quality controller of production.

Scrapbook page 5

Above- me sketching in the Botanical Garden at U.C.L.A.; and studying the Aztec Sun Stone in Forest Lawn Memorial Park cemetery in Hollywood Hills; bookshop postcard, Tokyo.

This book is still under construction but more pages may be posted in the future. Posts of my graphic based material include:  BOOKBINDING THE GRAFIK GUITAR   CARTOON   POSTCARD   SCRAPBOOK  SCRAPBOOK-More Pages and the posts on production of my artist book/comic BLOTTING PAPER:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47

 

CARTOON

This post will feature a collection of my published cartoons of which there are around 30. Beginning with one of those I contributed to U: magazine whilst working at the University of Technology, Sydney I shall add updates from time to time so that it will grow into an online gallery of my single panel satirical work.

Satirical illustration to accompany article on changes in Sedition Law.

Satirical illustration to accompany article on changes in Sedition Law.

The cartoon on the article page.

The cartoon on the article page.

 

Cover illustration for Form/Work journal-© 2003 Michael Hill.

Cover illustration for Form/Work journal-© 2003 Michael Hill.

This one was put together hurriedly in an afternoon whilst an academic journal on design theory (a special issue on architectural design) was being held up at the printers awaiting a cover illustration. I just grabbed some images from old comics I had in my office, invented some names for theories and collaged the various elements together.

How the cartoon looked on the cover of the journal.

How the cartoon looked on the cover of the journal.

 

The next one was based on what I saw at an end-of-semester design exhibition student party held on the roof of the Design Faculty building which housed a semi-abstract modernist sculpture that resembled a large scale bottle opener. I watched as this girl wandered up to it with a bottle of beer and proceeded, after a struggle of sorts, to open it, as if it was a functional bottle opener. It worked as she found a chink on the side that fitted her bottle. Then I heard this comment from one of the two onlooking students. No, really!

Form follows function at Design Opening afterparty-© 2003 Michael Hill.

Form follows function at Design Opening afterparty-© 2003 Michael Hill.

How the cartoon looked in the magazine.

How the cartoon looked in the magazine.

 

Posts of my graphic based material include:  BOOKBINDING THE GRAFIK GUITAR   CARTOON   POSTCARD   SCRAPBOOK  SCRAPBOOK-More Pages and the posts on production of my artist book/comic BLOTTING PAPER:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47

BLOTTING PAPER The Comic: Production Report No.47

This is the third report documenting production of the fifth and concluding chapter of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics. Production of the new issue 2 Tickets to Tokyo Bay is continuing with images currently being created along with some previously made works recorded during my travels in Japan and Germany. The script has first been developed in word form and accompanied by some conceptual colour coding. This was followed by a second draft consisting of roughly sketched visuals of the script with coloured pencils and associated descriptive comments or dialogue. There are examples of both of these development stages, below.

Developing a first draft script design-© 2015 Michael Hill

Developing a first draft script design-© 2015 Michael Hill

 

Visual roughing out of the script-© 2015 Michael Hill

Visual roughing out of the script-© 2015 Michael Hill

One scene in the script is a graphical recollection of my Doctor Comics alias. It reveals the design of one of his logo stamps/seals or chops that was roughed out on a paper napkin in a restaurant. Here is a scan of that design development along with attachments including a photo and a Japanese photo booth print sticker.

Developing a seal design, collage-© 2008 Michael Hill

Developing a seal design, collage-© 2008 Michael Hill

Another sequence involves Japanese sea monsters.

Seeing strange things at sea, ink and pencil sketch-© 2008 Michael Hill

Seeing strange things at sea, ink and pencil sketch-© 2008 Michael Hill

 

Possible print for the cover-© 2009 Michael Hill.

Possible print for the cover-© 2009 Michael Hill.

For details of the production of all five issues of this artist book/comic and a continuing visual history record and time-line overview of the project read all of the BLOTTING PAPER production reports on the following posts:  Issue #1: No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2: No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3: No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4: No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44   Issue #5: No.45   No.46   No.47

BLOTTING PAPER The Comic: Production Report No.43

Almost done! Completion of the art and text on pages of the fourth issue of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics has nearly reached the finishing line. After that all that will remain is the publishing production process of those pages. This includes the sequential stages of the pages being printed, collated, trimmed, covered and bound. Similar to the preceding three issues the present one has a total of 40 pages plus endpapers and covers. For this issue these covers will feature a wraparound print that includes the title. And being an artist book there will be a limited number of books published, in this case 30. Each book in this first edition will be numbered and signed by the artist.

Planned wraparound cover for Issue #4 (Monoprint-© 2011 Michael Hill)

Planned wraparound cover for Issue #4 (Monoprint-© 2011 Michael Hill)

With some spot colour still to be added plus a few paragraphs of handwriting, a bit of toning touch-up here and there and a little overprinting that might get overlaid I have spread out the pages in a probable sequence on the floor of the studio to get some sense of how the story flows and whether the juxtaposition of the page-spreads works throughout the issue. So there may still be some alterations to the sequencing in the final edit. I try to see a sense of rhythm in the overall progression of pages.

Pages from Issue 4 in layout spread-© 2015 Michael Hill

Pages from Issue 4 in layout spread-© 2015 Michael Hill

Pages from Issue 4 in layout spread-© 2015 Michael Hill

Pages from Issue 4 in layout spread-© 2015 Michael Hill

The next post should be the post-publication post! For details of the production of all four issues and a continuing visual history record and time-line overview of this project you can read all of the BLOTTING PAPER production reports on the following posts:  Issue #1:  No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2:  No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3:  No.30   No.31   No.32   No.33   No.34   No.35   No.36   Issue #4:  No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44

BLOTTING PAPER The Comic: Production Report No.36

Job done! Production of the third issue of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics was completed and the book launched in June at Comic-Salon Erlangen in Germany to which I had been invited by design colleagues, Professors Markus Fischmann and Michael Mahlstedt of Visuelle Kommunikation, Design und Medien Department of Hochschule Hannover University of Applied Arts and Sciences where I did a visiting academic gig back in 2007. Comic-Salon is the largest comics convention in Germany with 25,000+ attendees. Oh joy!

COMIC SALON, Erlangen. (Photo-© 2014 Michael Hill).

16th INTERNATIONAL COMIC-SALON, Erlangen, Germany. (Photo-© 2014 Michael Hill).

On the trading floor at COMIC SALON (Photo-© 2014 Michael Hill).

On the trading floor at COMIC-SALON (Photo-© 2014 Michael Hill).

Launching Blotting Paper #3 at COMIC SALON. (Photo-© 2014 Hoschule Staff).

Launching Blotting Paper #3 at COMIC-SALON (L to R: Louise Graber, Prof. Michael Mahlstedt, Dr. Michael Hill, Prof. Markus Fischmann, Krisi). (Photo-© 2014 Hoschule Faculty staff).

On display at COMIC SALON (Photo-© 2014 Michael Hill).

Pages on display at COMIC-SALON (Photo-© 2014 Michael Hill).

For Sale at €15 per copy (Photo-© 2014 Michael Hill).

All 3 issues of the comic for sale at €15 per copy (Photo-© 2014 Michael Hill).

On the trading floor at COMIC SALON (Photo-© 2014 Michael Hill).

On the trading floor at COMIC-SALON (Photo-© 2014 Michael Hill).

Donald Duck comics appeared to be very popular at COMIC SALON (Photo-© 2014 Michael Hill).

Donald Duck comics appeared to be very popular at COMIC SALON (Photo-© 2014 Michael Hill).

Cosplay at COMIC SALON (Photo-© 2014 Michael Hill).

Cosplay at COMIC-SALON (Photo-© 2014 Michael Hill).

For a visual diary record and time-line overview of this project that includes development of all three issues you can read the BLOTTING PAPER production reports on the following posts:

Issue #1:  No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13

Issue #2:  No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29

Issue #3:  No.30   No.31   No.32   No.33   No.34   No.35   No.36

Issue #4:  No.37   No.38   No.39   No.40   No.41   No.42   No.43   No.44

BLOTTING PAPER The Comic: Production Report No.32

STARTING TO GET A MOVE ON! In this third report documenting the production process and progress of the new issue of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics, Chapter 3, The Chthonian Turn: The Cats’ Revenge I can say that things are starting to move on the design front and scheduling of the creation of the planned pages is beginning to fall into place.

The production schedule is up!

The production schedule for Issue #3 is up on the wall!

The intended dates for completion of the five 8-page signatures have been approximated and with a good run could be ready for binding as early as June.

The art table has been established.

The art table has been established…

Ink more so than paint appears to be the dominant graphic ingredient in the production with dip pens, drawing pens and brush calligraphy involved although some of the inking will be made onto painted paper.

...and particular tools selected.

…and particular tools selected.

There are some pencils in there too, as well as the pens, with drawing and handwriting components plus my regular use of printmaking.

Ink tests are underway...

Ink tests are underway…

The mess of ink tests and mark making has begun.

...and drying on display.

…and on display whilst drying.

Further developments and an update on progress will be posted on this blog next month. For a visual diary record and time-line overview of this project, see all of the BLOTTING PAPER production reports. Issue #1:  No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2:  No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3:  No.30   No.31   No.32   No.33   No.34   No.35   No.36

BLOTTING PAPER The Comic: Production Report No.30

This is the first in a series of regular reports documenting the production of the third issue of my artist book/comic Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics. It continues on from those posted on the first chapter/issue The Ingurgitator (see posts #1-13 below) and the second chapter/issue A Blot On His Escutcheon (see posts #14-29 below). The new chapter, The Chthonian Turn: The Cats’ Revenge, deals with the cats’ reaction to the demise of Doctor Comics and that gentleman’s adventures in another dimension to which he has travelled. I hope to self-publish it before the end of the year.

Title page for Chapter 3 The Chthonian Turn–© 2013 Michael Hill

Title page for Chapter 3–© 2013 Michael Hill

As with the two previous issues printmaking is involved in the generation of images via woodblock, linocut, Japanese sosaku hanga technique, rubber stamps and wooden seals.  In addition other visual communication techniques such as drawing, painting, collage, cartooning and photography with the intention of producing a limited edition artist’s book kind of comic.

One of the spirits in the underground sky–© 2013 Michael Hill

Design of one of the spirits in the underground sky–© 2013 Michael Hill

I also intend producing more colour pages in this issue following the use of sporadic spot colour in Issue #1 and the 8 full colour pages in Issue #2. The colour will assist in the graphic representation of both the real and imaginary worlds featured in the comic.

Another of the spirits in the underground sky–© 2013 Michael Hill

Design of another of the spirits–© 2013 Michael Hill

For a visual diary record and time-line overview of this project, see all of the BLOTTING PAPER production reports.   Issue #1:  No.1   No.2   No.3   No.4   No.5   No.6   No.7   No.8   No.9   No.10   No.11   No.12   No.13   Issue #2:  No.14   No.15   No.16   No.17   No.18   No.19   No.20   No.21   No.22   No.23   No.24   No.25   No.26   No.27   No.28   No.29   Issue #3:  No.30    No.31    No.32    No.33   No.34   No.35   No.36