DOMO ARIGATO MR. ROBOTO: Toy Porn 2 Review

Domo Arigato Mr. Roboto! Tonight I went to the opening of a fascinating exhibition in Chippendale an area that is becoming something of an art scene (in the last few weeks I have been to exhibitions at galleries within a stone’s throw of each other-MOP, NG and White Rabbit). This exhibition Toy Porn 2 showcased the work of artist Nick Stathopoulos who recently made a portrait of the comics creator Shaun Tan for the Archibald Prize. There are no portraits of Tan here but appearances by character creations from animation, comics and films such as Astro Boy, Tintin, Batman, Thunderbirds, Robby the Robot, The Beatles in their Yellow Submarine, and assorted others. (Note: the Tan portrait was on display in the restaurant downstairs-see comment below by Ian McLean).

He always comes between us – Acrylic and oil glaze on canvas-2011-60 x 60 cm

Stathopoulos paints in an extremely hyper-realistic style on a flat canvas but manages to deliver a convincing three dimensional effect. He does intensely detailed, very fine painting with no trace of brushstrokes. His rendering of plastic surfaces is extraordinary. It is a labour of love. There is tension evident in the work. He always comes between us portrays a moment of drama with Snowy separated by a surprised Tintin and an annoyed Captain Haddock. A painting of the package containing the Yellow Submarine toy is a tense sight to a collector for its detailed representations of scuffs, scratches and bends in the box that indicate the toy is in a less than mint condition yet still to be cherished.

Michael Hill a.k.a. Doctor Comics with the artist at the opening. (Photo by Louise Graber)

Porn? I am familiar with shelf porn, the display of treasured collections. There are comics collectors who proudly reveal photographs of their bookshelves with the spines of all the graphic novels they own and that others might envy. The notion of ‘display’ of one’s collection, or as Claudia Chan Shaw described in her address, one’s ‘habit’, seems to be an essential element of this behaviour. So perhaps you looks at these images of someone else’s collection and long for or ‘lust’ over the titles that they have that you don’t? There is the love for the object in question and the desire for possession of it.

The artist does his impression of Tintin astonishment sans stand-up curl but with Capt. Haddock beard. (Photo by Louise Graber)

The show was opened by Claudia Chan Shaw, ABC-TV’s Collectors, who admitted to being a bit of a collector with a weakness for plastic and vinyl. She even brought one of her toys along to the event. Her speech was both erudite and amusing and she demonstrated a fine understanding of the business and motivation for collecting including, in this instance, the need for a reconnection with the playthings of one’s childhood. She was charming. Discussing her own collecting habits Claudia mentioned the therapeutic value of going public and sharing stories with other collectors, gaining empathy in a kind of collaborative complicity. She was wonderful, the perfect choice to launch this show.

“Domo arigato, Mr. Roboto!” Claudia Chan Shaw, Doctor Comics and the artist Nick Stathopoulos. (Photo by Louise Graber)

Standing next to Nick’s portrait of Robby the Robot from Forbidden Planet and opposite the Thunderbirds and with Claudia and Nick duelling with their Astro Boys, images of Tezuka’s Tetsuwan Atomu and the music of Queen’s Domo arigato Mr. Roboto by Japanese band Polysics played in my mind. Robots, rockets, plastic and vinyl were GO! This exhibition is an affectionate tribute to toys, their collection and preservation. Toy love. Well done Nick!  Good show. Comics lovers should definitely see it.

Toy Porn 2 is on at NG Art Gallery Little Queen Street, Chippendale, 26th July-13 August.

GETTING SMASH(ed)!

Saturday July 16, 2011 was a day of anime amusement at SMASH! (the Sydney Manga and Anime Show).

The SMASH! 2011 program.

Located for the first time in its short history at the Sydney Convention Centre in Darling Harbour because it kept outgrowing its previous venues from the Rounhouse at the University of New South Wales to the Sydney Town Hall, it moved to this level with ease.

The view from inside the Convention Centre. (Photo by Michael Hill a.k.a Doctor Comics)

On a sunny Winter Saturday in Sydney SMASH!  simply shone attracting the sweetest fans of all ages.

Welcome from the other Box Man. (Photo by Louise Graber)

On arrival there was a welcome gesture from Box Man, not Imiri Sakabashira’s Box Man but another one, a D.I.Y. white one. An occasion to dress up, there were costumes that required weeks of sewing, beading, feathering and functioning, paraded throughout the venue and on the cosplay stage.

A tutu moment… (Photo by Michael Hill a.k.a. Doctor Comics)

A Degas moment… (Photo by Louise Graber)

And some who didn’t dress up were happy to pose with those who did, and some of those who did dress up were happy to let them.

One happy fan. (Photo by Louise Graber)

It was good to see so many children there in addition to university, high school and primary school students, some with parents.

Three young cosplay fans. (Photo by Michael Hill a.k.a. Doctor Comics)

There were Hobby Rooms for the construction and display of dolls and robots…

Some Dolfie dolls. (Photo by Michael Hill (a.k.a. Doctor Comics)

and tired doll collectors patiently waiting for a seat in the Maid Cafe.

Lolitas with Dolfie. (Photo by Michael Hill a.k.a. Doctor Comics)

There were Art and Doodle Rooms for art and doodling…

Marker art. (Photo by Michael Hill a.k.a. Doctor Comics)

and Panels with noisey Guests…

Anime director Shinichi Watanabe. (Photo by Michael Hill a.k.a. Doctor Comics)

…and an epic two hours plus Cosplay Competition…

A really big and really, really long Cosplay Competition. (Photo by Michael Hill a.k.a. Doctor Comics)

…not to mention a Gundam workshop, Karaoke, videogames, a screening of the excellent anime Summer Wars, sewing, pattern and armour making workshops, and a huge trading floor full of vendors, artists and clubs. And it all glowed in the presence of the patronage of the Japan Foundation, one of the stakeholders in the event. Smart too, as Japanese popular culture positively thrived at this convention. It was a magical, wonderful, fantasy day!

My report on last year’s event can be found on Forbidden Planet International.

BLOTTING PAPER The Comic: Production Report No.2

Title page for first issue of comic (Design by Michael Hill a.k.a. Doctor Comics-© 2011 Michael Hill)

Here is an impression of the block shown in Production Report No.1. I have experimented with moving the block during the printmaking moment as a reaction to the traditional practice of careful registration. I am enjoying the freedom of being able to do this and as this is a creator owned comic I can make my own arrangements about that. I am very interested in experimental image-making. Below the main title is my first attempt at visualising the subtitle. Again the registration is askew and some of the fonts are mixed but that’s all right. It’s more important to me what it says.

The comic is based on memories I have of a career in education that involved teaching, research, course design and consultation. First I worked at an art college and then at a design school across the disciplines of film, video, animation and visual communication. Comics came up quite a lot, first as a method of teaching storyboarding and then as a medium in its own right. There was also a bit of printmaking that I got involved in and that has stayed with me in my artistic practice over the years. It appears in the comic on the title page and in many panels on several other pages.

A bit too much blur. (Design by Michael Hill a.k.a. Doctor Comics-© 2011 Michael Hill)

Another experiment. (Design by Michael Hill a.k.a. Doctor Comics-© 2011 Michael Hill)

So the ‘graphical impressions’ are both memories, or recollections, of graphic incidents and drawings or prints of these. Some of the prints are generated from rubber, some from wood and some from lino blocks. On the title page both the title and subtitle were obtained from rubber whilst my name was cut in lino. This page looks a bit too typographic at this stage so I think I shall be adding an illustration somewhere in there. In addition to printmaking as a method of image-making in the comic there is also a lot of drawing with various tools from traditional dip-pens and pencils to felt-tipped pens and brushes and a range of inks. Watch this space.

Getting closer. (Design by Michael Hill a.k.a. Doctor Comics-© 2011 Michael Hill)

See previous production report: No.1.