The 14th International Exhibition of Drawings held at The Museum of Modern Art in Rijeka, Croatia, 17th December 1998-20th March 1999, was devoted to comics (from the promotional material: On its thirtieth anniversary, the exhibition tackles the drawing elements of comics, a specific visual/verbal language of the popular medium of mass communication.) Invited to contribute to the selection of the show based on the research I was doing into the Australian Small Press at the time and after a referral from Professor Joan Kerr, I sent 13 works by 14 creators. I also wrote an essay The Australian Underground that was published in the exhibition catalogue in Croatian and English.
My list of selected creators(in alphabetical order) whose work was hung in the exhibition, plus the titles, dates and mediums of their comics were as follows:
Neale Blanden-Ah-choo, 1997-combined technique on paper.
Bernard Caleo and Tolley-The False Impressionists, 1997-combined technique on paper.
Timothy John Danko-Jean and Rolly, 1995-collage on paper.
Louise Graber-Black Light Angels, 1998-ink on paper.
Ben Hutchings-The Killer Foetus, 1997-combined technique on paper.
Gregory Mackay-Francis Bear, 1998-ink on paper.
Mandy Ord-Lightning Strike, 1998-ink on paper.
Q-Ray (Clint Cure)-The Comic Mesiah, 1998-ink on paper.
Tony Single-Blackie’s last day, 1994-pencil, felt pen, ink on paper.
Stratu-Kurt Hurt’s Reasons to Draw Comix, 1998-ink and whiteout on paper.
Ross Tesoriero-Radiation Sickness, 1997-ink on paper.
Ryan Vella-Stranger Danger, 1997-ink on paper.
Damien Woods-Upward + Onward, 1996-technical pen and felt pen on photocopy paper.
Other artists in this international exhibition included Max Andersson, Enki Bilal, Guido Crepax, Will Eisner, Jason(John Arne Sæterøy), Henry “Hank” Ketcham, Brant Parker, Hugo Pratt, Quino, Bryan Talbot, Mort Walker and Song Qing Zhu (Gao Diao). It was wonderful that the work of the Australian creators, drawn from the emerging Small Press gang of the time, was displayed alongside these creators.
This is the fourth in a series of posts called Archives of Australian Comics History documenting moments in the recent history of Australian comics, particularly alternative comics and the Australian Small Press. I started researching this subject in the late 1990s. That research eventually led to my PhD thesis: Ph.D. Macquarie University, Division of Society, Culture, Media and Philosophy, by virtue of the thesis, A Study Of Contemporary Australian Alternative Comics 1992-2000 With Particular Reference To The Work Of Naylor, Smith, Danko And Ord, 2003.
The other posts in the Archives of Australian Comics History series are: OZCON4, Mind Rot, Sick Puppy Comix, 2011 MCA Zine Fair and 2002 Sequential Art Studies Conference. Others will be added in due course.












