BLOTTING PAPER The Comic: Production Report No.9

Climbing onto the launching pad with 3 weeks and counting to lift-off, I’m finally happy to be able to say that we have a launch date for my comic/artist book/ehon Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics, Issue #1 The Ingurgitator. The date is 11 February 2012 at Hondarake bookstore in Sydney (details below). Now the countdown has begun.

(Pen and ink drawing by Michael Hill-© 2011 Michael Hill)

(Pen and ink drawing-variation- by Michael Hill-© 2011 Michael Hill)

Art Book Launch:  BLOTTING PAPER  by  Doctor Comics   +   exhibition of creative prints (using sosaku hanga method) by Michael Hill  a.k.a. Doctor Comics,    3-5pm Saturday 11 February at HONDARAKE  Level 1, 465 Kent Street SYDNEY w-http://fullofbooks.com.au  RSVP:  p-02 9261 5225   e-hondarake@gmail.com

Here is the poster for the event that will be accompanied by a small exhibition of prints that I have made following the Japanese sosaku hanga method. The exhibition will run for the entire month of February.

(Poster designed by Louise Graber featuring original print art by Michael Hill-© 2012 Michael Hill)

For an interesting visual diary and time-line overview, see previous BLOTTING PAPER: The Comic production reports: No.8,  No.7,  No.6,  No.5,  No.4,  No.3,  No.2,  No.1.

BLOTTING PAPER The Comic: Production Report No.8

Getting closer. Getting the job done. Completion of the first issue of Blotting Paper: The Recollected Graphical Impressions Of Doctor Comics containing Chapter 1: The Ingurgitator is imminent. Drum roll! What I had hoped to have out by the end of 2011 is now looking certain for early 2012. Another drum roll and celebratory banging on my own drum.

Testing out some type. (Photo by Louise Graber)

There have been some changes to the original script. This has resulted in compressions, extensions and deletions. I found that I needed more space to convey some simple sequences. The consequence of this meant shortening some other parts in order to keep to the 40 page issue amount that had progressively crept up from the planned 20 page limit. Enough! Some sequences weren’t working so they had to be cut although they may appear in a subsequent chapter if I can get them sorted, and some parts, whilst working in script form, were just too difficult for me to draw. Later, perhaps.

My very limited typographic box of tricks. (Photo by Louise Graber)

The type in print.

The other interesting development has been the welcome and necessary intrusion of photography in the project. Initially employed as a reference device for locations, objects and some figure positions and gestures that would in turn be converted into drawings, the lens art has now become a bit of a feature. Some pages are starting to look a little like sequences from a Mexican foto-comic or foto-novela or a form that I would describe as a picto grafia comic. There is still the anticipated drawing, collage and printmaking elements along with the traditional rubber stamped text (see the photos). Anyhow, I fully expect that the next report will confirm my suspicions of completion of the first issue of the comic and contain the announcement of details of publication and availability.

For an interesting visual diary overview, see previous BLOTTING PAPER: The Comic production reports: No.7,  No.6,  No.5,  No.4,  No.3,  No.2,  No.1.

CATS IN COMICS #6 What’s Michael?

In the comic What’s Michael? the cat in question, Michael, gets up to a range of anthropomorphic antics whenever his owner Reiko is out of the house at work or on holiday.  He acts more catlike in her presence, chasing moths, annoying dogs, spraying on the furniture when his litter box needs changing, hogging the blankets and the heater and the wooden cover on the hot tub that keeps the water warm. He is also capable of frustrating her by sleeping on the laps of guests who have overstayed their welcome thus extending their visit. When she’s at home he makes cat sounds rather than speaking dialogue and remains on all four furry legs rather than wearing clothes and standing erect. The creation of Makoto Kobayashi who provides both story and art, this manga won the Kodansha Manga Award in 1986.

Cover of A Hard Day’s Life volume, Dark Horse Comics.

Michael and his cat mates are both amusing and mischievous and value their independence whilst being dependent on their owners.  As most cat owners will tell you, or perhaps they wouldn’t admit to it, Michael is the kind of cat that controls his owner rather than the other way round. Oh, and he’s bright orange-well on at least on the cover he’s in colour. The manga pages are in black and white. There is also an anime version of the manga. And that is in colour.

Watch Michael’s dance moves as he plays with a ribbon!

Other cats in this Cats In Comics series: DoraemonKrazy KatThe Rabbi’s CatDanko’s Cat and Mouse Collage and Fred.